Saturday, July 30, 2016

Our Lady of the Waters

The Monsoons have come at last, 3 blessed days of the Thunder Beings rushing in, the Katchinas dancing in the skies, and then the streets and the arroyos run with the blessing of water.  I remembered NUMINA - OUR CHANGING EARTH, the 2013 play by Ann Waters and her community in Willits, California, which I was privileged to create masks for.   Photos are courtesy Jerri Jo Idarius.

Lady of the Desert Spring

Our lady of the Arroyos, 
Come to us,
Come to us, 
O come to us.

Nuestra Señora de las Aguas  

Mother of the cottonwoods, 
the Palos Verdes
Snake and mallow
ocotillo and saguaro
night-blooming Cereus
night-roaming  coyote 
red tail hawk and la paloma
two-legged, four-legged, 
and those who fly

Hear our prayers 
O desert spring
Hear our prayers 
for those who suffer thirst, 
for the parched earth. 

Spread your mantle of green and turquoise, 
your bright artery of life, 
upon this empty riverbed,
upon this ancient aquifer, 
down the arroyos
of our dreams. 

Wednesday, July 27, 2016

Our Lady of the Saguaros

Our Lady of  Tumamoc Hill

There are unexpected poetics along the popular trail that winds up Tumamoc Hill, smack in the center of Tucson and affording a great view of the whole city.  It is also a Sanctuary for the asking, and sometimes the Goddess appears at unexpected moments.

I felt like sharing this Shrine, with its mosaic  Madonna standing at the trail head (or, at the end of the trail, depending on your perspective).  The Shrine occurs on someone's house, an old house that stands at the trail head to  Tumamoc.  Tumamoc  is  near A Mountain. A  Mountain (which might be more appropriately called "A Hill") is an extinct cinder cone that features a large "A" on it's pointy side. The "A" came to special prominence in 2003, when patriots painted it red, white and blue as George Bush prepared to invade Iraq, and anti-war protesters painted it green in the middle of the night. For about 6 months, you never knew what color the "A" would be, but eventually the patriots won and it remained  a garish red, white and blue until last year, when it transfigured into a simple white A.  Changing times.  At any rate, the trail is taken very  early in the morning before the heat comes. It rises gradually among a grove of saguaros, and affords a wide view of Tucson, and the sunrise among the Catalina Mountains.

I don't actually know what the shrine is called, but I call it "Our Lady of the Saguaros". Because, as you walk up the hill, you pass chaparral, medicine plant, sage, and impressive Saguaros. Native people called them the "fingers of God", and indeed, they often do seem to be making Mudras, telling slow stories about time, heat and the desert, if one can only find the means to read the sign language they speak.  Right now, having bloomed white flowers in April and May, their tops are crowned with red pear shaped fruits, which the birds are tearing open to eat. It's quite wonderful to see those red tops, and masses of finches and doves gathered on the tops of the desert trees, happily feasting.

May we all find "Our Lady" (by whatever name) waiting for us at the end, or beginning, of the Trail.

Saturday, July 23, 2016

A Great Era to Be Alone: "the Flight from Conversation"

 "We have gotten used to the idea of being in a tribe of one, loyal to our own party...........As we get used to being shortchanged on conversation and to getting by with less, we seem almost willing to dispense with people altogether. "
Sherry Turkle*,  NY Times SundayReview | OPINION

I really like the work of Sherry Turkle , who writes so cohesively on something I so often have thought about,  i.e., the increasing loss of a conversant society.   On my cynical days,  I sometimes feel that a world devoted to  consumerism is also reflected in how people relate to each other - as disposible.  After all, all you ever have to do is push the "Delete" button.

I come from the Dark Ages, a time before PC's, the Internet, before cellphones, even before cable TV.  If you wanted to talk to someone, you met them for conversation, you called them on the phone that was usually at your home or a phone box, or you wrote a letter.  None of this was instantaneous, it took a bit of planning. You were never available 24/7 - no one could call you while you were driving a car, nothing bleeped in your pocket demanding your attention while you were talking to your husband. 

