Thousand Hand Guan Yin-"Avalokitesvara Bodhisattva is an astonishing performance in celebration of the Goddess of Compassion, Quan Yin. It is even more astonishing when one learns that this Chinese production was performed by deaf and blind performers. Quan Yin, like Tara, is the embodiment of infinite mercy and assistance to all who call on her. She is "She who hears the cries of the world". Avalokitesvara means "Lord/Lady who looks down", a Bodhisattva who embodies compassion. Kuan Yin has a thousand arms with which to scatter blessings, a thousand arms with which to bring help to those in need. What an amazing invocation these performers make!
http://youtu.be/xgHmSdpjEIk
http://youtu.be/Ov_iJQGq6DI
Thursday, September 27, 2012
The Martian Chronicles
Rock Hudson: "How should we live?"
Martian: "Anyone
with eyes can see the way to live."
Rock Hudson:
"How?"
Martian: "By
watching life, observing nature, and cooperating with it. By living life for itself, don't your
see? Deriving pleasure from the gift of
pure being. Life is its own answer. Accept it and enjoy it day by day. Live as well as possible. Expect no more. Destroy nothing, humble nothing, look for
fault in nothing, leave unsullied and untouched all that is beautiful. Hold that which lives in all reverence, for
life is given by the sovereign of our universe, given to be savored, to be
respected. But that’s no secret."
I miss Ray Bradbury. I miss when aliens were wise beings more evolved than us. I've always loved this quote from the movie.
Tuesday, September 25, 2012
Daniel Dancer's Sky Art
"If we can make a creative crack in the world's deadly abstractions,
the divine will rush up bringing great bounty with it."
the divine will rush up bringing great bounty with it."
Here's one of my favorite Green artists. His medium? People! His canvas? The Earth! I take the liberty of copying below from his website.
Daniel Dancer, who lives in Oregon, became fascinated with sky art while traveling in
South America in the 80's and encountering the Nazca Lines of
Peru. When he returned home, he began working with Kansas field artist,
Stan Herd, who creates giant images on the Earth by
using a tractor as a paint brush and crops for color.
One day, Daniel
decided to bring an entire elementary school out to perform as beads on
the headband of a 25 acre Indian head. . A decade
later the parents of one of the "bead kids"
told him that the experience taught him that things aren't always as they seem . .
. that a Big Picture View of the world is really important!
450 children perform as "beads" on headband of "The Native American,"
a 20 acre field image by Stan Herd (photo © Daniel Dancer 1989)
In an earlier time,
art was more than what someone else did for us to collect for the walls
and tables of our homes. We were all artists and doing art was a part
of life which connected us to the whole of nature. Daniel Dancer's art,
events and residencies are an effort to reclaim this way. Whether
crafted alone in a sacred manner upon the ravaged areas of Earth, or
with a community of others, his way of art is medicine for ourselves and
the Wild. His practice is a deep way to give thanks for the
beauty which surrounds us and to seek forgiveness from Earth for the
damage inflicted by humankind. Through story, intention and
participation with others, each piece becomes a way to activate a
healing responsiveness from our culture. Uncollectable, his works have
real and intrinsic value...like Earth herself
Dancer's decade long photography work with Stan became the material for a five-year touring show with Exhibits USA called Fields in Focus: Art For the Sky, and a book called Crop Art and Other Earth Works. Daniel's fascination with developing humanity's big picture vision led him to work with Lighthawk
(the environmental air force) aerially documenting the human impacts
upon the natural world. His interest guided him across the continent in
the creation of varied found art works upon the Earth that made the most
sense when viewed from above. Believing that "only from the sky can we
truly understand our rightful fit in the world," Daniel's mission is to
awaken what he calls "sky-sightedness". To awaken this way of seeing the world he founded
Art For the Sky in 2000.
Daniel's work as a conceptual artist
and educator has been shaped by his travels worldwide in search of
styles of being that engender happiness and sustainability. His striking images of beauty and
destruction have been published in hundreds of publications worldwide
and viewed in galleries across America. It is precisely this interface
between wild nature and devastation that most greatly informs his work
and which led him to try to reach as many people as possible through sky
art. Working with communities from Alaska to Australia Dancer has documented his work in various ways. An Exhibits USA tour called Sacred Ground-Sacred Sky: An Eco-Experience
became their second most requested show in its five year tour across
the country. This 32 picture educational exhibit is currently seeking a
permanent home where it can be on public display. All of Dancer's work
to date is documented in his book, DESPERATE PRAYERS: A Quest for Sense in a Senseless Time. Dancer is the founder of Rowena Wilds,
a 200 acre, eco-community near Hood River, Oregon where he lives in his
Earth-sheltered home built of recycled and Earth friendly materials.
