Conference on Pagan Studies

5th Annual Conference on Current Pagan Studies
Claremont School of Theology,
Claremont, California

February 7th and 8th, 2009
http://web.mac.com/sacreddancer

Reflections on Visioning

"Spider Woman's Hands" - 2007 (Alden Dow Fellowship)

Back in Truth or Consequences for a little while, I find grief, and a feeling of lack of purpose are my frank companions. I miss my brother. There are many things I wish I could have said to him, when I had the chance.

I'm about as psychic as a brick these days (and perhaps that is unfair to bricks, since I have never actually had an intimate conversation with one.) But that is why I was pleased when a bit of magic happened this morning.

"Spider Woman's Hands" - Mississippian Gorget, ca 1300 ad.

I was in my studio trying to finish up the paper I will be reading at the Claremont Conference on Pagan Studies soon - it's on Spider Woman, of course. Last night I was up late trying to find out (unsuccessfully) who or from where the "prophecy of the return of the Spider Woman" came from. I confess, writing academic papers is frustrating to me, and so I wander around the vicinity of the typewriter, taking every chance to get distracted. So I bent down to check on the heater, and (I swear!) a tiny little brown spider fell down on it's web seemingly from the top of my head! I carefully positioned a plate under my nose to catch it, and then moved it to the window to watch it. Once again, a little spider (I would be alarmed, were it ever a large one) has dropped down from my head or my hat right before my nose. Spiders have done some pretty interesting things around me in the past few months.........

I like to think it's Spider Woman's way of saying "hello".

I've been thinking about visions. There was a time when I was blessed with several significant visions (by visions, I mean visionary experiences had while in a conscious or voluntary trance state, and not while asleep) that have very much informed my life and my art.

I'd like to say that visions are Grace, divine gifts. Among the Lakota, long preparations were made for the Vision Quest, in order to invite visions, and when a vision occurred it was shared collectively, discussed, and determined if it had prophetic or ceremonial significance for not only the individual recipient, but for the entire tribe. This is something we have entirely lost, and indeed, we cannot differentiate between someone who has had a true vision (which, in native wisdom, would be considered a gift), and a schizophrenic.

(I think of the great visions of St. Teresa, or the works of Hildegaard Von Bingham. I do not think they would fare so well in today's world.)

"The Universal Mind Lattice", Alex Grey

I remember a conversation years ago in Brooklyn with Alex and Allyson Grey about the shared vision they had while taking LSD. Their need to communicate that vision resulted in "THE SACRED MIRRORS". The need to understand it set them on their spiritual path (by the way, they have recently bought a retreat center in upstate NY where they are planning on housing the Sacred Mirrors and developing a center for sacred arts. Visit the link above to learn more.)

Here's the point - true visionary experience is meant to be shared. Art is one way, ceremony or ritual is another. To be given true vision, which is archetypal, collective, and exists on multiple layers of meaning, and then deny it's value, is an enormous waste. So here I am this morning (and I just noticed a single shining transparent spider thread stretching from my window pane to some infinite point into the air..........well, I've been feeling lately that these gifts I need to share, communicate. A blog is a good place to start; maybe someday I can produce a few paintings as well.

PATTERNS

This occurred in 1989. I was driving on an interstate in Virginia heading north. I became very tired, and pulled off the road. Almost immediately, I fell into a half-sleeping, half-trance state.

My little red Toyota pick up began to fly! It seemed as if it could fly not only through distance but perhaps through time as well. I looked down and I was over a green landscape, green and misty. Below I saw patterns of dolmens laid out in a spiral. There were lines of people who were coming up a hill toward that spiral pattern, reverently, as if in a ceremonial procession.
Then I was in a Southwestern landscape. I found myself contemplating petroglyphs on a cliff - spirals, figures, circles, layers of petroglyphs that receded into the rock face. And then I was flying over Los Angeles! I saw freeways making vast, snakelike patterns across the land, culminating in a figure eight infinity sign. What this means to me is that the living Earth, Gaia, speaks through the land, and through us, across the ages - even now, unseen, ever present.

And then I opened my eyes to a soft Virginia morning. In the "Song of Medusa" (with the voice of my character "Sibyl") I described that vision, from the imaginary perspective of a Neolithic shaman):

"I do not know the meaning of such a vision; perhaps it belongs to some distant past or a future beyond imagining. But I do believe this: the Song of Her purposes is written upon the land in all places, and in all times."

THE SONG OF MEDUSA, Lauren Raine & Duncan Eagleson

WHITE TARA

This vision came with help from a teacher of mine, Jewel. Jewel is a true shaman, who lives on her land which she has developed as a teaching center, THE SOURCE, in Shutesbury, Massachusetts. When I met Jewell I was living in Brattleboro, Vermont. I was divorcing from my former husband, Duncan, and was full of the grief, anger, and remorse that comes with the ending of a marriage.

I went to see Jewell for an energy healing. When she put me on her table, she said prayers before she began.

I slipped into a trance state - it seemed as if I was watching short clips from movies, without any sound. I saw African men drumming around a fire, then the body of an emaciated black woman lying on a bed, a ceremonial room of some kind with thousands of orange marigolds, a white man, balding and heavyset with glasses, and many more.