I grew up on coffee houses in the Bay Area, the Cafe Med and Cafe Trieste for example, where people went to converse, a far cry from the impregnable wall of laptops you encounter in a coffee shop now, their operators often with headphones on so they can be more effectively plugged into cyberspace.  I'm not sure why they go to coffee shops at all, but I guess they at least want the semblance of other human beings around, even if they don't have the skills or inclination to talk to them any longer.  And why should they?  How can the messy "real world" compete, after all, with the Internet?  

And then again, maybe they are sitting in that coffee shop oblivious to even the bodies around them, and that nod to human interaction is wrong.  It's purely the wifi and caffiene.  

I do know that I no longer try to engage people at random in conversation.  And I don't call people I know personally, because it seems more  like an imposition now.  And I don't send emails or letters much either, because no one seems to have time to answer, or I'm lost somewhere in the Spam filter.  Every one is so busy now.  It's a good thing  I have cats and lots of books.

In the Age of Connection, it's a great era to be alone.
The Flight From Conversation


WE live in a technological universe in which we are always communicating. And yet we have sacrificed conversation for mere connection.

At home, families sit together, texting and reading e-mail. At work executives text during board meetings. We text (and shop and go on Facebook) during classes and when we’re on dates. My students tell me about an important new skill: it involves maintaining eye contact with someone while you text someone else; it’s hard, but it can be done.

Over the past 15 years, I’ve studied technologies of mobile connection and talked to hundreds of people of all ages and circumstances about their plugged-in lives. I’ve learned that the little devices most of us carry around are so powerful that they change not only what we do, but also who we are.

We’ve become accustomed to a new way of being “alone together.” Technology-enabled, we are able to be with one another, and also elsewhere, connected to wherever we want to be. We want to customize our lives. We want to move in and out of where we are because the thing we value most is control over where we focus our attention. We have gotten used to the idea of being in a tribe of one, loyal to our own party.

Our colleagues want to go to that board meeting but pay attention only to what interests them. To some this seems like a good idea, but we can end up hiding from one another, even as we are constantly connected to one another.

A businessman laments that he no longer has colleagues at work. He doesn’t stop by to talk; he doesn’t call. He says that he doesn’t want to interrupt them. He says they’re “too busy on their e-mail.” But then he pauses and corrects himself. “I’m not telling the truth. I’m the one who doesn’t want to be interrupted. I think I should. But I’d rather just do things on my BlackBerry.”

A 16-year-old boy who relies on texting for almost everything says almost wistfully, “Someday, someday, but certainly not now, I’d like to learn how to have a conversation.”

In today’s workplace, young people who have grown up fearing conversation show up on the job wearing earphones. Walking through a college library or the campus of a high-tech start-up, one sees the same thing: we are together, but each of us is in our own bubble, furiously connected to keyboards and tiny touch screens. A senior partner at a Boston law firm describes a scene in his office. Young associates lay out their suite of technologies: laptops, iPods and multiple phones. And then they put their earphones on. “Big ones. Like pilots. They turn their desks into cockpits.” With the young lawyers in their cockpits, the office is quiet, a quiet that does not ask to be broken.

In the silence of connection, people are comforted by being in touch with a lot of people — carefully kept at bay. We can’t get enough of one another if we can use technology to keep one another at distances we can control: not too close, not too far, just right. I think of it as a Goldilocks effect.

Texting and e-mail and posting let us present the self we want to be. This means we can edit. And if we wish to, we can delete. Or retouch: the voice, the flesh, the face, the body. Not too much, not too little — just right.

Human relationships are rich; they’re messy and demanding. We have learned the habit of cleaning them up with technology. And the move from conversation to connection is part of this. But it’s a process in which we shortchange ourselves. Worse, it seems that over time we stop caring, we forget that there is a difference.

We are tempted to think that our little “sips” of online connection add up to a big gulp of real conversation. But they don’t. E-mail, Twitter, Facebook, all of these have their places — in politics, commerce, romance and friendship. But no matter how valuable, they do not substitute for conversation.

