THE MASKS OF THE GODDESS - Benefit Auction

Dear Friends,

Since 1999, my "Masks of the Goddess" have traveled across the U.S. for exhibits, rituals, and community performances. The Goddesses have appeared in theatres in Sebastopol and Tucson, in the woods at the Starwood Festival, at the Chapel of the Sacred Mirrors in New York City, at Syracuse University's "Matrilineage Festival" and the Mask Symposium at the University of Southern Illinois, and many others. In 2006 it was my privilege to see the full collection reunited at the 27th Annual Spiral Dance at Kezar Pavilion in San Francisco.

Now new projects call, and it's time for the masks to find new homes. So I'm offering them, through an auction, to you. I've purposefully made the prices low because I want to see them go to people who will continue their mythic journey. I'm also delighted to offer 30% of the proceeds to benefit The Independent Eye - the magical theatre ensemble of Elizabeth Fuller and Conrad Bishop, so they can develop their new initiative in visionary puppetry, "The Mythic Kitchen". (http://www.independenteye.org/)

The auction begins November 27, and lasts until January 27. To learn more, or bid on a mask in the collection, enter my gallery at http://www.rainewalker.com/ and visit the Auction page. Thank you for your support over the years - I'm so grateful for all we've shared. Metaquiesin.

Lauren Raine

Linda Johnston as " Bridgit" (photograph courtesy Thomas Lux)

Kathy Hutaluhta - "Cornmother Blessing" (Photo courtesy Ileya Stewart)


Mana Youngbear as "Amaterasu" (photo by Ileya Stewart)

November is also Thanksgiving.......

(Illuminated paper sculpture by Catherine Nash)

I have failed, in the course of pursuing my threads and poetics about November, to add that November is also the month of Thanksgiving, at least, in the United States it is. The end of November. And that makes sense to me ~ how can we talk about the closing of the year, going "into the dark", and honoring our ancestral strands ~ without, finally, arriving at GRATITUDE? For all that has been and been given, the gift of life not the least, the tapestry we each are woven into, and weavers as well?

Perhaps Gratitude is the soil, the enzyme, the only appropriate medium to plant any seed in.


PERSEPHONE'S FEAST DAY

When all the names are gone
when there is nothing left
for memory to feed upon
November hides
an unborn rhythm
of bells.

Perhaps all the wastes
of love and time
ferment their healing, here
in these nigrado depths,
becoming at last albedo,
the medicine.

There is no valor today in rooting
among decomposing fragments
of so many lives ~

I offer now bread, red fruit, red wine.
To life. Come to the table, all.
Here is a rich conversation
harvested from the last
living garden.

A dappled pear, an apple, a pomegranate.
A butterfly in it's chrysalis, winged, moist,
the slow rebirth of color
deep in the depths of this dream.

The weathervanes will turn again.
The wheat has new life in it yet.
The blessing will still be given.



Lauren Raine, 2005

Reflections on Pace, Progress, and Hecate

Thought Woman Weaving the World into Being - 2007

"They move too fast to see more than the surface glitter of a life too swift to be real. They are assailed by too many new things ever to find the depths in the old before it has gone by. The rush of life past them they call "progress", though it is too rapid for them to move with it. Man remains the same, baffled and astonished, with a heap of new things around him but gone before he knows them. Men may live many sorts of lives, and this they call "opportunity", and believe opportunity good without ever examining any one of those lives to know if it is good. "

"Lord Dorn", from ISLANDIA, a novel by Austin Tappan Wright, 1942

The above quote lit up the page I was reading, and I felt moved enough to forsake my electric blanket, and come to the computer to copy it on my blog.

It's 4:00, I'm reading the book DANCING AT THE EDGE OF THE WORLD - Thoughts on Words, Women and Places, by Ursula Kroeber Leguin. I have a cold or virus, and a recent conversation with my friend Barbara of San Francisco, about the dark, and menopause, and the crone Goddess Hecate, Guide through the Underworld, lie in bed with me, not entirely comfortable companions.

