Saturday, November 14, 2020

A River Runs Through Us (Revisited)

 

"Then in the Arctic half-light of the canyon, all existence fades to a being with my soul and memories and the sounds of the Big Blackfoot River. Eventually, all things merge into one, and a river runs through it. The river was cut by the world's great flood and runs over rocks from the basement of time. On some of those rocks are timeless raindrops. Under the rocks are the words, and some of the words are theirs. "

Norman MacLean, "A River Runs Through It"

 I continue to return to old posts in this Blog,  to see again my course and journey,  perhaps to do some necessary "soul retrieval" as I prepare to make some very major changes in my life now, and equally,  physical problems  that (of course) none of us are ever really prepared for.  I will be retiring from the business of being  an "innkeeper" to create a more solitary, less demanding, and more contemplative life.  I've been craving this for years and re-reading posts here it's obvious I wanted a change for quite a while..   The synchronistic world seems to be encouraging me on this (more on my synchronicity stream later).

So here is a post from about 7 or 8 years ago that has been worth re-visiting for me, and perhaps others who may read this Blog will enjoy it as well.  The River is such a significant metaphor, expressed so powerfully by so many artists and poets and writers.  Their words, as MacLean says,  "are under the rocks"  dimly glimpsed beneath the currents of our lives, arising again when needed.  


"Home" used to be a van with a travelling cat, now it's suddenly a 3 bedroom house with a yard.   I don't walk out into the desert as I once did, calling for vision,  and when visions come anyway, too often now I have to put them at the bottom of the laundry list that some times seems to be my life.  Sometimes, I have to admit, my heart is somewhere else, in Glastonbury listening to the Numina of the sacred springs, the Lady of Avalon.  Or walking the Camino.  Or in Bali, listening to Gamelon in the dense, lush tropical air............ And yet........there was a time when I felt the gathering and transmission of vision was my job, my work in the world.  I don't know any more.    Everything changes, we change, we are each complex and many layered.  And  a "river runs through us".  

I have a good friend, an actress, who recently left me  a long message on my answering machine.  Almost 60, she wondered if we came into the world with a destiny, and if so, she is going through that threshold where she wonders if she might have "missed"  hers, not done whatever it was she was supposed to do, leaving behind her a wake of dissatisfaction.  To me she is an extraordinary, beautiful, accomplished woman.   How can I respond to such a thing, on a phone, or an answering machine, or an email?  Why does it seem we no longer live in a world where such a profound conversation can be had over a cafe table, and a bottle of wine, deep into the night, perhaps joined by others?  I don't know.  Sometimes I don't like "today's world", it seems so strange to me, not what I imagined I would be doing, or living, as I push the borders of old age. 



"Dreams.  They are never where you expect them to be."
......Shirley Valentine

But thinking about that conversation, I wanted to say that I no longer believe in "destiny".  We Americans are so materialistic, and grandiose, that the idea has come to mean some "great thing", so that if you aren't having a retrospective at the Met, or running an orphanage in Uganda, or in the Fortune 500, people somehow feel they've "failed", discounting all the glorious, beautiful, soul deepening experiences they've had.  I might add that I feel that way about marriage as well - it is not always a great failure if you have not succeeded in having a "Golden Anniversary".  We are together for as long as we are together, and learn from that shared experience, and share love for as long as we shared love.  Sometimes the ending of a relationship is what has prepared one for the beginning of a more mature or  fulfilling relationship later.  Sometimes that relationship is with one's self.

Perhaps, from this perspective, a true  "Destiny" was to learn to love someone hard to love, a difficult child perhaps, or to learn to have patience with yourself.  Perhaps you met your Soul Mate, and your destiny was not to be together, but to experience the gift of loss or even conflict.  Perhaps "destiny" is to do something difficult, and fail, never knowing how many lives you touched and enriched in the process, and not knowing until much later how you were deepened by it as well.  Perhaps it's to connect with others through the mesh and warp and woof of synchronicity, never knowing consciously what gifts you've given each other, what waves and ripples of creative force you've sent out into the world.  We're dreamers and dreamed, and ultimately "a river runs through us", unfathomable, ineffable, splendid.

The quote above has always been so beautiful to me that I wanted to meditate on it for a moment, take a look into the depths of these waters. Perhaps Norman Maclean is speaking about what  storyteller Clarissa Pinkola Estes * called "Rio Abajo Rio, the river beneath the river of the world".   Looking back at a post about this from 2010, I felt like quoting myself again............perhaps "El Rio" is also what Jung called the Collective Unconscious, I don't know. But Estes' speaks of the great River of Story, the universal waters flowing beneath the surfaces of all things.

