Showing posts with label Masks of the Goddess Project. Show all posts
Showing posts with label Masks of the Goddess Project. Show all posts

Friday, August 30, 2024

"The Masks of the Goddess" at the Women & Spirituality Conference

 
Photo by JJ Idarius

                                   I am deeply honored to be the Keynote Speaker at this years 

40th Annual Women & Spirituality Conference

                  October 4th, 5th & 6th 2024

              St. Mary’s University,  Cascade Meadows Campus,

                                       Rochester, MN

Over 36 workshops to choose from, vendors, exhibitors and more. The Masks of the Goddess Collection will be on Exhibit!  Along with many women’s voices sharing their wisdom, offering their healing, together in community since 1981.  Explore the beauty of the land, experience art in the Maker’s Space, find solace in the Chaplain’s Corner.

And.......... there will be a special Ceremonial Evening 

Celebrating the 40th Anniversary of the Conference

with a Community Ritual  Performance and the Masks of the Goddess 

                        Friday October 4th, 2024 at 7:00 pm

                         at the Chateau Theater in Rochester,  Mn  

 We are still seeking Participants to Invoke the Goddesses with the masks!  If you live in Rochester area and would like to be part of this offering for the Divine Feminine, please contact Laurenraine9@gmail.com.  We would love to have you join us!

                                                  

What the audience saw when a dancer looked through the eyes of the mask was the Goddess Herself,  ancient and yet contemporary, looking across time, across the miles.”

           Diane Darling, Director, Playwright                                                                                                                                                                                                                 

Saturday, August 17, 2024

Updated Archival Video of the MASKS OF THE GODDESS PROJECT

I'm pleased with this updated version of the original video created by Serene Zloof (which was made in 2004 - so there was a great deal that needed to be updated since then!)  With thanks to Space Cruiser Video for the help.  A lot of memories there, and the hope that what I and my many wonderful Colleagues created will pass on and evolve with future generations.  

Blessed Be.

 https://www.youtube.com/watch?v=1wqoxJr8_vU


Thursday, March 28, 2019

More New Masks for my Upcoming Show

BRIDGIT

I've been busy indeed getting ready for my show in May, including finally finishing a new version of  my Book about the Masks of the Goddess Project.  

It is fun to have a chance to practice my mastery of my art.........I have not made many masks in the past few years, mostly because since I stopped doing the shows and "being out there" there have been few requests for masks.  But this is what I am good at, and it has been a great privilege for me to make these Goddess masks for others to use.  

I remember when I first started learning about the "Temple Mask" traditions of Bali, and started working with Ida Bagus Anom in Mas, which is near Ubud.  I was so inspired with the idea of sacred masks, masks that were used to "in-voke" the Gods, masks that were the "special masks" that were kept in the Temples, anointed and cleansed with holy water by the Balians, and maintained and created by a class of mask makers............it seemed so familiar to me, that concept.  Perhaps I once lived in a culture like Bali where masks were sacred, in some other lifetime............

 So when I returned to the U.S., the idea of making a collection of "Temple Masks" devoted to the Divine Feminine made sense to me.  And then my opportunity came along with an invitation to create masks for the Invocation of the Goddess at the 20th Annual Spiral Dance in San Francisco.  It seems fitting indeed that the Project should end in San Francisco as well, 20 years later.  And I am ....... happy to realize that the masks did fulfill that dream, and I have this chance to close with honor for the many people I've been privileged to share them with.

INANNA

CERES/DEMETER 

ISIS

HECATE

ERESHKIGAL

BAST

Tuesday, February 26, 2019

Show of the Masks of the Goddess: The Morrigan Mask



In May, 2019 I will be exhibiting the entire "Masks of the Goddess" Collection, along with photos of participants, at HerChurch in San Francisco (details and announcement of opening to follow soon) as part of the closing of this 20 year project.  Giving a talk and performance, as well as donating some of the masks to the Temple of the Goddess in Glastonbury, U.K.  was the first part of my formal closing.    I have been very privileged indeed to share this work with many people:  Storytellers, Priestesses, Dancers, Actors, Communities.  No artist could ask for more.

Some of the masks, over the years, have been donated, sold, or lost, so I'm having a grand time right now making new ones.  This is the first new one, the Morrigan, Celtic Goddess of war, lamentation, and also justice.  Celtic warriors went into battle believing that She would bear their souls to the Summerland in honor if they fought well and bravely.  Her totem was the Raven.  I tried to get the expression of "battle lust"........ I hope I succeeded.  

This performance piece/poem I wrote in 1999...........I honestly sometimes think I "channelled" it because it came forth so fast and with such strength and passion.  Goddess of Justice She is, and a very, very fierce compassion.

Image result for raven in flight

THE CURSE OF THE MORRIGAN

You who bring suffering to children:  May you look into the sweetest, most open eyes, and howl the loss of your own innocence.