Connecting in sips may work for gathering discrete bits of information or for saying, “I am thinking about you.” Or even for saying, “I love you.” But connecting in sips doesn’t work as well when it comes to understanding and knowing one another. In conversation we tend to one another. (The word itself is kinetic; it’s derived from words that mean to move, together.) We can attend to tone and nuance. In conversation, we are called upon to see things from another’s point of view.

FACE-TO-FACE conversation unfolds slowly. It teaches patience. When we communicate on our digital devices, we learn different habits. As we ramp up the volume and velocity of online connections, we start to expect faster answers. To get these, we ask one another simpler questions; we dumb down our communications, even on the most important matters. It is as though we have all put ourselves on cable news. Shakespeare might have said, “We are consum’d with that which we were nourish’d by.”

And we use conversation with others to learn to converse with ourselves. So our flight from conversation can mean diminished chances to learn skills of self-reflection. These days, social media continually asks us what’s “on our mind,” but we have little motivation to say something truly self-reflective. Self-reflection in conversation requires trust. It’s hard to do anything with 3,000 Facebook friends except connect.

As we get used to being shortchanged on conversation and to getting by with less, we seem almost willing to dispense with people altogether. Serious people muse about the future of computer programs as psychiatrists. A high school sophomore confides to me that he wishes he could talk to an artificial intelligence program instead of his dad about dating; he says the A.I. would have so much more in its database. Indeed, many people tell me they hope that as Siri, the digital assistant on Apple’s iPhone, becomes more advanced, “she” will be more and more like a best friend — one who will listen when others won’t.

During the years I have spent researching people and their relationships with technology, I have often heard the sentiment “No one is listening to me.” I believe this feeling helps explain why it is so appealing to have a Facebook page or a Twitter feed — each provides so many automatic listeners. And it helps explain why — against all reason — so many of us are willing to talk to machines that seem to care about us. Researchers around the world are busy inventing sociable robots, designed to be companions to the elderly, to children, to all of us.

One of the most haunting experiences during my research came when I brought one of these robots, designed in the shape of a baby seal, to an elder-care facility, and an older woman began to talk to it about the loss of her child. The robot seemed to be looking into her eyes. It seemed to be following the conversation. The woman was comforted.

And so many people found this amazing. Like the sophomore who wants advice about dating from artificial intelligence and those who look forward to computer psychiatry, this enthusiasm speaks to how much we have confused conversation with connection and collectively seem to have embraced a new kind of delusion that accepts the simulation of compassion as sufficient unto the day. And why would we want to talk about love and loss with a machine that has no experience of the arc of human life? Have we so lost confidence that we will be there for one another?

WE expect more from technology and less from one another and seem increasingly drawn to technologies that provide the illusion of companionship without the demands of relationship. Always-on/always-on-you devices provide three powerful fantasies: that we will always be heard; that we can put our attention wherever we want it to be; and that we never have to be alone. Indeed our new devices have turned being alone into a problem that can be solved.

When people are alone, even for a few moments, they fidget and reach for a device. Here connection works like a symptom, not a cure, and our constant, reflexive impulse to connect shapes a new way of being.

Think of it as “I share, therefore I am.” We use technology to define ourselves by sharing our thoughts and feelings as we’re having them. We used to think, “I have a feeling; I want to make a call.” Now our impulse is, “I want to have a feeling; I need to send a text.”

So, in order to feel more, and to feel more like ourselves, we connect. But in our rush to connect, we flee from solitude, our ability to be separate and gather ourselves. Lacking the capacity for solitude, we turn to other people but don’t experience them as they are. It is as though we use them, need them as spare parts to support our increasingly fragile selves.

We think constant connection will make us feel less lonely. The opposite is true. If we are unable to be alone, we are far more likely to be lonely. If we don’t teach our children to be alone, they will know only how to be lonely.

I am a partisan for conversation. To make room for it, I see some first, deliberate steps. At home, we can create sacred spaces: the kitchen, the dining room. We can make our cars “device-free zones.” We can demonstrate the value of conversation to our children. And we can do the same thing at work. There we are so busy communicating that we often don’t have time to talk to one another about what really matters. Employees asked for casual Fridays; perhaps managers should introduce conversational Thursdays. Most of all, we need to remember — in between texts and e-mails and Facebook posts — to listen to one another, even to the boring bits, because it is often in unedited moments, moments in which we hesitate and stutter and go silent, that we reveal ourselves to one another.