Now what does this comment have to do with Hecate, and my personal journey through the month of November, the month of endings, celebration of the dead, composting of the year, leaves, souls? What does this have to do with the saturnine retreat from just about everything, including my own creative process, that I've been going through ever since I returned to Tucson? Well, a lot. I see a long and winding spiral developing here, and I'm going to follow it down and around, imagining in my mind the thoughts, threads and connections similar to brown leaves, blowing across a dark November pavement, forming some winter crysalis, a pattern not yet under the snow, but soon, very soon it will be. Not to be revealed or read until the snow (which has not yet fallen) thaws in life's spring resurgence.

I love the quote above, from a popular 1940's Utopian novel, because its character, Lord Dorn, says it so well. Personally, I can't keep up anymore. I find myself retreating from the continual "stimulation" , hiding out, needing to get as far away sometimes into the wilderness as I can. What I feel a loss of is "depth experience". As our world accelerates, we find it harder and harder, I believe, to touch things. To touch the depths of the stories of our lives, to touch each other, to relish and taste what we have within the onslaught of "more, and more" - to touch the earth and the layers of lives that preceeded us, although we carry them within. I think the pace of our lives has taken away the time needed, the cyclical time reflected in all organic systems...........to "compost". To rot, fall apart, re-turn into the dark, re-form, be re-formed by the organic, collective forces we are woven into in the cycles of the planet, and our souls.

"In Western traditions" author Jay Weidner writes, "there was once a vast pilgrimage that took place in Europe. Pilgrims made their way towards the town of Compostella in Spain, where an ancient effigy of the BLACK MADONNA is housed. The word Compostella comes from the same root word as compost. COMPOST is the living, black material that is made from rotting fruits, grains and other organic matter. From this compost -- life and light will emerge. When the pilgrims came to the Cathedral at Compostella they were being 'composted' in a sense. After emergence from the dark confines of the cathedral and the spirit -- they were ready to flower, they were ready to return home with their spirits lightened."

Many Roman gardens used to have a special shrine devoted to the morose god, Saturn. A place, it was understood, one went to be alone, to brood, perhaps to grieve. As I get older, and my personal energy reserves are more concentrated and precious, I have come to believe that giving meloncholy its due, discovering what the gifts of depression are, taking time to experience the depths revealed in Saturn's solitary corner of the garden - is essential to nourishing, indeed sustaining, our spirits. Just as Romans understood the need to have a shadow-dappled seat dedicated to Saturn in the gardens of their lives, I think a seat devoted to Hecate, goddess of the underworld, in a contemporary garden, might be similar in design and purpose.

So who is Hecate? She's the crone aspect of the triple Earth Mother Demeter/ Persephone/ Hecate. Like Saturn, she is old. An old woman, past menopause, past many life passages, well aquainted with various portals that separate these seeming doors. A Gatekeeper, and a light bearer. She is part of the whole that is the Goddess, and she is within each of us.

"In us is also a dark angel (Hekate was also called "angelos") - a consciousness (she was also called "phosphoros") that shines in the dark and witnesses such events because it is already aware of them a priori.........Part of us is not dragged down but always lives there, as Hekate is partly an underworld Goddess."

The Dream and the Underworld, James Hillman

As Barbara pointed out (vehemently enough to demand I write it down, but after all, she did invoke and perform Hecate in 2001.....) - Hecate is the patroness of women (and men) who are no longer producing hormones. What are hormones? Well, from Gaia's point of view, they're very potent drugs that induce us to want to reproduce, and thus carry on the evolutionary experiment, braving the painful and even sometimes lethal consequences of childbearing. When estrogen is gone, as I've heard so many women say, many of life's illusions seem to peel away. Veils that have muffled all kinds of personal illusions, beliefs, and ideals fall away ..........and there you are. Revealed. Clarified. Pissed off that you've wasted so damn much of your precious time and energy on such nonsense, such dramas, such theatre, outraged and shamed that you were so stupid, immature, brainwashed,........human.

