Sherry Glaser takes on Gaia

 I've posted this before, but this brilliant comedic voice never grows old, nor especially does the message she makes.  Sherry Glaser lets Gaia tell it like it is: 

https://youtu.be/xkztSqqBSO4?si=84P-UtYB6gNuh2o_

GAIA - Beautiful Video from 2010

https://youtu.be/nGeXdv-uPaw

GAIA .....Beautiful 2010 Video

https://youtu.be/nGeXdv-uPaw

The Song of Medusa

"Older Yet, and Lovelier Far, this Mystery.  And I will not forget."

Robin Williamson, "Five Denials on Merlin's Grave"

Looking back through my files, I discovered that THE SONG OF MEDUSA, a short novel I wrote in collaboration with the artist and writer Duncan Eagleson, who I was privileged to know back in 1993, had disappeared, even though I completed it and had it self-published in 2000.  It wasn't on my computer, it wasn't on my website, I couldn't even find a copy of the book in my bookshelf.  Then I realized it was to be found here, on this Blog.  I decided to archive it on my website, and in the process had a lot of fun making illustrations for it, and doing a bit of editing. 

It needs a lot more work, true, and it seems sometimes  preachy or naive......but reading the manuscript after all these years was good for me.  To  be honest, this story, although I understand the sources of  its inspiration, remains a bit of a mystery to me.  I've never had the desire to write a novel before or since.  This character seemed to have a life of her own, a story that insisted upon being written down.  For example, I had no idea that the Oracle of Delphi breathed fumes from underground caves in order to reach an altered state of consciousness when this story flowed onto the page for me.    Maybe writers experience that all the time, the sense of being a bit of a "channel" for a persona that wants to be heard....but it was a fascinating experience for me.

                                 

"I, the Song, I Walk Here"

.....Lakota  poem

Reading  brought back  what I believe in still, the impulse from which this story arose.  And it was  inspired, obviously, by the work of archeologist Marija Gimbutas and Riane Eisler, a long fascination with mythology, and my own experiences in dowsing and visioning.  EARTHMIND,  the "Song of Gaia".  So here's the story resurrected.   Mr. Eagleson graciously and elegantly contributed to its telling, and I feel it shouldn't just disappear.   Thank you, Duncan. 

http://www.laurenraine.com/the-song-of-medusa.html

I doubt anyone reading this is going to take the time to read the whole story, so I copy below 

an excerpt .......I  especially like the "Afterward", because it brings back memories of when I lived in Vermont, the very real magic I always sensed in the land there, and some of the people I knew there and then.   An  a dream some of us had of a possible future where the Earth was sacred, alive, a Song we could  learn to harmonize with.  That's still a hope worth finding stories for.  

AFTERWARD
​
September 21, 2037 
 
As the trail winding up Spirit Mountain grew steeper, Susan was a little out of breath.  She could see the granite shelf summit ahead,  the  quartz and granite  bones of this place  common to this part  of New England.  Great rounded boulders loomed on either side of her,  painted whimsically with colorful abstractions of lichen and moss.
 
Susan remembered when she lived in Colorado,  the rock climbing she did when she was  younger, and was amused at herself;  the mountains of  southern New Hampshire  were among the oldest ranges in the U.S.,  great-grandmother mountains  rounded and soft,  folded and smoothed by  a long, long life.  These were not  the Rockies, and she knew she was out of shape.  
 
It was late September,  a brilliant fall blessed by the right amount of rain and sun.  The sugar maples were almost psychedelic in their glory of reds, yellows and  oranges.  The sun was  bright, tender and poignant with a frailty felt only during Indian Summer; the last and perhaps sweetest days of summer.  Such days were the grand finale to that great burst of  fertile creation that began in the Spring.  To her, it seemed as if all the land, and all the devas of the plant kingdom,  were giving their final concert, their master chorale for the season.  Soon the first frost would come, and Susan would walk with her morning coffee into a garden fallen overnight, a precious  world melting away like a  dream,  ready to sleep beneath the immanent blanket of snow.
 
Below her came  a long procession of  people,  making their way up the trail between rock outcroppings.  Some carried baskets of food, homemade bread, and torches, candles;  all carried flashlights and blankets.  Just behind her came Martin,  lugging the ceramic  dombek drum they had purchased on their trip to Morocco.  After him came his little tribe of drummers.  They met without fail every Thursday night  in their living room.    “You are amazing“, she thought, a momentary flash of sweet, familiar lust  surging through her as she watched  his long , denim clad legs stride up the mountain.  The cup of those brown legs around her hips....she inwardly smiled.  Another good sign, that after all these years, and on this day especially, she could feel that so strongly.    
 