I spend the summers at a cottage on Cape Cod, and for decades I walked the same dunes that Thoreau once walked. Not too long ago, people walked with their heads up, looking at the water, the sky, the sand and at one another, talking. Now they often walk with their heads down, typing. Even when they are with friends, partners, children, everyone is on their own devices.

So I say, look up, look at one another, and let’s start the conversation.

*Sherry Turkle is a psychologist and professor at M.I.T. and the author, most recently, of “Alone Together: Why We Expect More From Technology and Less From Each Other.

** For more on Sherry Turkle, a previous post:

Thursday, July 21, 2016

Story Center - The Healing Power of Telling Our Stories

Ts' its' tsi' nako, Thought-Woman, the Spider
is sitting in her room and what ever she thinks about
appears.  Thought-Woman
named things and as she named them
they appeared. She is sitting in her room
thinking of a story now:
I'm telling you the story
she is thinking.
Keresan Pueblo Proverb
On the Trail of Spider WomanCarol Patterson-Rudolph

In the Pueblo People's mythos of Tse Che Nako, Spider Woman who is also called Thought Woman the Creatrix spins the worlds into being with the stories she tells about the world.  Like a spider, she spins from her own substance the great Web of being, and within that web all beings are connected by Her threads.  This power of storytelling the World into being was also given to us.  And there is also great healing in telling our stories, in not being left mute. And great healing and growth in learning to listen, really listen.  

Here's a wonderful project that originated in Berkeley.  The short videos are often powerful, and they are made by people from all over the world, all walks of life.   

Learn From My Story: Rural Ugandan Women Share Difficult Childbirth Experiences and Talk  About the Relief of Overcoming Obstetric Fistula


We create spaces for transforming lives and communities, through the acts of listening to and sharing stories. Since 1993, we have partnered with organizations around the world on projects in Storywork, digital storytelling, and other forms of digital media production. Our selection of public workshops supports individuals in creating and sharing stories.


Friday, July 15, 2016

"She's Beautiful When She's Angry": Documentary about the Women's Movement

I recently saw a great documentary, on Netflix, about the second wave of feminism in the 60's and 70's  that occurred with the advent of Betty Friedan's THE FEMININE MYSTIQUE, the formation of  the National Organization of Women (N.O.W.) and led into the struggle for equal pay and equal rights, the right to birth control and abortion, and openly addressing the universal violence toward women.  

I remember it well, because I was there!  I met some of these women, they were my heroines.  I marched in San Francisco, I attended consciousness raising groups. 

I've seen so very much change in my lifetime because of that time, and those leaders, and there is still so much farther to go.  An important film, beautifully made.

Wednesday, July 13, 2016

Mask for Freya

Without realizing it, we may be honoring the Norse Goddess Freya every week, on Friday,  "Freya's day". This may also be the long forgotten reason that fish was a traditional meal on Fridays.   Freyja was  the daughter of the sea god Njord, and like the ocean goddesses Aphrodite and Mari, was a goddess of love, associated with the ocean and fish.  

Freyja flew over the earth and  wept tears  which turned to amber.  Amber is sometimes called "the tears of Freyja".   In classical art, Freyja is sometimes  shown with the Gods and Goddesses of Valhalla on the "Rainbow Bridge", coming and going to the earthly realm.  

Freyja's greatest treasure was the Brisings' necklace. The Brisingamen necklace was crafted by four dwarfs with such artistry that it glittered like a constellation of stars in the night sky. Around Freyja's lovely neck it became an emblem of the fruits of the heavens and earth. Freya wears "the jewel whose power cannot be resisted." Brising meant "fire", specifically the fire of an enlightened mind. The winter constellation we today know as Orion was called "Freya's Gown" by the Norse and Teutons, and the sword belt in Orion was "Freya's Girdle."

Freya was a member of the Vanir, one of the 2 branches into which the Germanic gods were divided. It has been suggested that the Vanir represent earlier,
pre-patriarchal deities, which may account for Freyja's association with the cycle of life, from birth and sexuality to death.  The Vanir became supplanted by the younger Aesir, but in earlier mythologies, she was all-encompassing in her attributes. 