Peace Dove with Rose, Portland, OR. 2002
Beyond the Sky - Grand Rapids, MI 2011
"This is the first of a 3D series of imagery called "Emergence." Here we see a mysterious "Pool
of Potential" that has opened up in the Earth, made up of children. Two giant albatross
are seen flying these "souls" into the reality of their birth . . . special souls that are visionary
and evolved and will help lead people into harmony with the planet and one another.
This is the first image where people play "themselves" rather than pixels on something else."
Polar Bear Sky - Culminating Maryland's Green School Youth Summit, 700 participants
form a polar bear standing on an tiny iceberg floating in the ocean . . . an iconic representataion of global warming. Maryland's Governor O'Malley is the lone man on the ice. The 350 in red is the number climate scientists say is the maximum parts per million of greenhouse gasses we can have in our atmosphere. It is now 390 and going up.
World Oceans Day in Victoria, BC
An endangered marbled murrelet made with 1000 students and teachers swims in a sea made of 1500 pairs of blue jeans and icebergs made of sheets. The 350 signifies the maximum parts per million of carbon we can have in our atmosphere to survive global warming.
Sky Whale, NSW Australia, 2007
A humpback whale made of bark chips and sand was built for the finale of the 5 Lands Walk. This annual festival is a 10K "walkabout" along a coastal path that knits five communities together in celebration of nature at the height of the humpback whale migration.
RAVEN'S MESSAGE
Butte College, California sustainability students depict a raven flying over Earth as the polar ice caps are melting. Raven has a message: Achieve a ceiling 350 parts per million of carbon in our atmosphere or risk climate catastrophe. Fall, 2009.
Butte College, California sustainability students depict a raven flying over Earth as the polar ice caps are melting. Raven has a message: Achieve a ceiling 350 parts per million of carbon in our atmosphere or risk climate catastrophe. Fall, 2009.
Dancing Crane. Hinkle Middle School 5th graders bow down before the image
of a sandhill crane created out of mulch, in a ceremony to welcome these great
birds to the the soon to be restored Snowden Wetlands near White Salmon, WA.
A collaboration with Columbia Gorge Ecology Institute (2008)
On February 28th, 2011 in Salt Lake City, Utah, activists took to the streets to sing, march and do sky art in a display of solidarity with Tim DeChristopher, aka "bidder 70", whose trial for civil disobedience in defense of Utah wilderness and climate justice began that day.
Raising the Dove peace mandala during Alliance for Peace Conference
in Vancouver, WA. 2008 (see 90 sec. movie)
Daniel Dancer's book shares his travels as he creates healing art in ten endangered ecosystems. He reflects on spirituality, indigenous knowledge, quantum physics, psychology, and ecological principles. The result is a hopeful gift for apocalyptic times. Entertaining, and beautifully illustrated.
Saturday, September 22, 2012
Spirit Photos and Energy Work
I've been doing energy work that is about the ways we block ourselves with negative patterns....not just as ideas, but as unconscious fields, "resonance". I don't know how to describe the work, to be honest, except to say that it's come to me in a rather miraculous way. I thank Lonnie for her generosity!O Great Mother Goddess
We call on you now.
Rise up from your roots.
Hear us, our voices of pathos.
See our dancing feet,
With our hearts, we drum you back.Erica Swadley
This past week she gave me some "homework". We were working on the way that I have, in the past ten years, shut down much of my psychic sensitivities, because of being in an unsupportative environment (family) as well as some negative experiences in the past. Living in a field of "unbelief" creates unbelief. But now it's time to open again, so that I can be more integral in all aspects of my life. Filtering experience through what we "believe" has a lot to do with what we actually experience (remember the old saying that to a thief, the greatest saint in the world is just a set of pockets?).
Homework was to do something that "takes back power from not believing". I said that I would share my spirit photos, because they are one of the most extraordinary affirmations I've ever received. Taken at a performance/ritual called "Restoring the Balance" by photographer Anne Beam in 2004, I've always felt there was a reason they happened, and they were meant to be shared because spirit had something to say. But I've received all kinds of negative dismissals from people about them, including people who think I, or Anne, "photoshopped" them. I didn't, and I know Anne didn't either.