It was the evening of  the Fall Equinox,  a very special Fall Equinox, because it was also to be a full moon.  She felt the pulse of the land beneath her feet, heat,   a coursing of energies she envisioned as a beating heart, humming through her and around her.  The  drummers would sing that heartbeat into their circle after the sun went down; she knew they were already attuning themselves to it even as they walked.  Susan took a deep breath, and let sensation come into her.  Her body vibrated, she knew she was moving into an increasingly ecstatic state of heightened perception. She folded her hands before her chest Indian style, and  greeted the presence she felt here.  And  Spirit Mountain greeted her.  She took her shoes off.
 
“Breathe, just breathe”.  With each inhale,  Susan  let the sense of  Gaia come into her.  She never knew what else to call it; “earth energies”,  “Creator”,  “Source”;  to her it was Gaia, and she visualized roots that grew from her feet,  roots that went down deep into the Earth, connecting her with the web of all life.  It wasn’t even that abstract;  that was simply what it felt like.  As if she became bigger.
 
Her breathing became rhythmic, releasing  the small concerns of her personal life, the tensions and conflicts of the day,   breathing in that light, that pulse that  rose effortlessly through her now bare feet, an erotic heat in  her vagina and womb, up her spine, into her heart. “Hello,  hello” she said out loud.  “Here we are.”  In answer,  currents flowed up her legs, into her hands.  Susan paused, close to  the summit, and leaned against a huge granite boulder, slightly dizzy.....“not so fast,   I have to open gradually to this ...”  Closing her eyes for a moment, she felt Martin’s hand on her back.  He was  feeling it as well.  She almost heard  his “Are you all right?”,  but he hadn’t spoken.  Speech was becoming difficult for him.  
 
The warmth of his hand on her back and his strong male presence steadied her.  A little further up the trailhead was an arbor woven of branches and grapevines.  Tanya and James stood on either side of it, silently ready with the sage smudge sticks they used as each person entered the place where the ceremony would be held.  A raucous crow flew suddenly across the path, to land in a nearby tree.  It squawked at them as if to say “well,  hurry up!” and flew off.  
 
Martin broke his trance to laugh;  they had, as far as he was concerned,  been welcomed.
 
The top of Spirit Mountain was flat granite shelf.  It was a splendid view;  to the east the spire of an old church rose from an ocean of trees, and the Connecticut River was visible, winding like a snake through the landscape.  Before her, ten boulders formed an imperfect circle.  Perhaps they had once been more  regular, but erosion or earthquake had, over time, worked them out of  alignment.   At the circle’s center stood a huge boulder,  shot with veins of quartz;  crystalline intrusions flashed here and there on it’s surface as it reflected the setting sun.  Susan wondered, as always, how the long ago people who once came here had managed to move rocks weighing several tons into these placements.  
 
The ancient people who made this stone circle millennia ago were a mystery.  There was evidence that Phoenician or Celtic colonists  had once settled along the Connecticut river,  fishing, sailing, and marking places that were sacred to them with standing stones and cairns very similar to prehistoric sites in Ireland and Europe.  Perhaps this was Tiranog, the “blessed land to the West” of  ancient Irish legend.  The controversy surrounding these structures and “calendar sites” had never been settled.  The vanished people who so laboriously moved enormous and carefully selected  stones to mark this place could just as easily have been native Americans long lost to history.  It really didn’t matter to Susan.    
 
What all of these mysterious places,  including Spirit mountain, did share in common was geomantic intensity.  They were places of power, ley crossings.  A divining rod held over the quartz boulder at this circle’s center frenetically turned like the blades of a helicopter.  To a geologist, they were places of geomagnetic force.  But it took no theory or scientific knowledge to experience the presence of  this place.  At last, just like the ancients who once came here,  people were beginning to realize that these were places of communion.  One did not build condos on them.
 
In the deepening twilight, people passed through the woven entranceway, seating themselves around the circle.  Some brought blankets to wrap themselves in,  and some of the older folks had folding chairs.   Beneath the white quartz  stone were offerings of food, wine and written prayers to the ancestors of this place,  as well as a  basket of seed as offerings to the animals and nature spirits who lived here.  And quite a few small personal shrines had been set up in an inner circle.  Susan saw her friend Margo’s little Goddess statue resting on a red silk cloth.  Nearby was a brass statue of the Buddha,  a photo of the late Dalai Lama placed at his feet.  From a crevice in the stone hung a laughing leather Greenman mask .  Candles in colored votive holders flickered like a shimmering rainbow around the base of the stone.
 
Four drummers sat at each of the four directions,  already synchronized into a deep heartbeat rhythm.  They were in trance,  attuned to each other and the qualities of the element each drummer was inviting to be present, air, fire, water and earth.  Their rhythms flowed into the azure twilight as Martin sat down to join them, his dumbek between his knees.  Susan walked around the circle,  bowed to the center, and then picked up a pack of matches on the ground to light citronella torches mounted around the periphery.  
 
