Wednesday, April 22, 2026

The Corn Comes Down from the Stars: A Story of Corn Mother


I feel very privileged to share this wonderful story and the mask she made at our recent workshop.  Thank you, Alicia.  Beautiful, and Sacred.
 

A Story for the People


A couple of weeks ago, over Easter weekend, I had the privilege of participating in The Masks of the Goddess workshop offered by Lauren Raine. Thanks to Lauren’s artistic brilliance and soulful generosity, the being pictured above emerged over the course of two and a half days. At first she was just layers of dark colors, then she requested stardust, a crown of multicolored maize seeds, and a blue corn sprout at her third eye. As she took shape, I imagined she was likely connected to the story I’d heard Jade Wah’oo Grigori offer about the Seven Sisters of the Pleiades and the Blue Corn maidens. But there was something else about her; she was familiar to me in a different way. I couldn’t quite place her, but it’s as if my cells could recognize her on the tip of my senses.

Who are you?

The evening before our closing circle, Lauren sent us off to dialogue with our beings. I couldn’t stay overnight with the rest of the group, so I returned to the familiar chaos of my home, tending my daughter, getting her to sleep. As usually happens, by the time the household was settled, I was too tired to do anything. I went to bed with the lingering echoes of this being, hoping she might tell me more in my dreams.

At 5 AM I bolted up in bed.

That’s who you are!

I snuck out of the bedroom, threw open my laptop and tried to remember where I had saved the story that had dropped into me two years earlier while I was lying in a MRI tunnel listening to the trills and clanging of the machine. The story had arrived so clear and crisp into my awareness that as soon as my scan was over, I raced to a café where I typed everything out over breakfast burritos and coffee.

Hello again.

My body recognized the sensory signature of this being behind the mask.

You are the story.


Today, in the wake of the Super New Moon in Aries and the dramatic dance of the celestial bodies this week, I offer this story again, now delivered anew with the goddess of the mask.

Just to set the scene a bit, this is a different kind of writing than I usually share here on Substack. This comes from my collection of soul stories, which are tellings that don’t map onto ordinary reality. This telling comes through a familiar duo in my medicine world: Nana Coyo is an old crone spirit I often sense here in my Sonoran Desert home. Her name is derived from the Mexica moon goddess, Coyolxauhqui. Lázaro is a presence who often comes to talk to me about the wounded masculine seeking the care of a healing crone. They have a lot to say, these two, and they deeply love each other.

And with no further ado…

The Pleiades as seen from Mt. Lemmon, AZ SkyCenter. WikiCommons Media.

The Corn Comes Down from the Stars: A Story for the People

Nana Coyo never sleeps on the night before the day of remembering. As soon as the sun has dropped with certainty behind the western mountains, she arranges herself on a folding chair outside in her backyard. She places her feet on a hot water bottle and wraps a rebozo around her shoulders. At her side is the thermos of steaming atole with piloncillo and chocolate for wakefulness. There is nowhere she’d rather be.

This year, the cycles of Earth and Cosmos arrange for the Moon to be wearing her darkest cloak. Nana Coyo hums and mutters. She sings as the sky reveals what people nowadays call secret knowledge. Nana Coyo knows better; these are simply memories retained. This is what she tells her adoptive son Lázaro.

When Lázaro was younger, he’d furrow his brow and complain about Nana Coyo and her odd ways of explaining things.

“Why can’t you just talk like a normal person?” he’d say.

She would laugh and tug at his ear.

“Te estoy entrenando a los oídos, hijo mío. One day you will know how to listen.”

Now that Lázaro’s hair is greying and Nana Coyo is practically old enough to join the stars, he feels a longing in his bones to sit outside with her. He walks out into the dark. He can barely make out Nana Coyo’s silhouette against the blackness of the night. He follows the sound of her voice, a trail of vocalizations beyond any language he recognizes. Clicks and trills. Hoots and whistles. Murmurs like the wings of hummingbirds. As his eyes adjust to the dark, he sees her huddled figure outlined by starlight.

Without a word, Lázaro sets up his folding chair next to Nana Coyo. She pats his knee. He feels a smile in the warmth of her hand, and she pours him a cup of atole. He breathes in the smells of roasted corn ground into flour, boiled in water, and whisked into a frothy beverage. As he raises the cup to his mouth, he can almost taste the hints of cinnamon and chocolate, but Nana Coyo’s bony fingers gently intervene, pulling back his cup before he can take a sip.

“Antes de todo, una pruebadita para Madrecita.”

As if she is assisting a child, Nana Coyo holds Lázaro’s hands in her own. She guides them down to the ground, where she tips the cup and spills out a taste of atole onto the cool desert floor beneath their feet.

She whispers to the ground and sighs with satisfaction.

“Ahora sí, mi amor. Drink up.”

And he does.

They sit for hours. Nana Coyo sings. She stretches her legs. She claps her hands. She stomps her feet. She settles into a chorus of sounds that only tall grasses know how to make in the wind.

Together, they drink the atole.

Without even intending it, Lázaro turns over his consciousness to the dark sky. He forgets that he is awake, staring into the starry abyss, with only the smell of corn and the tug of gravity to remind him that he is still a terrestrial creature. At some point during the night, he realizes that he can understand the meanings of the strange sounds being spoken by Nana Coyo. He surrenders to the warming spread of awareness through his body.