You who ridicule the poor, the grieving, the lost, the fallen, the inarticulate, the wounded children in grown-up bodies:  May you look into each face, and see a mirror.  May all your cleverness fall into the abyss of your speechless grief, your secret hunger,  may you look into that black  hole with no name, and find....the most tender touch in the darkest night, the hand that reaches out.

May you take that hand.  May you walk all your circles home at last, and coming home, know where you are.

You tree-killers, you wasters: May you breathe the bitter dust, may you thirst, may you walk hungry in the wastelands, the barren places you have made.  And when you cannot walk one step further, may you see at your foot a single blade of grass, green, defiantly green.

And may you be remade by its generosity.

And those who are greedy in a time of famine:  May you be emptied out, may your hearts break not in half, but wide open in a thousand places, and may the waters of the world pour from each crevice, washing you clean.

Those who mistake power for love:  May you know true loneliness.  And when you think your loneliness will drive you mad, when you know you cannot bear it one more hour, may a line be cast to you, one shining, light woven strand of the Great Web glistening in the dark.

And may you hold on for dear life.

Those passive ones, those ones who force others to shape them, and then complain if it's not to your liking:  May you find yourself in the hard place with your back against the wall.  And may you rage, rage until you find your will.  

And may you learn to shape yourself.

And you who delight in exploiting others, imagining that you are better than they are: May you wake up in a strange land as naked as the day you were born and thrice as raw. 
May you look into the eyes of any other soul, in your radiant need and terrible vulnerability.

May you know yourSelf.  
And may you be blessed by that communion.

And may you love well
Thrice and thrice and thrice
And again and again and again
May you find your face before you were born.

         (1999)

Sunday, August 30, 2015

New Kali Mask


KALI

Once upon a time the world became populated by demons.
They filled the world with their copious greed,
and reproduced themselves endlessly. 

They consumed the light of day, they soiled the air

they ate the trees, they swallowed the waters
they devoured the lands 
with their insatiable greed

Eating, eating.  Fill me!  Fill me!


Until there were no more things of beauty made, 

or new dreams dreamed, 
or children born.

    The unborn ones called to me,

    The ones yet to come:

   The time had come
    to say Enough
    and No More

I am the Goddess of No More!


I, I am the one who devours

I, I  am the eater, fool.

I  am the shadow 

of all those who cannot remember
 how to say enough
and No More

Maybe I just feel like dancing.

Maybe I just feel like dancing......

I, I am the Mother

Of all those
who are yet to come

    Jai Ma

    Kali Ma  


 by Lauren Raine


 When the Hindu Gods could not defeat a plague of demons, they called at last upon Kali.

 Severed heads adorn Her necklace, Her skin is black as night, and Her tongue protrudes from Her black face with the bloodlust of battle, and the immense laughter of Kali, destroyer of illusion, who sees beyond all appearances. Kali's dance is the destruction that must occur for each new beginning. Kali's love is tough love; yet the dancing feet and the flaming sword of Kali are among the most powerful expressions of Divine Love.

I wanted to create a performance for Kali. As I drove to the event, I brought a costume, and snake with me, thinking the snake represented the serpentine energy of the kundalini. But I didn't know what to do.

I went on stage, and read a paper, I just let the mundane despair come out. "I can't stand it!" I said, and then I turned my back to the audience, just breathing, and whispered, "When I meditate, sometimes I become a Goddess......." Then I put on the mask. And a hot, hot energy seemed to rip through me. I turned around, and words fell out of my mouth.

As I picked up the snake, I remember saying, "This is the Kundalini, this is the serpent." I spoke about how we channel that enormous energy into sexuality, but we don't understand that it can rise further into our hearts, our vision centers, infusing our entire being. All of this was spontaneous! I genuinely can't say it was I, Drissana, who did it. When I went into the dressing room later, I was shaking. It was as if Kali had left, and I was just this small, exhausted person, who for a moment had been inhabited by that ferocious intelligence.

Kali is the surgeon. She cuts away what has to go. I ask for that quality when I have to cut something out of my life; an addiction, or a relationship that no longer is about growth. And I ask it be done precisely, this cutting away of dis-ease, malignancy, the aspects that no longer serve. Kali was the last resort savior. When the Gods couldn't kill the demonic forces that ravaged the Earth, they called on a woman's wrath.

We all have the ability to call the Goddesses into ourselves. I can do this in my dance, but in everyday life it's more difficult. That's why I thrive on performance, because I can freely let those forces work through me. What I forget is that we can call on them at other times. We've forgotten that the Goddess dwells within us, all the time, and not just when we wear a mask, or are in workshop, or a ritual. We are, in Tantric terms, extensions or emanations of the Gods and Goddesses - we are their material aspects. We're not bodies that are seeking the spirit, we're spirits that are seeking bodily experiences.