You begin to see the storylines more deeply, the threads that weave the plot. Just recently, for example, I've painfully re-experienced many moments in my mother's marriage to my father, understood at last how trapped she felt, how he enjoyed humiliating her, and how she felt she had to call enduring his cruelty "love" in order to emotionally survive. I see, of course, that I've carried on some of the same story in my own life, the same blinds. Time to "fall apart" has helped me to find compassion for my mother, and myself.

Occasionally, you also notice you are wise in your genuine, candid, and almost perfect Ignorance.
Maybe Hecate, in her mask and role as an old woman, standing so close to the final portals of this world, moving freely into the veiled realms - may be said to represent the SOUL aspect of self. "Part of us is not dragged down, but already lives there........." as Dr. Hillman said. Already lives there, the gestalt, the storyteller as well as the story. Looking at the yin/yang symbol I wear on a ring, I remind myself that somehow the various parts of my being are, like the dark teardrop and the white teardrop, in flux and co-creation. This weaving of story is not only enlightenment, it is also "endarkenment", the self that waits, is circular, un-named, yin. That "already lives there."

Already lives there, yes. But one does not converse with Hecate, and gain the benefits of Her guidance, without stopping, listening. Perhaps she will not come at all, until we fall apart, can't go any farther, run out of gas, slow the pace, fall off the treadmill. Thus, the necessary time to grieve, to be revealed, to make the pilgrimage to Compostella ..............comes about, and one may then see Her, poised, with her candle, at the doorway. She won't let you get away with anything - she'll illuminate it all, as you begin the journey. She will not make an appearance during commercial breaks, or at any "convenient time". I don't believe you'll find her in a day spa, and I don't even believe she has patience with prozac or anything that blunts the descent.

Hecate dwells in the Caverns, she dwells in the Depths.

Changes and Syncronicities

It's been a long time since I've written in this blog. Much has changed since I came back to Tucson, or perhaps it's easier to say that returning, I was immediately cast into any number of internal sea storms that precede change. My environment in Tucson is unchanged. Just me. I'm changing.

Returning several things happened: I became depressed. And angry. My life seemed so lonely here, purposeless, my concerns for my mother and troubled brother overwhelming and something I feel powerless to change or even talk about, many of my connections with others now seemed superficial. Feelings of needing to move on, not knowing where to move on to.........and so on. In other words, after my wanderings, I returned to find myself immersed in melancholy and confusion, feeling ashamed for feeling that way. After all, haven't I been talking about interconnectedness, and community, and healing, for all these years? How could I find myself in this Saturnine morass?

There are times when, like it or not, various illusions that have sustained a worldview, a personal myth, a relationship, the cocoon of a personality............breakdown, activate, digest, bloom, become......obvious. I found myself unhappy with myself, and just about everything else. That wasn't supposed to happen after my wonderful summer!

Meanwhile, butterflies turned up. Fluttering by at appropriate moments in the course of my thoughts, flying over my windshield while waiting in traffic as if to say "follow me". Then a woman from N.Y.C. called, and wanted two custom "Butterfly Women" for a convention. After making those masks (which I'm quite pleased with, they were beautiful), I also received an invitation to join "The Butterfly Connection", an arts organization in Ft. Worth, Texas! Depressed, and recovering from surgery, butterflies flutter metaphorically, creatively, literally, bringing their message of beauty, mystery, CHANGE.

I'd like to make a comment here about Butterflies. When the caterpillar is neatly cocooned in its crystallise, it's not necessarily having a great time, or even a nice nap in there. The "Imaginal Cells" (yes, that's what they are actually called) are enzymes and agents of change that basically reduce the poor caterpillar, and all of it's juvenile memories of munching contentedly on glossy summer leaves...............to SOUP. Change is rarely effortless, or comfortable.