In her book Women Who Run With the Wolves *** she writes,
"Each woman has potential access to Rio Abajo Rio, this river beneath the river. She arrives there through deep meditation, dance, writing, painting, prayer making, singing, drumming, active imagination, or any activity which requires an intense altered consciousness. A woman arrives in this world-between worlds through yearning and by seeking something she can see just out of the corner of her eye. She arrives there by deeply creative acts, through intentional solitude, and by practice of any of the arts. And even with these well-crafted practices, much of what occurs in this ineffable world remains forever mysterious to us, for it breaks physical laws and rational laws as we know them."*

 Why must we evaluate the value of our lives in such material terms of "accomplishment"?  Of "enlightenment"?  Why not think also of what has been our "endarkenment"?  Whether tapping, if only briefly, the wellsprings of El Rio in grief, creativity, meditation, or through the sudden psychic upwelling that can happen when the so-called ego cracks and splinters, it is always a blessing when the waters are revealed, for they remind us of the greater life.

"There's a crack in everything:  that's how the light gets in."
........Leonard Cohen

In her book Meditation Secrets for Women, Camille Maurine writes, 
 “The realm of the soul is not light and airy, but more like mud: messy, wet, and fertile. Soul processes go on down there with the moss and worms, down there with the decaying leaves, down there where death turns into life. Deepening into soul requires the courage to go underground, to stretch our roots into the dark, to writhe and curl and meander through rick, moist soil. In this darkness we find wisdom, not through the glaring beam of will, but by following a wild, blind yet unfailing instinct that senses the essence in things, that finds nourishment to suck back into growth.” (p. 211)

If the river of story has a voice, it's a voice that contains all voices, human and planetary, and the song it sings may be Om, may be "Nameste", I am Thou.  What we ultimately bring to that song cannot be measured or valued in any terms we might try to wrap words around, try to put into some kind of list, some kind of materialistic order.  If there is any "point", a "destiny", it might be, as Estes, a Jungian psychologist, believed,  to  instinctively participate in some way, find some way to open a pathway, a well spring, for others.
"...[W]hat Jung called 'the moral obligation' to live out and to express what one has learned in the descent or ascent to the wild Self. This moral obligation he speaks of means to live what we perceive, be it found in the psychic Elysian fields, the isles of the dead, the bone deserts of the psyche, the face of the mountain, the rock of the sea, the lush underworld - anyplace where La Que Sabe breathes upon us, changing us. Our work is to show we have been breathed upon - to show it, give it out, sing it out, to live out in the topside world what we have received through our sudden knowings, from body, from dreams and journeys of all sorts."

Perhaps all of our individuality, our uniqueness, is a gift we can only experience here and now, a great adventure.  I respectfully submit that this is  the work of the SEER, residing within each of us.  Remembering that a "river runs through us",  the  River beneath the River of the World.
 "The deep parts of my life pour onward,
as if the river shores were  opening out.
it seems as if things are more like me now,
that I can see farther into paintings.
I feel closer to what language can't reach.
"           

Rainier Maria Rilke


















Meditation Secrets for Women:  Discovering Your Passion, Pleasure, and Inner Peace
By Camille Maurine and Lorin Roche, Ph.D., (HarperOne, 2001) 
(p. 211)

* (p.30, below)
** (p.96, below)
*** Women Who Run With the Wolves: Myths and Stories of the Wild Woman Archetype
Clarissa Pinkola Estés, Hardcover, 560 pages, Random House Publishing Group, 1992

Friday, November 13, 2020

Kali Dancing

 

Chaos Is A Seedbed

 

Kali stomps out Her dance

Her necklace of skulls

Clatter out a drumbeat

Swinging around Her neck

 

Chaos Her first gift

Chaos uprooting the obsolete

Chaos uprooting the corrupt

Chaos uprooting illusion

 

Kali roars and hums by turns

Her chaos magic streaming

Wave of light from Her fingertips

As She rips open illusion

 

Chaos Her first gift

Chaos uprooting the obsolete

Chaos uprooting the corrupt

Chaos uprooting illusion

 

Listen to Her raucous laughter

Goddess face of eternal change

Her chaos tilling the soil

A seedbed prepared for the future

 

OCT20    DEBORAH  TASH   ©

In Her Image Studio

https://www.inherimagestudio.com/



Our world is in chaos,  and Kali is indeed dancing these days.  I agree with Deborah's poem and share with her my hope that from this chaos a new world and civilization will eventually arise. 

Sunday, November 8, 2020

PS: Biden and Harris Won!

 

Huzzah!   A  hope for return to sanity in government,  for being part of the international community again, for containing the Corona Virus,  for Science and the Arts and Education,  for women and people of color and immigrants and refugees, and for the environment.