The Corn Mothers came to us long ago. They seeded themselves into us, generation after generation. Beings as big as the stars became morsels of nourishment. In Madre Maíz, they came as clusters of constellations, all the colors of light, the energy of nuclear fusion—the glow of blue, yellow, red, orange, white, and every glimmer in between. They joined with the stones and made their way into our bones, our cells, the spiraling ladders of the fabric of our being. They fed us with the food of remembering because they knew a different kind of darkness would descend on the land. It is not the blackness of the night but the disease of forgetfulness. They knew there would come a day when we would eat and never be satiated. Ravenous, we would devour everything in our path, as if we had no memories.

Nana Coyo pours the last of the atole into Lázaro’s cup.

The Mothers are as close to you as your body. On this night before the day of remembering, drink and eat, mi amor. See them adorned in starlight and radiating with power. Receive their ripened bellies. Be filled by them.

With that Nano Coyo cups Lázaro’s head in her hands. She turns his gaze toward the Eastern sky. Against the mountains, the horizon begins to define itself as the night softens. A shard of light pierces through the worlds and illuminates the shoulders of the mountains.

In that moment, Lázaro’s heart cleaves open. His body spills to the ground. In heaving sobs, he wraps himself around Nana Coyo’s feet. He cries like a baby.

When he eventually comes to stillness, Nana Coyo pulls out her left foot and gently rests it on the small of his back. She applies the slightest pressure and rocks him gently. He breathes in deeply, as if reacquainting himself with air.

They rest this way, the two of them—together at the precipice between worlds.

They greet the day of remembering.

Wearing the mask of the goddess. Photo by author.

Last night, I wear the mask for the first time, gazing out from behind her dark splendor. I light the candle and offer the smoke of the copal to the night. I rattle and read the story of Lázaro and Nana Coyo aloud to the cosmos. I record it, but the audio isn’t great and doesn’t seem to want to be shared. Nonetheless, here is an image of us together. There is a sense in me that this Blue-Seeded Mother will be joining with Corn Mother in her basket. Who knows where our journeys will take us.

The Corn comes down from the Stars, and She grows up from the Earth.

As above, so below.

May the Corn Mothers remind us who we are as a People.

In these times, may it be so.

 https://open.substack.com/pub/offeringsforcornmother/p/the-corn-comes-down-from-the-stars?utm_campaign=post-expanded-share&utm_medium=web

Tuesday, April 21, 2026

David Whyte, and Storms...........


All this petty worry
while the great cloak
of the sky grows dark
and intense
round every living thing.

What is precious
inside us does not
care to be known
by the mind
in ways that diminish
its presence.

David Whyte 

Already too many years ago I went to visit a friend who was living in Puerto Rico. Unfortunately, in that humid climate I developed  asthma, probably from mold,  and couldn't stay in her home, but had to stay in a hotel in order to visit her.  There, in a mostly deserted resort hotel by the ocean I encountered a Tropical Storm.   Today, for some reason, I'm again remembering that friend, Felicia, and that day of the Storm I met in Puerto Rico.  

My life in Tucson is mostly placid, that is, except for Monsoon Season, when the great (and beloved)  Monsoon clouds come rolling in, announcing themselves with thunder, lightning, and a downpour that swiftly comes and goes, leaving a refreshed and cooled desert. 

But the Tropics.  The tropics, it seems to me, are where life  is at its most vibrant, virulent, creative, predatory, colorful, and destructive. Life in the tropics teems.   It's impossible to be in the midst of that potency of life and not become intoxicated with it. Intoxicated or terrified, take your choice. In retrospect, experiences can be viewed as  kind of like meals. How did they TASTE? Did they fill, is the fragrance still with you?  Were they spicy, sweet,  or bitter, making one slow, dull, digestive?  The fragrance of Puerto Rico, like the taste of Bali, will always still be with me. 

                                    "The world is not with us enough - oh taste and see" 

The poet Denise Levertov wrote, and it's too often true.  How often do we stop, in the midst of this Feast of life, to really "taste and see"? 

On the Day of the Storm, I remember I had a room with a balcony at the top of a hotel  in Rincon. I arrived  off season, and it was already largely deserted, and especially with the prospect of a tropical storm advancing.  I  felt like a character from Stephen King’s “The Shining”, with a whole hotel to myself at night, empty bars filled with the ghosts of bands and booze and laughter and sex.  An empty blue pool with palm frond chairs upturned.  And wind, wind, wind moving leaves of palm trees,  the wet, heavy tropical air, wind blowing over wicker tables. 

As the sun went down, the storm advanced across the dark ocean, and the lights went out.  There were no candles, or even an attendant to ask about candles.  Just me on the second floor, looking out at the vastness of an endarkened ocean. 

So, there I sat in the state of Storm, with nothing to do but witness.

I do not think I shall ever forget that intense heavy silence, or the sounds of the koki frogs.  A woman called for her dog in Spanish,  “Limon, Limon!” as I watched the sudden illumination of lightning as it revealed an advancing mass of  clouds, rolling in from the distant ocean.  I was awed by the truth of that moment, our lives, our plans, our hopes and imaginations of "what is" - existing in the brief moments between  storms.
 
 

I know that sometimes
your body is hard like a stone
on a path that storms break over,
embedded deeply
into that something that you think is you,
and you will not move
while the voice all around
tears the air
and fills the sky with jagged light.

But sometimes unawares
those sounds seem to descend
as if kneeling down into you
and you listen strangely caught
as the terrible voice
moving closer
halts,
and in the silence
now arriving
whispers

Get up, I depend on you utterly.
Everything you need
you had 
the moment before
you were born.

~ David Whyte ~

(Where Many Rivers Meet)