One of the painful discoveries I made in the course of the past 6 Saturnine weeks is that my Masks of the Goddess project, at least as it has been for the past 8 years, is over. I need to move on, bringing closure to both the project and the past, a place and time I realize I'm stuck in. I no longer have the means to continue to keep the collection circulating, financially or emotionally. Coming to this realization has forced me as well to be honest with myself about many negative feelings that have accumulated like soot over the years as well - feelings of disappointment, anger at others, anger and shame at myself for often being unfair in my expectations of others. I feel lightened now, having done this "8 year life review". And all throughout, butterflies occurred.

Alan Moore, who created the Butterfly Gardener's Network, has often said that butterflies are messengers. I could write about magic, synchronicity, and Butterflies at considerable length, but first, I I think I need to write about the syncronicities that have occurred just recently, the reason for putting the cover to Robert Hopke's 1997 book
THERE ARE NO ACCIDENTS - Synchronicity and the Stories of Our Lives
at the top of this page. Because, well, I've been given such an affirmation!

1997, ten years ago, was a visionary, intense year for me. My marriage was over, my psyche was wide open as I grieved the past and also opened to new life and possibility. That fall, after the papers came through, I left my home on the East Coast, and by early November, was settled into my little trailer on the grounds of the Arizona Renaissance Faire. Since the Faire is out in the desert outside of Apache Junction, and didn't open until February, I had lots of time to go crazy, dream, heal, and grieve, in relative isolation. I didn't have a clue what the next step was, but I did begin to learn about the Internet, and was enjoying my first computer, creating my first website. I had November, 1997 through March of 1998 to figure out what I was going to do next.

I began to get on the Web, looking up anything I could think that interested me. Transformative arts, masks, art and consciousness, ritual theatre, women's spirituality...........and every time, without fail, everything came up either San Francisco, Berkeley, or Marin Country, California. Without fail.

I lived in Berkeley in it's heyday, and went to U.C. Berkeley. I left in 1976, to move to the East Coast. I hadn't thought of returning to California, but now my interest struck. The clincher was when I searched for "The Center for Symbolic Studies", founded by Stephen Larsen in Rosendale, New York. I wanted to ask his wife, Robin, to write a recommendation for me, as I'd taught a workshop and given a performance there.

Up came "The Center for Symbolic Studies", in Berkeley, California. The founder, Robert H. Hopke, had just published a book called: "There Are No Accidents - Synchronicity and the Stories of our Lives".

I'm not sure it gets better than that, but perhaps Dr. Hopke has stories to match. Being at the crossroads anyway, that was the clincher. I packed up my van at the end of the season, my cat, and my laptop and headed back to Berkeley after 20 years absence, prepared to sleep in my car if necessary until I found a place.

Fortunately for me, my idea of finding a place in Berkeley was based on my memories of 1976. Otherwise, I might have been daunted indeed. On a glorious spring day, I rolled onto Telegraph Avenue, parked my van, and decided to have a cup of coffee at the Med before I began my new life. I walked in, stood in the cappachino line, and ran into an old friend, Joji Yokoi, who remembered me after all those years. Remembered me, bought me a coffee, and offered me a room in his house while I looked for a place.

I didn't have to sleep in my car even one night. Two months later I was Judy Foster's roomate, working with Food Not Bombs, and celebrating the summer Solstice with Starhawk and Reclaiming (Judy was one of the founders of Reclaiming). A year after that I had my Rites of Passage Gallery in Berkeley, created the Masks of the Goddess for the Spiral Dance, and was fire dancing with Serene Zloof and her friends. Everything that happened in those years ...... seemed like that. Seamless.

And then I returned to Arizona, in 2000. I've often wondered what it might have been like if I'd stayed, kept my gallery, continued the life I was enjoying so much in Berkeley. There was a period when I was desperate to return to California, to return to the life I had, the project that seemed to vital there, and so difficult to generate here - but of course, you can't really do that. You can't go back.

Concluding my project, selling the masks, brings up a lot. So I was delighted when I attended, just yesterday, a meeting of the Southern Arizona Friends of Jung. Their subject was the Divine Feminine, and I enjoyed sharing both my masks and knowledge with them. And there on the coffee table was Dr. Hopke's book, which one of the members had brought in randomly. It's not a common book at all, but to me, it was like a talisman. In the warmth of the group and their appreciation for my work I felt - affirmed.