She was the patroness of women who attain wisdom, status, and power -  the Valkyries - ordinary women who became priestesses and warriors.   The Valkyr at last became Norns, the Goddesses who weave the fates and histories of people and of nations. As chief Valkyrie, Freya's origins may indeed be among the much earlier Goddess religions of Old Europe.
Freyja could fly in a chariot drawn by two cats, and she is associated with the love of cats.  
"Freya's Cats on the Rainbow Bridge" by Katherine Pyle

"Love is one of those treasures where the gift and the reason for giving are one and the same. When love is given freely, its existence becomes self-fulfilled, needing neither acknowledgment or permission to live on. The people of the Norse peninsula and Iceland gave expression to this inexplicable force in their lives in the Goddess Freyja. Honored as the Goddess of love, Freyja was called on to assist those who needed to bring the magic of love back into their lives.
Freyja's inspiration led the way from one age to another, as new discoveries replaced old beliefs and methods. Freyja symbolized the shift form wood to iron, an inevitable transformation, that brought both happiness and pain. Imagine the people of the north singing her song while sharpening their swords and tending their iron cooking pots that fed their families. Through it all Freyja was the muse for transcendent love. She cherished and sometimes cried golden tears over the death of her husband, Od, one of the gods of ecstasy. You can still see Freyja in the night sky wearing her favorite necklace made of precious metals and gems. Only now she has become known as the Milky Way. 
Calling on Freyja, you acknowledge the love that lives on, from age to age — from the very earth's beginning, beyond today, and into the infinite future. Asking for the strength to love, even when the outcome is uncertain, you draw on a power that illuminates and transcends this moment. 
Bring to mind a situation you want to infuse with love's embrace. Ask Freyja to help you find the source of your heart's desire, for she embodies the enduring power of love in your life. Let the thoughts and feelings that arise be your guide."
Donna Peck, 2006

artwork by Howard David Johnson 

Monday, July 11, 2016

New Work for July.........

An onion,

All those layers.

just when you think you can name yourself,
you discover new layers,
you’re forming a new skin,

a new ring.

But there's a core.
And where does that core start?

"Sow" , clay mosaic (2016)

What's been so fun about being in the ceramic studio all summer (in spite of the hot kilns) is that I don't know what I'm doing.  I let the clay kind of tell me what to do, and it's such a great Conversation!  Plus, I've been able to re-connect joyfully with "Flow", meaning, I look at the piece (or lump of clay) and I see what it can become, a picture comes into my mind of where to go next.

It's also been very liberating to kind of disassociate myself from the internal critic and "art world".......I'm letting myself just make what I enjoy, and not worrying about whether it's "good" by anyone's standards.  

"Sow" (2016)

"Reliquary for a Lost Forest" (2016)

"Quan Yin"

Friday, July 8, 2016

Spring at Santa Fe Dam, a Preserve in Los Angeles

Finally processed these photos from May..........this is actually the park, near Azusa and right in the heart of Los Angeles, where the California Renaissance Faire is held.

Tuesday, July 5, 2016

Remembering Avebury

“The ancient Greeks spoke of the "genus loci," or spirit of a place. They sited a shrine to honor the Earth Goddess Gaia in Delphi in Greece because the unique personality or spirit of that place was divined to be especially suited to Gaia residing there. Understanding the forces that drew the early Greeks to reach that decision may well be a concept that is at the very root of developing sustainable human societies and creating programs that maximize the unique values of each destination.” 

James  Swan, "Sacred Places"

Five years ago, in July, I took my credit cards and did something I always wanted to do, make my Pilgrimage to Glastonbury, Avebury, the Goddess Conference, and the mystical Arthurian landscape of the sacred springs and the Chalice Well.  It was well worth the expense, and my only regret ever since is that I've not been able to afford going back.  I felt like looking again at that time, and sharing some of the notes and images I brought back with me......I'm working hard in the studio these days, but my heart seems to be across the sea.  And I do hope I can walk among the "speaking stones" of Avebury again.

