Spirals

The first Monsoon came with great celebration to Tucson, and to Nogal, New Mexico, yesterday.  It looks good for Anima too...........wanted to share an article Jesse Wolf Hardin sent me recently.  

 Spirals In Nature… and Our Lives

Walking The Spiral:  Fern Heads, Replicative Patterns, Conscious Participation

by Jesse Wolf Hardin,  Anima School and Sanctuary

 We exist in a world of patterns that we are an unending part of.  I don’t mean just the patterns of individual and cultural behavior we call schedules and habits, the patterning of apartments in building or houses on blocks.  Notice or not, all around us are natural shapes and forms patterned according to design repetition and balance, and a thing’s gifts and functions, purposes and propensities, none of which are obeying some “laws of nature” or “laws of physics” so much as inhabiting and playing a part in systems of replication and enhancement.

Under the intuitive eye of the mystic, the artist, the aesthetic, these patterns have always appeared manifest and childishly obvious, a clearly sequenced repetition of forms that interlock like puzzle pieces, building bridges of content, beauty and meaning between the supposedly dissimilar, and between the micro and macro.  From the scale of the stars in the sky, down to the  repeating shapes that make up the landscape, the balanced eruption of branches from a tree trunk, the mountain and valley texture of its bark and the composition of fingertips and fingernails when viewed really, really close.  They cannot help but sense or assume, that this trend continues down to the invisible, down to fluctuating but largely predictable and wholly amazing arrangements of minute organic cells, sensed molecules and imagined atoms.  And now, these patterns are revealing themselves to the discerning scientific eye as well, as fractals defining the replicative roughness of expanding borders, mathematically measurable, mappable, extendable and therefore to some degree extrapolatable; as natural forms to be copied by human inventors in a process they call biomimicry; as time-lapse captured lightning mirroring the patterns of veins in one’s own hand; and as mysteriously similar galaxies, whether summoned to view through the ocular of an electron microscope. or the polished lenses of a telescope racing through space on the nose a satellite.

The organic blueprint that all things follow, is that of rivers making their way through the mountains to the sea, the patterns of turbulence witnessed in the roiling of bubble-laden streams and the swirling of sunlit smoke in the morning’s air currents, the topography of coastlines and radiating petals of flowers.  Because these patterns are ever growing, transitioning, evolving, moving, we might better describe their pinnacles and valleys, peaks and drops, their waxing and waning, build-up and climax in the terminology of music, the patterns of motive visual forms themselves being rhythmic.  All rhythm, no matter how complex, involves a repetition of patterns that could be drawn out as leaf shapes and snowflakes, coastlines and twisting vines.

Rhythm made visible to the eye, is symmetry… the correspondence of exact or similar parts facing each other, or extending from a measurable center or axis.  And is the propensity of energetic nature to symmetrize.  The ubiquitous fractals are geometrically symmetric, as can be mandalic plant blossoms and crystal formations, but there is also a symmetry expressed in curling wisps of cloud, the lime green coils of a plant’s outreaching tendril, and especially in the spiral… the spiral fern head and spiral snail and sea shells, the inner ear’s cochlear nucleus vortices and the spiraling of Earth’s atmosphere as seen from space, all spinning out from a common center “eye”… a mystical “golden spiral” suggestive of a dance with no possible beginning or end.

“It is only slightly overstating the case, to say that physics is the study of symmetry.”

-P. W. Anderson, Nobel Laureate

The “known” universe is also repeating a pattern, as exhibited by its discernible elements, and moves or unfolds in a spiral orbit, with repeating patterns resulting in ever greater superstructures that apparently repeat themselves infinitely (Joseph, 2010).  The search for a “theory of everything” could be likened to the search for a unifying symmetry, in which repeating, spiraling patterns help connect us to, thread us into and propel us through an infinite universe that may well prove as eternal as it is limitless.

The perceiving and experiencing of this micro and macro patterning can lead to a feeling of rooted connection, of a kind of immortality by extension.  It can help us recognize the motion and direction of individual and species’ intent, and to find beauty and purpose in what might otherwise have been dismissed as ordinary and purposeless.  It can be a tool in our healing of ourselves and others, by helping us recognize and visualize patterns of constitution, energetics, gifts and challenges, perception and direction.

