Showing posts with label . Katherine Josten. Show all posts
Showing posts with label . Katherine Josten. Show all posts

Saturday, January 9, 2016

"A Webbed Vision" ~ Reflections on Interdependency and Individualism

"What might we see, how might we act, 
if we saw with a webbed vision?  
The world seen through a web of relationships…
as delicate as spider’s silk, 
yet strong enough to hang a bridge on.”  

Catherine Keller, "From a Broken Web"3



The quote above, from Theologian Catherine Keller, derives from the ancient and original root meaning of the name "Penelope", the "faithful wife of Ulysses".   It is likely that Penelope was originally a Fate or Oracular Goddess before she became demoted in patriarchal Greek mythology, and as such her name meant "with a web on Her face", one who "sees the connections".  I have never forgotten the significance of that.

It's been 5 years since the shooting of beloved Congresswoman Gabrielle Giffords.  Because I lived close to her former office, I saw a candlelit altar develop for her, with so hundreds of  wishes for her recovery and for peace.   Having been witness to this  tragedy in my home town  of Tucson,  which took the lives of 6 people including a child, and remember so many other atrocities committed by men with guns since,  I' ve been  unable to think in terms that are too abstract.  When confronted with the horror of violence, and the heavy pall of grief, the need to experience  inter-dependence, with-in our bodies and with-in the refuge of our imaginations -  is very real and immanent.   We want to know we are not alone, we want to believe we can support each other.

I was struck by  the  way "Together We Thrive" became a  theme echoed throughout Tucson at that time, and a motto that headed healing activities, from President Obama's call for unity, to spontaneous Shrines created throughout Tucson.  Does any of that moment remain?  Congress is trying to end Obama Care, which will end health insurance for millions of people, and one of the most arrogant of exploitative capitalist  billionaires, Donald Trump, is running for President.   As I watch the ongoing corporate greed that is eroding not only our former democracy, but the very life of our planet, and the unreasoned ideology of capitalist "individualism" that in many ways makes that possible in this country.............I don't know.  If I am not my brother's and sister's keeper, and they mine - who is?  Monsanto?  Walmart?  
Altar for Gabrielle Gifford at her office, January 2011, after she was shot 

We urgently need pragmatic ways to create community in today's world.  Could a strong community  have prevented what happened?  Unbalanced individuals will always abound, and lethal weapons are readily available - the American gun culture, and easy access to lethal weapons, ensures the violent deaths continue year after year.  Yet even so, the failure of community speaks to this tragedy.  If we weren't in so many ways a culture of "rugged individualism" where "good fences make good neighbors", and our technology increasingly allows us to insulate ourselves from the so-called "outside world" ... would this young man have received the attention he needed before he erupted in catastrophic violence in 2011?

"The Rugged Individualist" writes sociologist Philip Slater,1 "cheers when needy people are deprived of food, battered women are deprived of protection from brutal husbands, children are deprived of education, because this is "getting government off our backs. "   

This kind of thinking fails in every way to communicate that we live within a vast web of human and environmental inter-dependency, a web that is also very intimate. This is my ultimate Iconic Image, the Great Web of Gaia, the "Webbed Vision" that sees and recognizes the sacred links, the archetype of Spider Woman.  I know my art seems obscure to many, but that is what it derives from, in one image after another.  I can't seem to stop making them, because the Web underlies every aspect of our life.   A successful adult is so because of parents, teachers, community resources, and distant ancestors  that enabled him or her to mature.  And without a sense of belonging and contributing to that continuum as it reaches into future generations,  human beings end up feeling alienated and ultimately without a sense of purpose. They feel disposable, and perceive others as equally disposible.

Which is what an unsustainable, insatiable corporate consumer system, as a placebo for the pain of spiritual and communal isolation, feeds on.  And by the way, local free enterprise is not the same as the kind of souless capitalism we now have.  Within a healthy free enterprise system the wealth circulates within the community - if the baker does well, the   pharmacy does well, if the dressmaker does well, so does the restaurant, and so on.  In what we now have the wealth is removed from the heart of the community to the mega stores, like Walmart, on the outskirts, and all the jobs imported to slave labor overseas, to the loss of all except the very, very wealthy exploiting the situation.  

In tribal societies, survival depended utterly on cooperation, as well as the collective ability to  adapt continually to new environmental challenges, be it drought, invaders, or the exhaustion of resources.  The mythic foundation of any tribe (or civilization) is the template upon which they stand;  a culture with a rigid mythos that cannot adapt and change is doomed to collapse. Without a theology of co-dependency, which we have lost in the advent of mega global capitalism and its "individualism" which benefits only a very, very few individuals, that collapse is apparent.  Because the system, ultimately, cannot adapt, cannot become sustainable, cannot become viable.

"We live in a world today in which the problems we face are all planetary..........." Philip Slater  commented in his last book The Chrysalis Effect,  "the polarization and chaos we see in the world are the effect of a global cultural metamorphosis".   But that metamorphosis, I believe, is based up the profound realization of our inter-dependency in every single way, the "Great Web", a Webbed Vision.  We need this vision, updated and evolving for the challenges of our time.  
I call on artists and other "cultural creatives" to help to make a new mythology for the global tribe

Renunciate theologies (and mythologies) that teach us to renounce the world, the body, and the demands of relationships of every kind, either in service of some abstract "better place" (be it heaven, paradise, enlightenment or nirvana) or in reaction to teachings that degrade earthly life as "impure" or "unreality"..............will not help us, or those who must come after us.  If we're going to speak of "oneness", we need myths that include tremendous, creative diversity within that "oneness", that can include many gods and goddesses, many voices and languages, and many ways to the truth instead of simply eliminating the competition.  Further, our world myth can no longer be simply a human world myth - it must include many evolutions, many other beings within the intimacy of ecosystems.  If we're to survive into sustainability.