The talisman opened, and closed, my ten year journey. A postcard from Spiderwoman. I don't know what to say at such moments, except, Thankyou. GRACE.

Anima Mundi - the World Soul

Here's another quote from Paulo I love. I love his way of speaking about how we are, each and every one of us, ensouled in not just our bodies - but the entire world.

"We spend all our life trying to lock ourselves inside a bloc of coherency, certainty and opinions. We do not understand that we are in the flowers, in the mountains, in the things that we see on our way to work every day. We rarely think that we came from a mystery - birth – and are heading towards another mystery – death."

Paulo Coelho

Journey's end

Well, I'm back in Tucson and I guess the journey is over, for now. I hope there will be other journeys, other Chautauquas. Perhaps the last syncronicity is that the Tannahill Weavers are going to be playing here on Sunday - my onetime friend from Scotland, Kerry McNeil, gave me their music some 20 years ago, and I have listened to them ever since. I rarely spend money on concerts, but this.........yes!

I like this blog, I like that I have this journal and I can add to it anywhere I am. So I guess I'll keep it, and see where I go from here.

I've been reading Phillip Slater's "THE PURSUIT OF LONELINESS - American Culture at the Breaking Point", which was written in 1970. Sadly, this brilliant book is more relevant now than ever. I may do some writing in the future about reflections I've had on it.

So here is something inspiring, from To visit Paulo Coelho's "Warrior of the Light" ezine, something I just felt like sharing.

The good fight

“I have fought a good fight, I have kept the faith,” says Paul in one of his Epistles. And it seems appropriate to remember the theme now that a new year is stretching out before us. Men can never stop dreaming.

Dreams are the food of the soul, just as food is to the body. In our existence we often see our dreams come undone, yet it is necessary to go on dreaming, otherwise our soul dies and Agape does not penetrate it. Agape is universal love, the love which is greater and more important than “liking” someone. In his famous sermon on dreams, Martin Luther King reminds us of the fact that Jesus asked us to love our enemies, not to like them. This greater love is what drives us to go on fighting in spite of everything, to keep faith and joy, and to fight the Good Fight.

The Good Fight is the one we wage because our heart asks for it. In heroic times, when the apostles went out into the world to preach the Gospel, or in the days of the knights errant, things were easier: there was a lot of territory to travel, and a lot of things to do. Nowadays, however, the world has changed and the Good Fight has been moved from the battle fields to within us.

The Good Fight is the one we wage on behalf of our dreams. When they explode in us with all their might – in our youth – we have a great deal of courage, but we still have not learned to fight. After much effort we eventually learn to fight, and then we no longer have the same courage to fight. This makes us turn against ourselves and we start fighting and becoming our own worst enemy. We say that our dreams were childish, difficult to make come true, or the fruit of our ignorance of the realities of life. We kill our dreams because we are afraid of fighting the Good Fight.

The first symptom that we are killing our dreams is lack of time. The busiest people I have known in my life had time for everything. Those who did nothing were always tired and could hardly cope with the little work they had to do, always complaining that the day was too short. In fact, they were afraid of fighting the Good Fight.

The second symptom of the death of our dreams are our certainties. Because we do not want to see life as a great adventure to be lived, we begin to feel that we are wise, fair and correct in what little we ask of our existence. We look beyond the walls of our day-to-day life and hear the noise of spears clashing, feel the smell of sweat and gun-powder, see the great defeats and the faces of warriors thirsty for victory. But we never perceive the joy, the immense joy in the heart of those who are fighting, because for them it does not matter who wins or loses, what matters only is to fight the Good Fight.

Finally, the third symptom of the death of our dreams is peace. Life becomes a Sunday afternoon, not asking too much of us and not asking more than what we want to give. So we feel that we are “mature”, leave aside the “fantasies of childhood” and guarantee our personal and professional success. We are surprised when someone our age says they still want this or that out of life. But deep in our heart we know that what has happened is that we gave up fighting for our dreams, fighting the Good Fight.