For several years now, Kiva and I have been developing our Anima Medicine Wheel for use in energetic understanding and diagnosis.  More like the Chinese five-element model than the Native American Wheel, it features not only the four cardinal directions or “sources” but also a fifth in the center.  While it makes perfect sense to us conceptually, when I’ve tried to draw it out on paper there has always appeared to be something lacking.  Everyone begins their life embodying the energies, gifts, challenges and propensities of one of the five “directions” or points, yet usually we are moving at one speed or another towards or through other directions as part of our integration, growth, and becoming whole.  This motion, we realized, might be best conceptualized as a three dimensional spiral rather than a two dimensional circle, in which form and being are forever reaching back to their source point, origins and earth, and simultaneously reaching outwards in progressive or widening arcs that weave together as they encompass.

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We naturally exist in and are inevitably factors in the patterning of the world.  And it is impossible for us to remain securely immobile and unchanged no matter how much we might try.  If we are not integrating and moving forward on the spiral, then we are sliding down it.  How much better it is, then, to walk the spiral consciously, deliberately, purposefully, taking in the lessons and crafting our effect, not only participating in but helping design our contribution, a song worth repeating, a pattern worthy of being extended beyond not only our immediate beings but our finite lives.

It is to honor both spirals and plants that we share with you these photographic images of natural, human and botanical spiraling, visual reminders of that beauteous pattern of corporeal as well as energetic continuation that no amount of dying can ever remove us from.

Anima Still Here**, and a Gaian Eulogy

 

I'm pleased to learn that Anima in Reserve, N.M. is still there, and with the fire still just over the horizon, Wolf and family found time to make a eulogy for a friend who died.

There's something very powerful about living like that.

Although I did not know  Gioia Tama, who was a dancer, I  found his words beautiful and wanted to share them.  His Eulogy so much speaks to what I feel, and what I believe ancient peoples felt.......we add to the great Conversation, and return to "the important dark as well as the tribal fire."

"We often hear people say that so-and-so is “gone now”,  an expression partly intended to spare us the difficult vernacular of death, as if avoiding the word could somehow keep the reality at bay.  But, I say, the amazing Gioia has not left for anywhere, she remains evermore a part of the earth she had no desire to leave, ladled back into the anima soup, the vital elements and miraculous energy from which new people – and even new species – are born.  Her cosmology was as eclectic and diverse as any I’ve known, but in every way it was an embrace of the cycles of existence, connection and devotion to the living land.  In her work to contribute to a new culture, she taught the values that nature teaches, in all its wisdom, diversity and splendor.  And when she danced, she danced grounded, with the power of a sentient, ass-kicking planet in every sure flamenco step.  Gioia has not gone, she is here in the important dark as well as in the tribal fire by which we see the path ahead, hear the duende we call mystery, and the eruptions of wildflowers of her beloved Guadalupita homestead. Don’t say “Adios“… always say “Adelante!”

-Jesse Wolf Hardin, Anima Sanctuary, June of 2012

 As I write this morning, I see that Grandmother Spider Woman has sent one of her skilled representatives to leave a message in the window above my desk.  She sits at the very center of a round web made of concentric transparent threads that glisten like a rainbow as the wind causes her creation to vibrate.  Ho, Grandmother Spider Woman!  Thank you!

I've felt a special bond with Jesse Wolf Hardin and family because, like the Web shimmering before me, the friendship demonstrates the mysterious way we're all, truly, connected.

I learned about Jesse's work when I read an article he'd written in Green Egg Magazine in 2000, shortly after I moved to Arizona.  My own article on sacred masks followed his, and the publisher had failed to let me know it had been published, so I found out only by buying a magazine.  I wrote Jesse to congratulate him on his moving article, and to let him know it had been published, just in case his situation was like mine.