Spider Woman weaving with audience |
To read about the performance, and the way it came to be, there's an article on my website: "Restoring the Balance - a Celebration of the Great Mother". It's too difficult to show these photos with the entire context without re-writing the article, but in brief, different masks from my collection were used to perform stories of the Goddesses.The event was inspired by my meeting with a Native American storyteller, Grey Eagle, who spent years among the Inuit in Alaska as an activist, sharing their stories and rituals.***
We used the "Story of Sedna", the wounded Earth/Ocean Mother of the Inuit, and their rituals of atonement and attunement as the focus for our performance, which was above all created as a ritual for the same purposes of Earth Honoring and Healing. Synchronistically, as we were rehearsing the performance, we learned that a new planet had been discovered beyond Pluto, which had been named "Sedna". The photos were taken by Anne of that performance/ritual on April 9th, 2004. So here goes:
In this photo, Erica Swadley is performing the role of "Sedna's Shaman". In the rituals that are done for "restoring the Balance", prayers and confessions are "gathered" by a female shaman (Grey Eagle told me this), who then takes them to the suffering Sedna deep in the depths of the ocean. She brings the prayers and "promises to create a better life story" to her, and cleans her body from the filth that has fallen down upon her. She combs Sedna's long hair, and brings to her the love and regrets of her people, asking her to forgive them, thanking her for food and life, and to restore the balance. Erica, I believe, chose this role because she herself is an experienced shamanic practitioner and healer, as well as a poet. The photo shows her before the story begins, doing a prayer dance to invoke Sedna. Notice the strange, but beautiful, overlay of two faces in this photo. Erica is a white woman in her early 60's. The younger face, that seems to have white stripes painted on her cheeks, looks distinctly non-caucasion to me. It's not Erica's face, and I don't believe she was praying/dancing alone.
Quynn Elizabeth rehearsing "Kali" |
KALI
The "Invocation to Kali" was done by another prominent shaman in Tucson, Quynn Elizabeth. Quynn had ritually worked with Kali in the past, and the Kali mask was a good fit. Here she is in the dress rehearsal with the mask - note that her costume is black. And here she is dancing at the performance itself. There were theatrical lights on her, but nevertheless,
notice how she seems to "disappear".
Quynn Elizabeth invoking "Kali" |
Quynn Elizabeth performance and " emerging goat" |
Goat? |
Last picture of dance for "Kali". A goat? |
This is the most striking photo.......you can see the back of Quynn's head and her back, and there is a "figure 8" shape, and in front of that what Anne and I decided had to be a goat. That seemed pretty bizarre, but later I thought about how in India goats and sheep were sacrificed to Kali when devotees went to pray. Perhaps, symbolically, Kali was accepting our "Offering", and provided us with a "goat".
THE VISITOR
Anne called this photo "the visitor". It's the end of the performance, all the cast has emerged and is circling in a dance just before the music stops and everyone takes a bow. You can see the audience and the dancing cast, and between them a white form that looks like a head and shoulders. Here's the photo after I put it into negative:
"Visitor" in negative |
SPIDER WOMAN
My favorite photos from the performance are those of dancer, Tarot instructor and Wiccan Priestess Morgana Canady performing the role of Spider Woman. I used the story of Spider Woman, the great Weaver, to demonstrate the truth of interdependancy and interconnection as she wove a web (literally) with the audience from many cords that came from a "sacred hula hoop" she held around her waist. For that brief while, as the entire room chanted "All One, All One" everyone there was connected to threads that were held by cast and audience, extending to the last aisle. Morgana, aspecting Spider Woman and acting as a "filiment" at the center to raise the energy with the audience that will release the prayer/intention of the ritual, also seems to disappear in light.
Here Morgana prepares to "weave", building energy. |
Shapes that obscure a shot of the audience during the "weaving" segment - looks a bit like a hand to me.