At last she sank down to join the chanting, to enter into deep receptivity.  She saw that she was a little nervous, and tried to shake it out of her body for a minute.  She was one of the focalizers tonight, and although she had served in that way before,  she never knew exactly what she would do until the moment arose.  Years as a public speaker and environmental activist still made it difficult for her to completely relax into a wholly intuitive way of working within a group, trusting that indescribable merging that always happened.  She took another deep breath and visualized her roots going down into the earth.  It didn’t matter, she remembered.  “It doesn’t matter in the least whether I’m nervous or not.  It’s not about me, and it never is.”
 
She could see it now, if she unfocussed her eyes;  a glow that seemed to come from the granite floor she sat cross-legged on, a pulse that attuned her to the drums,  light that seemed to pour from cracks in the ancient boulders.  Her unease was gone, unimportant.
 
Tonight they would offer thanks for the food grown and harvested throughout the summer; not just for them, but for all those who eat.  They would chant and pray and dance their gratitude for being fed by the Earth and all the beings upon Her, and, in a ritual of reciprocity, they would offer their prayers, music, gratitude and love back,  sending it down into the Earth to sustain and nurture the One who sustained and nurtured them.  Susan was one of the women tonight who would  become a kind of filament for the energies held by the ritual.  In the course of the ceremony, she would  open herself to communion with the spirit of place, with Gaia in all of Her manifestations; and what visions she received she would share with the group.  
 
Sometimes what came to her was empathic, a feeling of sadness or disharmony that needed to be witnessed by the group, or simply a tremendous love that radiated between all present, renewing them.  Sometimes she received images that were far from grandiose and very specific - once she saw a piece of baked  liver on a plate before one of the women present.  It seemed that she was both pregnant and anemic.
 
Later in the evening there would be feasting, baskets of pumpkin bread, cheese, and fruit  brought out, and bottles of wine and honey mead opened.  The drummers would continue to  drum until the sun rose, letting rhythms flow through them in constantly changing waves, moving beyond exhaustion into ecstasy.  Several couples would also spend the night on the mountain;  Susan could see three tents discreetly set up at the far periphery of the circle.  These were mated pairs who wanted to conceive,  and had chosen this auspicious place and time, the energies evoked by this gathering, to invite a child to join them.  It was doubtful, Susan thought, that anyone who stayed the night would sleep.  
 
Before closing her eyes to chant, Susan looked around the circle.  It was a big gathering;  it looked like nearly half the population of Putney had come, although she was sure other circles and gatherings were going on in different places.  South of her,  at the Temanos center,  her friend Jewell would be facilitating a gathering.  She visualized Jewell’s strong, lined face, her famous rattle in her hand, and a momentary flash of love, support flooded her;  she knew Jewell was aware her, and very busy.
 
“Gaia.  Gaia,  thank you.  I am here.”
 

 
The End
 
Copyright
Lauren Raine, Duncan Eagleson 1993 ​

Requiem for Gaia

HYMN TO GAIA

(Ancient Greek Homeric Hymn)

To Gaia,

Mother of all, shall I sing:

The oldest one, firm foundation of all the world.

All things that move over the face of the earth,

All things that move through the sea, and all that fly:

All these are fed and nourished from your store;

With the pains of child-birth you bring forth all life,

From you all children come forth,

O blessed one, Mother Earth,

The giver of life and the taker of life away:

Happy are those you honor:

Your fertile earth yields up riches to satisfy all their needs;

Their cities and their homes are filled with good things;

Well-ordered lives of men and women you bless:

It is you who bless, it is you who nourish,

Sacred spirit, Mother Earth.

(English translation © Alec Roth)

I painted GAIA, the painting above,  when I was in graduate school, in 1987.  Although I didn't know it, I was accessing not only my deeply felt sense of the Gaia Hypothesis, but also very ancient archetypes of the Triple Goddess and the great Mother Goddess Asherah, often represented as a tree.  I worked so hard on that painting!  It was only exhibited once, and like all very large paintings (it was lifesize), it was destroyed in a few years (which is invariably true unless the artist was fortunate enough to either become famous, or to have loving relatives who cherished his or her art, neither of which was true for me).........and all I have left is a photograph.  Still, I love this painting, and am sometimes saddened that I did not respect myself and my visions enough to try to preserve it.  For me at least, self-worth and identity as an artist has been a long and slow growth.

I recently made a collage with this photograph  and the beautiful, ancient Song of Praise to Mother Earth by Homer.  This is the  kind of worship humanity would do well to reinstate in today's world. The reason I called the piece, which I made for a commemorative Day of the Dead show, 'REQUIEM FOR GAIA" is because I feel the Three Aspects of the Goddess look forth, with the barren tree, in sorrow and accusation at a world that does not  honor them, does not honor  what is being lost, and what is lost.  