That summer was very difficult for me.  I was involved in a kind of love relationship that was very psychic, perhaps karmic,  in its nature, and the situation gave me no opportunity to talk about it, not with the person involved, nor did I have anyone to talk to in my isolation in Tucson.  I was confused, not sure of anything, and self-destructive.  Although Jesse knew nothing whatsoever about me, he began to send me articles he had written about truth, magic, and integrity.  It was as if he knew somehow what I needed to hear  - he sent me a life raft.

The soul connections between us all are stunning sometimes.  Years later I was invited to submit poetry to an e-zine based in Pennsylvania called "The Divine Animal", and the editor  published some of my art and my poetry about Aphrodite, the Goddess of Love.  We exchanged correspondence, and I loved the stories she sent me.  She had lived in Tucson, and when I was doing a cast call for "Restoring the Balance" I wrote and asked her if she knew anyone who was a dancer/ritualist in Tucson.  She did, and that was how I met one of the women who helped "Spider Woman" weave her web during the closing performance!

We lost touch and the magazine ceased publication, but a few years later, I got an email from her that she was moving to New Mexico.  That was Kiva Rose,  one of Jesse's partners!  I so often find myself telling these stories because, well, I see the links sometimes.  I find it so hopeful. 

“What might we see, how might we act, if  we saw the world with a webbed vision? 

The world seen through a web of relationships…as delicate as spider’s silk,

yet strong enough to hang a bridge on.”

Catherine Keller "From a Broken Web" (1989) 

**Whitewater-Baldy Wildfire Now 4 Miles Away

At 420 square miles, the fire continues growing, with its most persistent spread being towards the Northwest… and towards us.  Fortunately the movement is relatively slow, but its westward movement has now positioned it due south of the Anima Sanctuary and only 4 miles away.  It is impossible to know how much of the new burns (shown in red on the map) were deliberately set, but with the rains still 6 weeks or so away, we will continue to be in danger until then.  Dan’l hopes to be able to show up more often now, and with the help of our two WOOF volunteers Mattie and Gina, the water pipes are getting buried, and the huge amounts of hazardous dead brush are being gathered for removal.

Donations to the fire fund have stopped coming in, though not before enabling us to get the last of the pipe and fire hose needed (thank you Dennis, for making the difference!).  It looks like there will not be contributions to pay for foil wrapping for the Gaia and Gifting Lodges, however, and they will burn with the trees if and when this or a future fire sweeps through here.  At the least, our main home/office structures have a very good chance of surviving a conflagration now, and the work for this land, our students and community will be able to continue unabated.

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Contributions

Thank you to those who have been able to contribute to the protection of the School infrastructure, it would be impossible without the donations last year and now. Contributions accepted for further fire protection needs.  To contribute to the Anima Fire Fund, either send a postal money order in any amount to:

Gretchen Geggis (Loba!)
PO Box 688, Reserve, NM 87830

or make a PayPal instant payment by going to:
 www.PayPal.com
Enter the amount as a personal “gift” and send to: TWHKiva@gmail.com

Update on the Anima Center

 

I've so often written about Speaking to the Earth, how this is something we have lost as an unsustainable industrial civilization.  What Jesse Wolf Hardin, Loba, and Kiva Rose do at the Anima Center in New Mexico is to live that way, and their work is so very important.  I'm taking the liberty again of posting from their blog as forest fire continues to threaten the center for the second time in a row.  I know they have many friends, and do this to spread the word.

To contribute to the Anima Fire Fund, either send a postal money order in any amount to:

Gretchen Geggis (Loba!)
PO Box 688, Reserve, NM 87830

or make a PayPal instant payment by going to:
 www.PayPal.com
Enter the amount as a personal “gift” and send to: TWHKiva@gmail.com

  

Whitewater-Baldy Wildfire Updates 
(from Anima Center Blog)

300 sq. Miles and Growing – Largest in Recorded State History
Under 6 Miles Away From Us – But We’re Nearly Sprinkler Ready!

The growing Whitewater Baldy Complex Fire is now over 300 square miles in size, engulfing 250,000 plus acres as of the publishing of this post.  On the map below, its northernmost spur appears to have crept a little closer still to us, though much of the red on the Northwest edge is certainly indicating backfires set to slow the progression.