Saturday, October 31, 2020

The Feast of Samhain


For obvious reasons, I won't be holding my  Feast of Samhain this year (see photos here of previous years Table and Altar).  But that didn't keep me from setting up the Altar to the  Beloved Dead and Ancestors, and of course, putting aside a bottle of wine and assorted treats for the day of Dia de los Muertos.........and leaving a place at the table for Spirit.   

To all who have participated in the Feast of Samhain with me for these years past, Samhain Blessings to all!  I hope that next year finds not only another Feast we can all join in together,  but a world with less chaos to hold it in.   And, of course............. I had to add  this wonderful rendition of "The Parting Glass" in this post. 

With much love and appreciation,

Lauren







Orbs in my yard, 2012....................


Dia de Los Muertos Procession, Tucson, 2013

Monday, October 26, 2020

"Rooted" - Rainier Maria Rilke


If we surrendered
to Earth’s intelligence
we could rise up rooted, like trees

How surely gravity’s law,
strong as an ocean current,
takes hold of even the smallest thing
and pulls it toward the heart of the world.

Each thing-
each stone, blossom, child –
is held in place.

Only we, in our arrogance,
push out beyond what we belong to
for some empty freedom.

If we surrendered
to earth’s intelligence
we could rise up rooted, like trees.

Instead we entangle ourselves
in knots of our own making
and struggle, lonely and confused.

So, like children, we must begin again
to learn from the things of World,
because they are in God’s heart;
they have never left.

This is what they teach us:
to fall,
patiently to trust our heaviness.
Even a bird has to do that
before he can fly.

"How Surely Gravity's Law" by Rainer Maria Rilke
Rilke’s Book of Hours: Love Poems to God

Monday, October 19, 2020

"Childhoods End" - Chaos and Possibility




“Hope now lies in moving beyond our past in order to build together a sustainable future for all the interwoven and interdependent life on our planet, including the human element.  We will have to evolve now into a truly compassionate and tolerant world – because for the first time since the little tribes of humanity’s infancy, everyone’s well being is once again linked with cooperation for survival. 


Our circle will have to include the entire world

 

Joel Kramer and Diana Alstad, The Guru Papers: Masks of Authoritarian Power 



I am a long time fan of science fiction (and fantasy), and whenever stressed prefer to retreat into other worlds, dimensions and planets.  2020 has  been a long, hard year for many, and I am no exception.  Covid19 pandemic and resulting fear, division and isolation, record heat in my desert home as a result of global warming, the depressing sight of seeing the American experiment in democracy in the  hands of a would be  dictator and a corrupt Republican oligarchy, and  add to this  a year of personal health problems (I recently had major surgery to fuse my spine, and am currently recuperating). 

 So much chaos, so much uncertainty, so much suffering in our world now.  And yet, perhaps, there are seeds of transformation on a very large scale within that chaos.  I hope so, I pray so.

I've been doing a lot of retreating these days into beloved  familiar worlds that feature unimaginable aliens, fey dimensions of ephemeral beauty,  and plenty of sword and sorcery!  I might add that I am not a reader who requires new material all the time................if I love a novel, I will visit it over and over, each time finding new landscapes  that help me to better understand and inhabit it.  I have never been one for whirlwind tours.


Two worlds I re-visited this summer were Childhood's End, (1953) a classic sci fi novel from the 50's  by Sir Arthur Clarke, the same author who wrote Sentinel, the story the famous film  2001 - A Space Odyssey was based on,  and a very much more recent one,  The One-Eyed Man  (2013) by  L.E. Modesitt Jr.   Lately I've found myself  thinking about both novels as rather prophetic metaphors for where we are as an evolving global humanity at the very threshold of our potential evolution from tribal, humancentric, and national identities to a new paradigm  within an inter-dependant global ecology.  

Arthur Clarke always wrote about sweeping  galactic civilizations  and mysterious forces that spanned eons, and his  1953  novel, Childhood's End  is no exception to his extraordinary imaginative powers, although aspects of the novel are dated.*  A 2015 SyFy miniseries (which I have not seen) was inspired by the novel as well.  The story concerns a chaotic, frightening  time in the near future in which something is happening on Earth - because, although it is not apparent, humanity is beginning  to evolve.  A strange race of aliens turns up as cosmic "midwives" to bring peace, prosperity, and ultimately to assist in the process of what will later be revealed as the end of humanity's childhood and it's next evolution as a transcendant collective mind.    

"The idea of a ‘living universe’ is not a new perspective. More than 2,000 years ago, Plato described the universe as a single living creature that encompasses all living creatures within it. In this view, we live within a living system of unfathomable intelligence, subtlety, power, and patience. In turn, we appear to be evolving expressions of that living universe, infused with a knowing capacity or consciousness and with an existence that is largely non-material in nature."