Remembering is a devotional practice. In the Hindu tradition, everyone has a deity they focus on as their personal deity. In the West, as we begin to reclaim the Goddess for spiritual practice, we each need to create a relationship with the Goddess form we have chosen, in order to manifest what we need for spiritual and emotional growth, to invoke the help we need. That practice is not just cerebral. We function out of our whole self, our bodies and spirits. The body-mind. That is where we re-member, we communicate with the Goddess within ourselves.

Women need to become angry. Now.   About the women of Afghanistan, the meaningless wars, the destruction of our environment. The demons of insatiable lust are devouring our planet. Those souls who await the future are being denied their birthright. 

Kali is the catalyst for saying "No more". She's the voice of women whose voices aren't being heard, women who need to open their mouths and speak for the first time. It's time to embrace the sword of Kali and start cutting away the delusions that are destroying our world. This is the ferocious mother who says "get away from my children, or I'll kill you." Mothers today aren't saying that. They're giving their children away. Giving them away to war, giving them away by allowing our environment to be depleted, giving permission to the powers that be to destroy their future. 

This time of change is the dance of Kali.

by Drissana Devananda (1999)

Friday, July 3, 2015

The World Parliment of Religion 2015






~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
"What the audience saw when a dancer looked through the eyes of the mask was the Goddess Herself, an ancient and yet utterly contemporary presence, looking across time, across the miles."

Diane Darling,  Playwright

In Salt Lake City in  October  at the Parliament of World Religions a group of women and men will be  will be literally  “bringing the Goddess to life”.  “Goddess Alive!” is produced and written by M. Macha NightMare (Aline O’Brien), with Mary Kay Landon.  Participants will use my “Masks of the Goddess” Collection to create a ritual theatre event honoring the many faces of the Divine Feminine throughout the world.   

The Masks of the Goddess Project began in 1998, and since then the ever-evolving, multi-cultural collection of masks have travelled around the U.S. to different communities for dance, storytelling, exhibit, and personal invocation, always collaborative.

"The work of our group was not to re-enact the ancient goddess myths, but to take those myths to their next level of evolutionary unfolding. We are the mythmakers.”   

Katherine Josten, The Global Art Project


In 1999 I was invited to create masks for the Invocation of the Goddess at the 20th Annual Spiral Dance in San Francisco.   I wanted to offer the collection as contemporary "Temple Masks" devoted to the Goddess.    It’s been my great privilege to see the masks used in numerous communities, as well as to produce several events myself, and over the years an archive of performances, stories, and interviews has accrued as the Collection travelled, gathering story.  
 
What does the story of Sedna, ocean mother of the Inuit, have to teach us about reciprocity with  nature?   What happens when an audience member stands before the Gnostic "Mirror of Sophia"?   How is the "Descent of Inanna" about a woman’s journey toward wholeness?  What might Spider Woman, the native American creatrix/weaver, communicate to us as she weaves a Web with the audience?

As the Goddess is invoked through the masked dancer’s performance, these stories come alive as a visible Presence.   Through the medium of masks, we have sought to re-claim and re-invent for today the universal, ancient, important stories of the Goddess, as well as empowering women to explore each archetypal presence within herself.   Masks are potent bridges for transformation, and by working with the mask as both performance and invocation the process serves as a blessing for both the audience and the dancer. 

Macha Nightmare and colleagues such as Ann Waters, Mana Youngbear, Diane Darling and others have evolved some simple, and yet very effective ways to work with the masks and community ritual theatre – one such is the use of the “Greek Chorus” to tell each story as the dancers emerge.  They have also included in their performances original music by collaborating musicians, and a ritual component that allows for interaction with the audience/celebrants.
In 2013 I produced a new series I called "Numina - Masks for the Elemental Powers",  for a new play by Ann Waters - "The Awakening - Our Changing Earth".   The Romans believed that places were inhabited by  intelligences they called Numina, and many gardens or springs had little shrines dedicated to them, the "genius loci", of a particular place. I have often asked myself how we can regain this sense of  communion with the elemental powers of place that are the true wellsprings of myth. 

In the past, "Nature" was not  a "backdrop", or a "resource" – it was a  conversation with many voices and many faces.  The "Numina Masks" arise from worldwide Goddesses associated with place, such as fiery Pele of Kilaua in Hawaii, or The Lady of Avalon, felt so strongly at the sacred wells of Glastonbury….. or the deep mystery of the desert, the realm of the ancient “Bone Goddess”.  My masks arise from my imagination, but invite others to  collaboratively "join the conversation".  This year (2015) I continue to create new masks for the Masks of the Goddess Collection, and the collection continues to be available to groups and individuals.  For information:   www.masksofthegoddess.com 


References:

Darling
, D. (2000)    Interview excerpt,  “Masque of the Goddess”,  Sebastopol, Ca (2000)
Josten, K. (2004).   Unpublished journal of “Restoring the Balance” cast, Tucson, Az (2004).

Photographs illustrating this article are with permission of  Thomas Lux, Ann Beam, and Jerri Jo Idarius.