When we give up our dreams and find peace, we enjoy a period of tranquility. But our dead dreams begin to rot inside us and infest the whole atmosphere we live in. We start acting cruel towards those around us, and eventually begin to direct this cruelty towards ourselves. Sickness and psychoses appear. What we wanted to avoid in fighting – disappointment and defeat – becomes the only legacy of our cowardice.

And one fine day the dead and rotten dreams make the air difficult to breathe and then we want to die, we want death to free us from our certainties, from our worries, and from that terrible Sunday-afternoon peace.

So, to avoid all that, let’s face 2007 with the reverence of mystery and the joy of adventure.

Syncronicity and the Stories of our Lives

..

https://www.thriftbooks.com/w/there-are-no-accidents_robert-h-hopcke/275400/item/3735544

"The stories that we live, the stories that the symbolic nature of syncronistic events bring to our awareness, are mythic. Yet how many of us think of ourselves as characters in a story, no less as characters living out a myth? The unusual occurance of a syncronicity serves to heighten our sensitivity to the sacred and symbolic dimension of our everyday lives. But why do so many of us resist such a way of thinking? Why would we want to dismiss or ignore the story we are living?"

Robert H. Hopcke
THERE ARE NO ACCIDENTS - Syncronicity and the Stories of Our Lives
Riverhead Books, 1997

Back in Tucson now from Chautaqua Country and my residencies (including my show based on the Spider Woman legend at the Midland Arts Center in Michigan), and it seems, Spider Woman's threads fall across my path still. The subject seems to be Syncronicity - something I'm always aware of, and think so often about, and yet veer away from because of my (human) tendency to immediately imbue each experience with "meaning" and a personal destiny. I don't believe it's that simple, although I do believe the phenomenon of Syncronicity has to do with the nature of consciousness itself, interconnectivity, and Weaving.

Perhaps the best way to understand them, for me, is to think of them as Spiderwoman's Way of Saying Hello.

"Theatre comes from the same Greek word as Theology -

 'theos' or 'god'" ---Robert Hopke

Two syncronicities greet me on my return......the first as I was unpacking. I found a little pack of souvenir cards I picked up in Beatrice, Nebraska when I went to visit my grandmother's grave in June. The first card on the top of the deck was - Chautauqua!

Honest! Here's the other: Opening my email, there was an order from a woman who wanted a mask. I learn that Teri lives in Indiana, so I told her about my enthusiasm for the area I had just visited in Indiana on my way home -  French Lick and West Badon Springs, home of "Pluto Water".

Guess where Teri lives? In Jasper, just down the road. Her son worked in the French Lick spa while the murals were being re-painted (the rococco painter was imported from Hungary). And she also tells me the reason it's called "Pluto Water" was probably because of the high sulpher content, which perhaps equated the springs with the underground realm of the god Pluto in the minds of the first European settlers. She tells me also that her son saw statues and other mythological artifacts of Pan, left over from the earlier days of the spa. Apparently the Jesuits confined them to the basement long ago, and there the old horny boy still resides, still too risque for the prudish locals.*

Well, I'm back in Tucson, and once again, my creativity seems to dissipate like water evaporating into the desert sand. I don't know how much longer I can bear to live here, because outside of love and responsibility for my very elderly mother, I've never been able to really feel I belong here, although I know many people who do. Arizona is the fastest growing state in the country - and now, ironically, with real estate speculation and developers foaming at mouth in ecstasies of greed - the arts district is almost extinct.  Who needs art when you can have a fancy wine bar?

Syncronicity - sometimes it's so funny I have to laugh. I pulled out a book I bought in 1998 by a Jungian psychologist then living in Berkeley, California, Robert Hopcke. Here's a story that I swear is true, about a series of syncronicities that led me to a new passage in my life, to opening Rites of Passage gallery in Berkeley, and to creating the Masks of the Goddess series, so fraught with Spiderwoman's threads that it's virtually a tapestry.