What I wanted to say with this painting so long ago I still want to say.  SHE wants to say.  Blessed be Her name.

Happy Earth Day!

Photo courtesy J.J. Idarius

We have a beautiful mother

Her hills

are buffaloes

Her buffaloes

hills.

We have a beautiful mother

Her oceans

are wombs

Her wombs

oceans.

We have a beautiful mother

Her teeth

the white stones

at the edge

of the water

the summer

grasses

her plentiful

hair.

We have a beautiful mother

Her green lap

immense

Her brown embrace

eternal

Her blue body

everything we know.

Alice Walker

"Speak to the Earth, and it shall teach thee"

Job:12:8

On SPEAKING TO THE EARTH: 

 http://threadsofspiderwoman.blogspot.com/2016/03/speaking-with-earth-spirits-of-place.html

Art Exhibit at Raices Teller Gallery in Tucson

"GAIA VI"  (2013)

"CORAZON DE LA TIERRA"  (Heart of the Earth) will be opening this Saturday at 6:00 pm at Raices Teller gallery in downtown Tucson, and I'll be exhibiting several pieces in the show, including the above and below sculpturesw.  

The Show will be running from March 4 - 25, 2017.  

“We need to move from a spirituality of alienation from the natural world to a spirituality of intimacy with the natural world. From a spirituality of the divine as revealed in words to a spirituality of the divine as revealed in the visible world about us..” 

-- Thomas Berry

EARTH SHRINE (2009)

A Ritual of Attunement

"The shadowy springs of thought  sink down or flow, 

obeying impulses as deep and strange 

from the body's inwardness, and shaken, 

we know the imminence of mystery and change."

.....Ursula K. Leguin, from "Late in the Day"

A Ritual of Attunement to Gaia

(Performed with drum in a much darkened room.  

Three voices, at different positions in the room, speak the words, sometimes in Chorus.)

Take a deep breath,

feel your feet on the living Earth.

The rhythm of your heart like a drum, 

beating in slow time with the quiet,

distant heartbeat

of the planet:

and attune.

Let the breath of the world gather in your chest.

Close your eyes, with each slow breath

feel your hands branching, 

becoming green, leafing into the world,

gathering wind, gathering light, gathering rain -

feel your legs, your strong feet grasping the ground

becoming roots:  and send them down.

Into the darkness, our roots, seeking, sensitive,

into the Earth.

Into silent endarkened underground waters

coursing past pottery shards, and the bones of ancient deer

and the bones of ancient hunters, the bones of nameless kings.

Past the bones of cities long forgotten,

and caverns of crystals blooming in the dark

the bones of the dreaming Beloved, the Mother Earth:

go down, taste, touch:

and attune.

Feel the roots of a vast forest

holding each tree strong in times of storm,

singing under starlight, or sleeping under snow -

a woven web of roots.

Feel the links, the communion, the sparking touch

of other lives, the lives of the land.

Reach out, expand, listen:

and attune.

Somewhere in the East a woman rises to make bread for her family.

Somewhere in the South a child plays in the warm dust.

Somewhere far to the West a girl in a red sari

prepares for her wedding, gathering yellow marigolds.

Somewhere in a Northern city, a painter stands before an empty canvas,

trying to remember a dream he had.  He lifts his brush.

Follow your roots, touch their delight.

and attune

Somewhere in the Southern Hemisphere a forest is screaming as it burns.

Somewhere in the West, a homeless man is dying alone and in great pain.

Somewhere in the East war has come to the innocent.

Somewhere in the North acid rain falls, and a lake has become barren.

Open your heart, touch and taste, allow it:

and attune.

And somewhere in the South, spring is beginning,

magenta blossoms fall on a green lawn.

Somewhere in the North winter is coming,

crimson leaves fall on a dappled pavement.

Somewhere in the West the sun is going down.

Somewhere in the East, the sun is rising.

Reach,   feel the beat, the rhythm,

the circling coursing of life:   follow your roots

back, back with every beat,

back to the solitary beat of your heart.

and attune

to the beat of our common heart.

Gather hope, awe, and gratitude.

Gather your strength, sap, sorrow, your love.

With hands on the holy ground,

feel the beat, the pulse of the living Earth.

And send it down:

Into the Earth, the best of us,

into the Earth, our roots,

into the Earth, our dreams,

into the Earth, our source.

into the Earth, our love.

into the Earth, our light.

Lauren Raine

(1999, 2016)

Copyright Lauren Raine MFA. 

Artwork is copyright Lauren Raine MFA.