My favorite photo - "Spider Woman's Hand". The cords are from the "web" Morgana is weaving, cords the audience is holding and extending back. The black blob on the right is one of "Spider Woman's assistants", who is wearing a black cape. We have no idea what the little white spots all over the place are, perhaps they are like orbs, energy forms. Just above the black caped shoulder is a hand that is weaving! That hand cannot be explained, except that it is, for me, who has written about Spider Woman for many years, a hand of blessing and of affirmation. (And, interestingly, I went on to receive a fellowship at the Aldon Dow Creativity Center in Michigan in 2007 for a community arts project I called "Spider Woman's Hands".)
Why were we given these spirit photos? I believe because Spirit wants us to know that we don't create sacred performance, ritual, or art alone. We are given "invisible means of support". Also, because the message that Grey Eagle (who passed away in 2006) gave us about Restoring the Balance with Mother Earth, and the return of the Divine Feminine is profoundly, profoundly important. They want us to pay attention.
So, there's my "homework" Lonnie. And as before, I am truly grateful for all the support I have received in all ways. Blessed Be on Mabon, the Autumnal Equinox.
Mana Youngbear bringing the Grace of White Tara |
*** Whenever I touch on this work, it always gets very synchronistic. As I was beginning to write this article this morning, out of curiosity I googled "Restoring the Balance Ritual" to see if my previous article came up quickly on the internet. My article came up number one, and after it a native American based site called "Earth Mother Crying" (http://www.earthmothercrying.org/Prophecy.htm) (remember that the story of Sedna concerns Sedna crying and suffering beneath the ocean, and her Shaman going to comfort her). If that wasn't enough, there is a rather long quote from a teacher (I want to investigate who he is further) called "Grey Eagle" on the page above. He talks about the "5th Hoop" ..... which gives me insight into my long art project, the Rainbow Bridge. And whoever is writing in the site talks about the importance of the return of the Feminine, and says that a great healing is going to start in Alaska!
Ok, my attention is fully engaged now, and I'm going to pursue this more in the future. But for now, I need to close, but copy below a few words from the site above, which has provided me with such a splendid synchronicity.
"They say that this
is necessary to help keep the balance of Mother Earth. And that there are
keepers of this balance that are around the world like us.......In moving
into this time of the World of the 5th Hoop, it is going to be a time of
great healing.....and the Hopi say that it is going to start in the North. I have learned just
recently that it is going to start in Alaska.....................
The signs
of this time of healing that is to start are: When the
children bring back the spirit to the village; when the young start speaking
with the wisdom of the elders; when the leadership energies start shifting
to the feminine side; when this hoop of the 100 eagles feathers gets
completed. And when the White Bison shows up. These are all the signs of the
movement from the 4th to the 5th Hoop.
Your
intuition is going to tell you what I am saying is true. The world for the
last 4,000 or so years has been stuck in the male energy side. The male
energy is thinking from the brain. It is a management from the top down. It
is more aggressive. It does not use intuition or feelings from the heart. It
is a different kind of energy. It is not a bad energy. It is just
different than the female energy. Female energy is healing, nurturing,
loving, caring, touching, sharing. The world spiritual leaders know
now that these energies have shifted to the female
side.
The center
of the top of the energy entrance to the Earth Mother is here through
Alaska. The spiritual leaders say that a host, hosts of angels, are coming
through Alaska-- spreading out throughout the world for this healing to take
place.
Notes: I found the "Grayeagle" above on a few other sites. This is not the Grey Eagle I met, of course, but I am fascinated by this synchronicity:
"Blue Thunder, Teacher from among the Eastern Shoshone people, sent this significant message from Grayeagle from the Yukon Territory of Canada."
"Blue Thunder, Teacher from among the Eastern Shoshone people, sent this significant message from Grayeagle from the Yukon Territory of Canada."
Tuesday, September 18, 2012
The Nature of Sacred Space by Sig Lonegren
The Nature of Sacred Space
A tone poem Sig Lonegren wrote .........rediscovered it and felt like posting it.
All the Earth is Sacred, With Every Step We Take so the chant goes, and, of course, it is true. But there are places where it is easier to perceive the Spirit than others. Places where it might be easier to feel at one with the One. It's the Nature of Sacred Space. It might be easier to feel at one with the One in Avebury Stone Ring than, say, in Hell's Kitchen;
or in Mesa Verde
than in Times Square. So, there are places on this Earth Where Spirit is concentrated; Where it's "more sacred." The weird thing about this concentration is that everyone who goes there sees Spirit differently.