July 24, 2011

Going to Avebury was a process, because it represented an intention, long nurtured, of making a personal pilgrimage to this ancient sacred landscape.  So it could be said that the intention preceded me, one of Spider Woman’s threads, across the Atlantic.  Going to a Pilgrimage, even if only half realized, I venture to suggest there are stages of opening, of preparation, necessary.  Entering “mythic mind and space” is part of entering sacred space of any kind – it’s entering that dimension wherein the mind is prepared for the possibility that here the land speaks, the oracle resides, the fey are, and the ancestral spirits listen.
 Among the Lakota, preparation for any kind of spiritual activity, and many communal activities that involve consensus as well, must include cleansing activities – a fast, and a sweat lodge, for example.  This “purification” is found throughout virtually all spiritual traditions.   So following this logic, I’m not surprised I became sick almost as soon as I got off the plane, with three days of fever.  It certainly served to detox me from the stress and negative, fearful atmospheres I’ve been dealing with for months.

 It was with an exhausted body and an open mind I got off the bus at the village of Avesbury, and immediately walked, delighted, across the street and between two great stones that seemed for the entire world like a bright doorway to me.  I later learned that they’ve been dubbed the “Adam & Eve” stones, presumably because they represent polarities of male and female to some group that works with them.

You don't have to be long at Avesbury, or the area in general, to realize it is a pilgrimage point and magnet for many people, among them spiritual seekers, crop circle researchers, druids and witches, and a lot of others who have many different ideas of what is going on, some of it fascinating, some pretty fanciful. 

So I tried to keep myself open to my own experience, without superimposing projections on the landscape.

There is brightness there, it emanates from the land.  Local dowsers tell me it’s a “time vortex”, and hence that explains the continual conversation of so many magnificent crop circles that have occurred near Avebury, or Silbury Hill.   Quite a few studies of electromagnetic anomalies, brain waves, and other phenomena have been done in the area, and within crop circles that have occurred in the area as well. (There was a crop circle that occurred the morning I visited, July 18th, although I did not see it – it was closer to Silbury Hill, about a mile away.)

I proceeded to the stone the pair seemed to frame, and sat at its base, warmed by the stone’s presence.  I was becoming euphoric, and sheep wandering throughout with their soothing cries, and their curious-cautious eyes were good companions, a counter-point to the solemnity of the stones.

Then up the side of the great circular “henge”, attracted by wildflowers on its crest, and the naïve hope of seeing, in the fields below and beyond, a crop circle, or maybe Silbury Hill (wrong direction).  But what I looked on were just corn fields.  Rather fancifully, I felt I had, in some way, entered the “Gate”, and could now walk the Circle that is Avebury.

When we used to cast a circle in Reclaiming, we closed with "And now we are between the worlds, and what happens between the worlds can change the world."  Between the worlds is another order of being, an imaginal order that we enclosed by casting a circle, which we entered through a “doorway”, leaving behind the mundane world.  I think places of potency, Avebury, were enclosures and temples for “places between the worlds”, points of heightened earth energies, marked reverently by their stone monuments and avenues, places where celebrants could attune.  Places to contact the ancestors, the devas, places to heal, communicate, conceive, receive an oracle,  retrieve a soul, pray for rain or celebrate an auspicious day between the moon and the stars and the wheel of the year.  This was where the Great Mother spoke and the gods made their play.

Photo by

I found that they are also ripe with synchronicity – that’s what places of heightened energy do, they “connect” and weave.  I had put on my Spider Woman necklace that morning, a Navajo piece that shows Grandmother Spider Woman weaving.  As soon as I  came off the Henge, I went into a little shop, where I  got into conversation with an elderly local, who told me he had seen a fabulous crop circle with his own eyes, and pulled out a polaroid of  the famous “Spider Web Circle” (of 1994),  proudly informing me that he had taken the photo himself.  He told me  it was “just over there, on the other side of the Henge.”  Just over by the fields and vista I had been  attracted to!