In 1997 my ex husband, Duncan, and I finally divorced and my life in New York with him, and our community there, wholly ended. I left the East Coast in November 1997, shortly after the papers finally came through, to winter at Apache Junction (I had a trailor on the Arizona Renfair grounds) and sort out what was next, as well as giving myself the time to grieve and process. It was a time of enormous psychic and emotional opening for me. I had begun to follow a trail of syncronicities and signs earlier that year, touchstones - if for no other reason than that I felt so lost and unsure about everything. It was a "year of magical thinking".

During that fall I remember I had been sitting at a bench at the Maryland Renaissance Faire with my morning coffee, thinking about the internet, which I had just become interested in as I had just purchased my first computer (which I didn't even know how to operate much yet). I looked down, noticing something shiny at my feet. It was an earring - a silver spider web! I put the earring on, feeling it just might be a sign of some kind, and sure enough, a few days later I was approached by an aquaintance  who was starting a website business. Would I be interested in a website? They offered me a very good deal, and within the month I had my first computer, and we were designing my first  website, http://www.rainewalker.com/

In Arizona, I began to learn about my computer in earnest, and to learn to navigate the (still very young)  Internet. I wore my silver spiderweb earring always in my ear, imagining it a talisman from Spiderwoman that would, surely, somehow, lead me to the connections I was meant to have. And my prayers were mostly..... "what's next, Universe? Where do I go from here?"

One day I got on the Internet and searched for just about everything I could think of that I was interested in (since my laptop was Windows 3.0 dialup, this took some patience). I searched for Transformative Arts, Ritual Theatre, Mask Theatre, Healing Arts, Creation Spirituality, Sacred Dance........ and every time, absolutely every time, it came up Berkeley, Marin County, or San Francisco, California. Every time.

What finally clinched it was when I looked for "the Center for Symbolic Studies", a place in Rosendale, New York, created by Steven and Robin Larsen, where I had presented a performance, offered a workshop, and both of whom I knew personally. I wanted to get a letter of recommendation from Robin.

It came up "The Center for Symbolic Studies" in Berkeley, California, and belonged to a  Dr. Robert  Hopcke, who had just published a book called: THERE ARE NO ACCIDENTS - Syncronicity and the Stories of Our Lives!

Well, that was enough for me. At the end of my season, I packed up my van and cat and headed to Berkeley, California, where I hadn't been for over 20 years. Twenty years can bring a lot of changes, and fortunately for me, I still had in my mind the easy going Berkeley of my hippie days. I had no idea, among other things, how difficult it could be to get a place to live there. But I was determined to follow whatever daemon, destiny, or folly was leading me on, and I resolved to sleep in my car until I found a place.

Arriving in Berkeley I parked near Telegraph Avenue, and headed for the familiar Cafe Med, where I used to hang out when I was at the University. I immediately ran in to someone, Joji Yokoi - who after 20 years still recognized me. Joji generously bought me a cup of coffee, and offered me a room in his house until I found a place to live.

I didn't have to spend a single night in my car, as it turned out. Not one.

Here's another one I "have on film"........ Can't resist sharing this syncronicity as well. The above is "Cosmic Cash" made by a lovely woman who lives in San Francisco named Nicole. I met Nicole through Alan Moore, the originator of the Butterfly Gardener's Organization, a network for World Peace. Nicole's Cosmic Cash is something she distributes for good karma and mindfulness whereever it's needed. And Alan, of course, knows more about Butterfly magic than anyone I ever met.

The photo below was taken from a photo published by the San Francisco Chronicle, shortly after the big Peace March against the war in 2003. Alan, Nicole and I marched together - I chose to wear the mask of Sophia, the Goddess who embodies peace, truth, and wisdom. Alan has his butterfly, me my mask, and on the right side of the photo - Nicole (standing with her back to the camera) - has her Cash.

What are the odds?