Some encounter Spirit
others find Curry and Hartmann Grids,and see Jesus Others see Mohammed, Buddah, or Cerridwen. Then there's the Little People and Manitou... Dowsers are the same. . . No two dowsers, even if they had the same teacher, find the same thing when dowsing in sacred space. Some find energy leys and domes of water, then there's Michael and Mary Lines, and Aquastats and Track lines, not to mention "energy lines" and Maltese Crosses. The list goes on and on. So, why does everyone see it differently? I think it has something to do with the level of consciousness of the individual, his/her set of expectations, and What s/he's ready to "see." Hmm. . . Who decides that last one - what we're ready to see? Maybe it is Spirit. Not some dumb energy with no consciousness. But the Energy of Spirit with total eternal consciousness. Maybe it is the Spirit of the Place who decides what we see... |
Sig Lonegren
http//:www.geomancy.org
http//:www.sunnybankglastonbury.co.uk
Saturday, September 15, 2012
Hobby Lobby wants to deny women employees birth control
Drop your suit or I'm dropping your store
Please sign and forward petition:
http://act.weareultraviolet. org/sign/hobbylobby/? referring_akid=183.99468. B6OdTr&source=mailto
Actually, going to Michaels is just fine with me from now on in. By the way, is there anywhere in the Bible where Jesus says that women not have access to birth control? What's next, a new Inquisition?
Hobby Lobby, an arts and crafts retailer founded by evangelical Christians, just announced that it's suing the government over certain women's health provisions of the Affordable Care Act--mainly, they don't want to have to provide their employees with insurance coverage for some forms of birth control, like IUDs or the morning after pill. If they win, the result could be devastating for women, enabling other businesses to deny female employees birth control.
We've got to speak up. Hobby Lobby is a business like any other, and depends on its customers and good public relations to be successful. If enough of us speak out and show Hobby Lobby's Chief Executive David Green that the public is outraged by this move, they might have to back off, and it might make other companies less likely to try the same thing.
We've got to speak up. Hobby Lobby is a business like any other, and depends on its customers and good public relations to be successful. If enough of us speak out and show Hobby Lobby's Chief Executive David Green that the public is outraged by this move, they might have to back off, and it might make other companies less likely to try the same thing.
Our message to Hobby Lobby CEO David Green
"All women deserve affordable access to birth control and its a woman's personal, medical decision on which form to use. I won’t be shopping at your store until you drop this suit, and I’ll be telling my friends to do the same."
Please sign and forward petition:
http://act.weareultraviolet.
Tuesday, September 11, 2012
9/11: On The Beach
ON THE BEACH (Oct. 11th, 2001)A river Goddess with no name.
One month
after the world ended
The little island world we,
the privileged few, could pretend
was safe, forever, and righteous
The fallen towers,Tourists walk barefoot
fiery messengers
of unfathomable destruction yet to come.
on the familiar beach.
They came here, I imagine,
as I have, not to forget,
but to remember.
To remember driftwood and high tide
a red dog and a yellow-haired child
as they enter the water -
their cries of goodly shock
and honest forevers
always new, always cold, always blue.
A white heron,Wave forms overlay my feet
balanced in perfect equanimity
on one leg.
transparent hieroglyphs of infinity.
Her way of speaking.
Gaia. Her manifest, unspoken words.
A brown man
lies beside the mossy cliff, spread-eagled
between sky and sea and land.
Sand sunk, leaf-molten,
blackberry thorn - into the green
toes, fingers, flesh
reaching into the green
redeeming Earth.
He is rooting himself.
He is taking himself back.
I lie down in grateful imitation, a stranger
in companionable human proximity,
sharing this rite of remembering.
I see her now, a girl
walking on this very beach
Yesterday, and 30 years ago.
sourcing,
sourcing the one who lives here
She has made a mermaid offering
of sticks and sand and seaweed.
Companions arrive, offer shells,
and return to Berkeley.
To Vietnam, the Cold War,
the Berlin Wall,
the war, the wall,
the war, the walls.
The war,
and the summer of love.
("the revolution will not be televised")
A generation to end war, raise hell, raise consciousness,
raise Atlantis, and raise the new and Golden Age
("the revolution will not be televised")
How did we get here
from there?
I call you back, girl.
I call you back.
I am at the other end
of this life now
your feet touch mine
beneath the sand,
I follow them
on the beach
Your sand prayers
ring here still
The Earth
is my witness.
Lauren Raine (2001)
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