Circles within Circles……………

Avebury only has a hundred or so of its original 600 plus stones.  Most of these have been broken down and used by farmers to build houses and barns – the church has not been kind to the stones either, with various ministers admonishing their congregation to pull down  the “devil tracks” .

I found myself, walking that wide circle,  ecstatic, my heart chakra open, feeling “turned on” with that visceral deep eros of nature, of Gaia.  The following day, I was “stoned", spaced out, open.  I didn’t much want to return to “human time”, and I’m convinced if I had been able to sleep there, the dreams would have been vivid.   Avebury affected me in subtle ways, an effect that continues.

Sometimes language bears in its fossil rock
things once commonly known, now information
available to us only as tourists
as here poke through the earth
through the welter of houses from the last thousand years
through country roads, prim churches, blowzy pubs,
through male and female stones, the huge breast
called Silbury Hill, vast and cumbersome
works of a people whose will slumbers
in the stone circles, rows, wordless
as the thoughts of the sheep that graze.

Yet that will is potent, not with the dumb ferocity
and shapeliness of mountains, not with the bodily
eloquence of frightened or curious sheep.
Here are erected runes of language partly designed
to be read by clouds or goddesses, left for us
too carefully wrought to be ignored.
Sometimes with my hands on the warm/cold stone
I almost think I hear it in my bones.

Marge Piercy

Sunday, July 3, 2016

More on "Flow" - the Multiplicity of Creative People

“If there is one word that makes creative people different from others,
 it is the word complexity. Instead of being an individual, they are a multitude.”

Mihaly Csikszentmihalyi, author of "Flow:  The Psychology of Optimal Experience"

I wrote recently about "inviting flow" as I gave myself the gift of the month of June to go into the clay studio and work without constraints or even ideas about what that work might be.  I've not been disappointed in the process, which continues, because ceramics takes patience, and each piece, as its developing, always seems to mention another piece as a kind of "P.S. This Too" afterthought.  I guess that is to me true happiness....because it removes you from the mundane time stream and puts you into the creative stream, which is perhaps not apart from timeless. 

Somewhere in the course of the flow-stream I ran across these interesting videos and articles about the "multi-dimensionality" of creativity, something that has always been obvious to me (except when I was judging myself as having a bad, life-long case of ADD - I actually was tested once, and it was determined that I was off the charts).  But since that time I've come to accept the multiplicity of my interests and ways of self expression as just being about the diversity of my creativity, the diversity of my being.  Which I have noticed I share with many, many others.  Ultimately, bringing together phrases and means from different internal languages (or disciplines) to say what I have to say, just in different ways.  The song has different voices, and perhaps the greatest experience is when the Song sings you.  Those are the best of all creative times.
"I, the Song, I walk here."
..........Lakota poem

Anyway,  I believe this multiplicity of expression  is true of most, if not all, people who are able to contact and  unleash their creativity.  I've never liked the popular  idea that "creative people" are somehow so rare and different (and perhaps suspect as well). They are rare and different only because the inherant creativity, the life force itself, has not been been so discouraged, pounded out of, negated, humiliated, dis-empowered, exhausted, compromised, co-opted, stolen..........away.  Or denied.  I guess, in essence, I believe the nature of divinity, by any name, is creativity and co-creativity.  This is the basis of the metaphor of the Pueblo  Spider Woman, Tse Che Nako, also called  Thought Woman.  Like the spider, the Creatrix weaves the world into being with her own substance, the stories and words and songs she makes about the world, and this is the gift she endows all Her Relations with as well, to "create the world with the stories that are told".   At the center of the Great Web,  Grandmother Spider Woman is connected to all things, all beings, all stories.

"If you bring forth that which is within you it will save you.
  If you do not bring forth that which is within you, it will destroy you."
...........the Gnostic Gospel of Thomas

I have no doubts about how privileged I am, always have been, to be free to create and explore.  And that privilege began with education and parents that encouraged me.  It is always sad to me when I encounter so very many people who denigate their own creativity and imagining powers.   Anyway, interesting articles...........
“Photography, painting or poetry – those are just extensions of me,
 how I perceive things, they are my way of communicating.” 

 Viggo Mortensen, Actor, Artist, Writer, Activist

Barbara Sher - quote