"The culture that is holistic is holistic because its reasoning structure is holistic." wrote artist Rafael Montanez Ortiz"The problem we have with holism is that our reasoning is fragmentary, dissectionist, it removes us from relating things, it structures things in separate compartments in order  to "have control".2  Ortiz maintains that if the logic of one's society is relational, you are in a construct that places you in  relation to all things, and thus, develop an  empathic response to all things.   In earlier societies, he believes,  the entire world mythos was about a living world, alive, entangled, conscious, animistic and full of Anima Mundi, the World Soul.  It's no coincidence that this "primitive"  worldview is very close to what science, from Gaia Theory to Quantum Entanglement, is discovering.

Myths, as the "narrative foundation" for  societies, become more meaningful through embodiment, through an actual enactment - through ritual that is engaging and potent.   Culturally in the West we have, by and large, lost our rituals, or they have become weakened through commercialism - witness the sad transformation of Solstice rituals into the meaningless commercialism of Christmas, or the diminishment of the important days of honoring the ancestors into "scary Halloween". 

Our minds aren't just in our skulls, but in  the entire body, which includes the aura and the etheric networks that exist between us and the rest of life.    Whether we're talking about a forest, or another person, abstractions can remove us from the  experience of communion, the immanent ability to sense what is going on.  Abstractions become what is going on.  I have experienced, and helped to create, rituals that were profoundly transformative.  My experiences of the Spiral Dance with Reclaiming, or with the Earth Spirit Community's Twilight Covening, or the Lighting of the Labyrinth at Sirius Rising......will always energize me when I remember them.  Within those magical circles, I entered mythic time and mythic space and mythic mind, and experienced, as Joseph Campbell put it, the "Thou" realm of existence.  That  does not end when you leave the circle.

In 2004, I directed "Restoring the Balance", a non-denominational event devoted to cross-cultural stories of the Great Mother.  Our cast wished to dramatize the need for healing the great Earth Mother.  We chose as our centerpiece the Inuit legend of Sedna, and the rituals of atonement and reciprocity the Inuit perform with their shaman when they believe they have fallen from balance with the life giving Ocean Mother.   Artist Katherine Josten (founder of the Global Art Project) danced the role of  Sedna.  In bringing up the event, she  observed that:


"The work of our group is not to re-enact the ancient goddess myths, but to take those myths to their next level of evolutionary unfolding.  Artists are the myth makers."
In this same spirit, another member of the cast chose to weave a web with the audience as  Grandmother Spider Woman.   Morgana Canady wove a web with 300 people.  In this performance biodegradable cords from “Spider Woman’s Web” were later distributed among cast members, and scattered throughout the desert, symbolically "extending our web".  As part of the Global Art Project an exchange was made with the AFEG-NEH-MABANG Traditional Dance Company, in Cameroon - a part of the weaving.  


 Among the Navajo, infant girls often have a bit of spider web rubbed into their hands so they will "become good weavers".  

May we all now rub a bit of spider web into our hands for the work ahead of us ..........and, like Penelope, may we all now see "with a web on our faces".


1) Phillip Slater, The Chrysalis Effectt (2007)
2) Rafael Montanez Ortiz Ph.D., interview with Lauren Raine for unpublished manuscript (1989)
3) Katherine Keller Ph.D., "From a Broken Web" (1989)
4) Katherine Josten M.F.A., The Global Art Project

Thursday, February 2, 2012

The Global Art Project

 Katherine Josten,  for almost 20 years now,  has been creating peace through the cultural exchange of art.  In 2004, the "Masks of the Goddess" were used in a performance that were part of the Global Art Project (Katherine also danced the title role) and an exchange was made with a wonderful dance group in Cameroon, Africa.  Katherine is, truly, a local Heroine.


10th Biennial International Art Exchange for Peace 

Registration Deadline... February 29th

Anyone can participate - adults and children, individuals and groups.
In March/April 2012, participants will create, exhibit and exchange art expressing their ideas of a peaceful global community - resulting in thousands of messages of peace and goodwill simultaneously encircling the Earth during the week of April 23-30.

2012 Global Art Project for Peace Time-Line

February 29: Registration deadline.
March: Create your art expressing global peace (any medium - visual, literary, performance, etc.)
April 1-22: Exhibit/perform your art locally.
April 23-30: Exchange your art with your Global Art Project partner in the worldwide exchange.
Ongoing after April: Community exhibitions of art received.

 
Since its beginning in 1993, the Global Art Project for Peace has linked 100,000 participants on seven continents! Nominated for a UNESCO Peace Prize, the Project connects people of diverse cultural backgrounds, providing exposure to new ideas and connection to the Whole. 200 Regional Coordinators are helping to organize Global Art Project activities in their area of the world. Participating groups include artist cooperatives, performance groups, churches, corporations, community groups, hospitals, women's clubs, youth and senior programs, and YMCAs. Schools in locations around the world are participating and involving thousands of students from kindergarten through graduate programs.

The purpose of the Global Art Project is to joyously create a culture of peace through art. The Project gives participants in local communities an opportunity to join together to create a cooperative global community. It's an opportunity for you to join your energy with others to seed the future with visions of peace.

The Global Art Project for Peace is a 501(c)3 non-profit, grass-roots organization. For additional information about the Global Art Project for Peace and how to get involved by participating, volunteering and/or funding the Project, visit www.globalartproject.org, or email us at peace@globalartproject.org.



Katherine Josten
Founder/Director

 

Global Art Project
PO Box 40445
Tucson, Arizona 85717