June 1st Whitewater-Baldy Fire Perimeter, Anima location marked top left

The winds have been largely blowing out of instead of towards the Northeast, resulting in more smoke in the mornings and more worry about the fire’s direction, though they thankfully remain under 20mph.  The perimeter nearest us and the village of Reserve seems secure enough for the time being, but another day of those earlier 50mph winds could easily push the front again our way.

 

The mountain across the river from our cabins, in thick smoke that fortunately moves away by 11A.M. so far. Whitewater-Baldy Fire Photo by Jesse Wolf Hardin

On the list if more fire donations come in, will be expensive protective foil wrap to enclose the two guest cabins.  If not, all that may remain is to get a small trailer outfitted for the pump so that it can be moved easier, and purchase some kind of fuel reservoir so the pump purchased last Summer will run unattended for more hours, pumping water up and to… yes, you guessed it!….

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Sprinkler Test #1 - Wolf and Rhiannon - Yippee!

Protective Sprinklers!

There is still lots of adjusting, routing and burying of the water pipes to go, but Trail Boss made sure the sprinkler system was ready to spray water on our main buildings.  What you see in the pictures is the excited first test of the system, with everyone (and even Kiva’s camera) getting a bit of a drenching.

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The walls of our rough built structures have a lot of gaps where the water could get in between the walls and cause problems with rot, so Dan’l will close them up as best he can as time permits.  But already, even unadjusted, the sprinklers up the odds that a wildfire doesn’t take out our funky little home and office.

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Projects Continue

Having the sprinklers working and close to ready means we’ve been able to think about other things besides the fire’s approach, including release of the recent 44 page long TWHC Newsletter, completion of the new 297 (!) page long Plant Healer Magazine… and the readying of The Medicine Bear novel with dear proofreaders’ help, a historically accurate story of not only the Southwest’s people but the land and lifeforms such as are suffering from the megafires today (www.TheMedicineBear.com). The flames, for second year in a row, have added to and rearranged our priorities, but they’ve also kept a fire under our arses so that everything that matters most gets done.  We were determined to be prepared for the fire, and determined that the magazine would be both more amazing than ever and go out on time.

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As with life itself, there are mornings when it can be hard to see through the smoke and obfuscation... but always, the glow of the cliffs somehow remains visible, as does our purpose, and the work and love ahead.

A Positive Side

Being hounded by record breaking wildfires two Summers in a row can seem like nothing but a repeat nightmare, the destruction of plant and animal, the damage or threat to human homes, and the awful image of this sanctuary being torched after such intense and prolonged efforts to replant, restore and rewild it.  Cottonwoods may or may not burn, but the roots they’ve established in our 33 years of protection will live and sprout again.  The giant Ponderosa pine forest facing us on the east slope is unlikely to regenerate under current climate conditions, but sad as that is, there will be a succession of green life forms brimming with the anima vital force and eager to use this home and opportunity to thrive.

And if this canyon happens to be spared yet again from the flames of a record fire, through the efforts of fire fighters, prayers of friends and supporters or the canyon’s own will and purpose, then we will have the benefit of a protective buffer of already burned or reduced fuel-load land now both the east and west of us… with this river canyon being a rich strip of biodiversity acting as the seed bank and mother roots from which new life will spread.

The Anima Sanctuary & Earthen Spirituality Center

'The Prophetic Heart explores the true frontiers of consciousness, where past, present and future meld seamlessly into activist art, an inclusive pulsing web of which we are both but a single inextricable strand and one of the crucial conscious weavers..... We see that our personal struggles are part of a shamanic process of falling apart and being remade, much as the tumultuous Earth Changes tell the story of a living planet restoring balance through dramatic transformation."

-Jesse Wolf Hardin 

 I posed the question, "How do we talk to the Earth? " and immediately thought of Jesse Wolf Hardin, Loba, and Kiva Rose, who have created the Anima Sanctuary in Reserve, N.M.  For many years they've been living off the grid in their magical canyon near the Gila wilderness.  Jesse is a philosopher, writer, teacher and artist, and Loba and Kiva Rose are herbalists and Medicine Women.