......... Duane Elgin

While I doubt that any benign space aliens are going to turn up to help us out in our time, now,  of collective adolescent crisis, reading this novel again after so many years seemed  never the less prophetic.    I think on the "New Age" movement of the 80's, my own firm  belief at that time in the "dawning of the Age of Aquarious",  and the interest so many had  in the Hopi Calendar and the Mayan Calendars that emphasized the end of the "4th Age" as we now enter into the beginning of the "5th Age".  This is, indeed, an extraordinary time to be alive.  

We have become a fledgling global civilization - how amazing, to think that I can instantaneously talk to someone in Africa just by pulling out a little hand held device in my purse!   That I could get on a plane, and in a day be in England - and equally, that now a virus originating in faraway  China within a year has become a global pandemic.  That we, a global humanity, and not volcanos or big meteors, are causing our planet's glaciers to melt.   Our "adolescent crisis" is causing  mass extinction,  and whole countries to become unsustainable of life within not millenia, but a few decades.  That I live in a country so obsessed with  patriarchal, tribal authoritarian  power that it invests nearly 60% of its tax base on the military instead of humane resources, and possesses weapons capable of destroying all life in one grand bid for "alpha male" status ........... is also not lost on me.  

As a collective humanity, we are indeed like children with a gun.  In all of our diversity, we face  an evolutionary crisis we MUST  evolve to deal with, and time is running out.  This on every level - from civilizations that prioritize sustainable ecological technology to re-visioning, or inventing, religious systems that are not based on ancient tribal war gods and renunciation of the Earth.   At its foundation must be an INTEGRAL, WHOLISTIC paradigm that recognizes and serves the inter-dependancy and common good of ........ well, all living beings.  Which, it seems, includes the entire Universe**.  I believe the children of the future will, as Clarke imagined,  will share a form of collective and non-local intelligence  necessary to human evolution, indeed, human survival.  Perhaps, the World Wide Web, for all of its problems and failings, is never the less the first demonstration of that. 

Childhood's End.


The second novel, much, much  more recent than Childhood's End (2013), was written by L.E. Modesitt Jr.  in response to an illustration (it is on the cover of the book).  He was asked to tell a story based on a painting by the wonderful visionary artist   John Jude Palencar  and what a story he spun!    The One-Eyed Man  is  about a planetary ecologist,  living in a future time when humanity has colonized planets throughout the galaxy, who decides to accept a job  on a distant planet called Stittara.  Stittara is a strange planet indeed, but it has  nevertheless been colonized by a population of human beings  with their very human conflicting ideologies,  and corporate entities preoccupied  with as much intrigue, secrecy, and power politics as anything we can see today.    
"Dr. Paulo Verano is a freelance ecology consultant who is just emerging from an unpleasant and financially disastrous divorce. When he is offered a consulting job on a faraway planet, he jumps at the chance to escape the ruins of his personal life, even though given the distance involved and the travel time dilation, it’ll be 150 years later if/when he returns home. The job itself is intriguing: Verano is tasked with studying the ecological impact of the human presence on Stittara, the faraway planet that also happens to be the main source for the anagathic drugs that have extended human life spans considerably.  

Once he arrives, he quickly becomes entangled in a complex net of political and corporate relationships. Stittara is a mysterious planet with many puzzling geological and ecological features, not to mention a colonization history dating back to well before humans first landed there. Mysterious creatures called “skytubes” that look like floating, translucent tentacles make their incomprehensible ways across the sky. Most of the official population lives in underground facilities to avoid the planet’s abnormally destructive storms.  In this very alien-seeming human environment, Verano must use all his personal and intellectual skills to try and uncover Stittara’s many secrets.  Verano is the titular one-eyed man, king in the land of those who are blind to the consequences of their actions."  

Tor Books

Ultimately, what our out-planet ecologist discovers about Stittara is something vast,  astonishing, and  terrifying - and it seems that no one,  except him, is able to see it.  "In the land of the blind, the one-eyed man is King".  Because what he learns is that the entire planet  is not an isolated system of ecological niches, but it is alive, intelligent,  evolving - and self-protective.  Human beings, like other vanished  races before them, interfere with the well-being of Stittara at their own risk.  

May the near future of those who dwell on planet Earth listen well to the "one eyed men" (and women).


* No important female characters. and a dismissal of the Earth as holding anything other than human  life  (man-kind) as (man-kind) ultimately "rises up" into the transcendant beyond.  (indeed, it simply vanishes in the end having "served its purpose") This was very much the paradigm of the 50's, and I do not fault Clark for seeing the world with the limited eyes of his time.  Gaia Theory, even Environmentalism, came a decade or two later.