The high deserts and hidden canyons of New Mexico, layered with cottonwood trees and rock sites inscribed, like some ancient book,  with petroglyphs, have been famous for attracting artists and spiritual seekers.  It's Spider Woman's Country, the shimmering, transparent strands of her Web seem especially lucid and visible.  There is a particular kind of person I seem to meet there I call the "New Mexico Mystic ".  A couple of years ago I wrote about the ecologist, philosopher and magician David Abram, and Wild Ethics. New Mexico also hosts eco-psychologist Bill Plotkin's Animas Valley Institute.  And the Lama Foundation, with its World Indigenous Peoples Conference.  And the  Cuyamungue Institute, founded by Felicitas Goodman, and Greg Bradon........new Mexico mystics, people who speak with the land.

For a long time I've been aware of the Anima Center in Western New Mexico.  I've corresponded with Jesse, and met him and Loba one wonderful summer at Brushwood, where he came to teach at the Starwood Festival, and Loba, who is a fabulous cook, created special feast for the women.  Jesse has been a prolific writer, with hundreds of published articles and 6 books.  He was also a  visual artist who left his life in Taos to become caretaker for the land in the Gila Wilderness he fell in love with, where he later established, with his partners Loba and Kiva  Anima.
 

"There at the base (of the cliff)  the impulse is always to look up, and it must have been so even for those first human inhabitants of the canyon trained to seek spirit in the ground as much as the sky. And craning my neck towards the forms and fissures above, through choking tears, came these unexpected words “I promise, no matter what, I’m yours. Even if I end up penniless with no one here to love me....” Then, in almost a scream, “I will never leave you!” And in turn, I accepted the canyon’s assurance that I belong.... and that as lonely as I might be, I would never be alone."

Loba

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"Contracted: receiving the support of the land and pledging the self in return. There was of course another contract as well, whereby I– then a young man with more attitude than common sense– signed my name on a set of papers that indentured me for fifteen years. As with most or all real estate agreements, it stipulated that if I was more than thirty days late with any of the semiannual payments, the land would automatically revert back to the seller. In order to stay close to the land I’d gone from selling expensive paintings in our gallery in Taos to working minimum wage jobs doing everything from spreading seeds on logged acreage to making adobe bricks, with friendly immigrant workers I could barely understand. My part of the bargain involved doing whatever it took to get up the money for the land payments, and the seller was likewise bound to turn over control of a most special place.

......Nonetheless, the most important contract is not that between two people.... it’s the reciprocal commitment between human and land, made and fulfilled in particular places. As with contracts between individuals or entities, both parties make promises in exchange for specific benefits. For centuries the land has kept its part of the bargain by offering up nourishment, shelter and instruction while we’ve largely defaulted as a species on our reciprocal obligations. We’ve largely failed our task to be the planet’s most sensitive receptors, to temper knowledge with humility and wisdom, or to properly give sacrament to, give thanks for, preserve or celebrate that land we as a species have evolved in contractual partnership with.

With every gift comes a responsibility to its spiritual and physical “care and feeding.” This goes for the soil itself, elemental to all life, and all that grows from its bosom or calls its rocks and trees home. Responsibilities to the plant and animal species we consume, to the water we drink and the air we breathe. The responsibility to insure that which we take is neither diluted nor despoiled, to give back equal to that which we are given. And whether we choose to call it that or not, it includes a responsibility to engage in some form of prayerful communion. 

Responsibility: the ability to respond."

From "Selected Writings", Jesse Wolf Hardin

 Jesse's Blog:   http://animacenter.org/blog/?cat=10

Kiva Rose

Dance With Destiny Documentary

'The Prophetic Heart explores the true frontiers of consciousness, where past, present and future meld seamlessly into activist art, an inclusive pulsing web of which we are both but a single inextricable strand and one of the crucial conscious weavers. We learn that our work is not only to create a sustainable future, but to develop the presence and judgment necessary to discern what values and ways of being are truly worth sustaining. Even as we face political repression and wars, environmental destruction and a culture of distraction and denial, we are each being given an assignment and opportunity to create holistic alternatives. We see that our personal struggles are part of a shamanic process of falling apart and being remade, much as the tumultuous Earth Changes tell the story of a living planet restoring balance through dramatic transformation. We come away from watching this film not paralyzed with fear but called to attempt the so called “impossible”…to be an active part of the shift and cure.'

-Jesse Wolf Hardin  

 

Today is the Equinox, and my dreams continue to be about Balance, which is also what this sacred day is all about.  Balance of light and dark, conscious mind and shadow, above and below.  Syncronistically I am sending off today a Persephone mask that someone ordered - half light, half dark is her face.  There is a personal synchronicity in that as well concerning a dream I've been mulling over for more than a year now, but I'll have to wait a bit to write on that.  All things are woven..........

I was writing about Kali, the Dark Goddess, and the urgent need to wake up and shatter the "demons of delusion" in my previous post.  While searching for information about a true visionary I met, Jesse Wolf Hardin, I learned of an important new  film he participated in - Dance With Destiny, a documentary by (syncronistically again) Bruce Weaver.   Describing himself, the filmmaker comments that:

"At seventeen, in the U.S. armed forces, he found himself assigned to load nuclear weapons on B-52 bombers. Dressed in full chemical warfare gear on a training exercise, Bruce’s dreamscape images flooded to his mind in vivid detail. It was then the dream became all too real. Bruce left the Air Force, and began a life of earnest study of spirituality, mythology, and of ancient peoples.".

Among his travels, he spent time with Hopi elders exploring their prophecies, and was able to interview the Kogi ("Elder Brother") of the Sierra Nevada mountains of Columbia.   This is an important film, and rather than paraphrase, I copy from the website:

"This film will show that modernity’s problems are rooted in a host of unchecked “isms,” corporatism, statism, militarism, egoism, etc. Solutions will come not from rulers of vested systems, such as politicians or corporate directors. Only radical, heartfelt, internal revolutions of the spirit – which many of the interviewees in this film focus on -- can mend our souls and the web of life.   By combining deft reporting on a range of issues that contextualize the various interviews, Dance With Destiny shows how Mother Nature is paying humanity back for its hubris, excesses and neglects. In the tradition of Koyaanisqatsi: Life out of balance, the classic documentary by Godfrey Reggio, Dance With Destiny will probe the conceptual ties between manmade and natural phenomenon (koyaanisqatsi is a Hopi word meaning "life of moral corruption and turmoil" or "life out of balance"). It will show, for example, how in unprecedented numbers and with unprecedented fervor, the scientific community is warning that the planet’s resources are being stretched to the point of collapse. 

It will explore how media focuses on the political and diplomatic aspects of global warming while ignoring its impact on agriculture, water supplies, plant and animal life, public health, and weather. It will show how the coal and oil industry spend millions of dollars to plant public doubts about global warming’s role in recent natural disasters from tsunamis, hurricanes, abnormally massive rainfall, unprecedented wind storms and severe draughts. 

 

After two world wars left 100 million people dead, a new imperial war machine marches unchecked across the globe.**  As war marches on, new pandemics threaten vast populations..........Information is the currency of the age yet meaning and spiritual intelligence are scarce.  Millions awake daily to spiritual isolation as ubiquitous technology dulls human curiosity and powers of observation.

**I was impressed with this comment, in that, so shortly after the media announced the disaster proceeding in Japan, attention was quickly turned to a new war in Libya, once again creating a distraction from a much, much greater problem that no war can resolve.

***I also have to note that the one thing I see lacking in this film (having not seen it in it's entirety)..........is there are no voices of women.  This was disturbing to me.  I'm not going to negate this important documentary...........but I was saddened that, once again, women somehow aren't included.  I'm tired of this, the omission of women  (unless they are ornamental young women with sexual interest or value).  The unconscious assumption that women are invisible is a very important shadow that needs to be addressed as we speak of Restoring the Balance. 

Since I am (perhaps unfairly)  feeling that my otherwise brilliant colleagues here have, as usual, ignored women in collecting interviews with  spiritual leaders, I would like to add that recently the Dali Lama made a surprising comment that he felt the world will be saved by women.