At some point, I felt I was pulled backward, given some distance, so that these "movie clips" became like a patchwork quilt, all occurring at once. I remember thinking how beautiful they were from that perspective.

Suddenly, a Great Being arrived. I cannot actually describe that presence, because there was no form - she was composed of light. The only identification I felt I could make was that she was female. She didn't speak to me, only radiated the most intense compassion I have ever felt. She also radiated a profound sense of humor! It was as if she was saying, "Look Lauren, take a good look at this. It's going to be alright. You'll meet again. Don't take on so."

I shall never forget the power of that radiant being. I later learned that Jewell begins her sessions with prayers to the Goddess Tara. And to me, that was the Goddess White Tara; which is why I have prayed to her and tried to honor her with my masks ever since. And,come to think of it. I've been very fortunate in that way!

Om Tare Tu Tare Tare Soha

Mana Youngbear as "Tara", 2004

Remembering Peace Pilgrim - an American Saint

To see the 2002 Video:

Peace Pilgrim:
An American Sage Who Walked Her Talk

(http://www.peacepilgrim.com/htmfiles/sagevideo.htm)

"The second relinquishment is the relinquishment of the feeling of separateness. We begin feeling very separate and judging everything as it relates to us, as though we were the center of the universe. In reality, of course, we are all cells in the body of humanity. We are not separate from our fellow humans. The whole thing is a totality. From that higher viewpoint there becomes just one realistic way to work, and that is for the good of the whole. As long as you work for your selfish little self, you're just one cell against all those other cells, and you're way out of harmony."

Friends of Peace Pilgrim
PO Box 2207 - Shelton, CT 06484-1841
tel. 203-926-1581

I mentioned PEACE PILGRIM in my last post, and felt like reading her book again, which is a tremendously inspiring collection of her sayings and writings gathered by friends up until her death in 1981. For those who are unfamiliar with her, Peace Pilgrim, in 1953, at the height of nuclear armament, took a vow to walk for Peace until all of humanity could live in peace. In her own words,

"I felt guided or called or motivated to begin my pilgrimage for peace in the world - a journey undertaken traditionally. The tradition of pilgrimage is a journey undertaken on foot and on faith, prayerfully and as an opportunity to contact people. I wear a lettered tunic in order to contact people. It says 'PEACE PILGRIM' on the front. I feel that's my name now - it emphasizes my mission instead of me. And on the back it says '25,000 MILES ON FOOT FOR PEACE.' The purpose of the tunic is merely to make contacts for me. Constantly as I walk along the highways and through the cities, people approach me and I have a chance to talk with them about peace.

I have walked 25,000 miles as a penniless pilgrim. I own only what I wear and what I carry in my pockets. I belong to no organization. I have said that I will walk until given shelter and fast until given food, remaining a wanderer until mankind has learned the way of peace. And I can truthfully tell you that without ever asking for anything, I have been supplied with everything needed for my journey, which shows you how good people really are."

With nothing but the clothes on her back, relinquishing worldly goods as well as her name, Peace Pilgrim travelled across the U.S., Canada and into Mexico 7 times - for almost 30 years, until her death in a car accident. She devoted her life to becoming "a walking prayer" for peace.........within herself as a practice, and as a witness and advocate to the world and all of those she met along her way. As always, I find her simplicity, and practicality, helps me to return to what matters.

Q: Do you work for a living?
A: I work for my living in an unusual way. I give what I can through thoughts and words and deeds to those whose lives I touch and to humanity. In return I accept what people want to give, but I do not ask. They are blessed by their giving and I am blessed by my giving.

Q: Why don't you accept money?
A: Because I talk about spiritual truth, and spiritual truth should never be sold - those who sell it injure themselves spiritually. The money that comes in the mail - without being solicited - I do not use for myself; I use it for printing and postage. Those who attempt to buy spiritual truth are trying to get it before they are ready. In this wonderfully well-ordered universe, when they are ready, it will be given.

Saga - Another name for "crone"

“…the word saga has been translated out of its original meaning, which was ‘She-Who-Speaks,’ that is, an oracular priestess, such as were formerly associated with sacred poetry. The literal meaning of saga was ‘female sage.’ The written sagas of Scandinavia were originally sacred histories kept by female sagas or ‘sayers,’ who knew how to write them in runic script. Among northern tribes, men were usually illiterate. Writing and reading the runes were female occupations. Consequently, runes were associated with witchcraft by medieval Christian authorities. To them, saga became a synonym for witch."     

”Barbara G. Walker, The Crone: Woman of Age, Wisdom, and Power*

I was thinking about Julie's eloquent comment below, reflecting on the depths that aging brings to the so-called "dark and light" within the stories of our lives, weaving an increasingly visible gestalt. And "Compost" (one of my favorite words, derived from the town of Compostella, wherein a famous "black Madonna" is housed)..... is another, more organic word for "Transmutation" wherein "gold" is distilled. Composting is the alchemy of life, going on all the time within the depths of Earth. Thanks again, Julie.

"Working with the archetype of the shadow means we are mining that darkness for its hidden riches...........Claiming the golden riches out of my compost is harder for me - but emerging crone hood makes it easier."** (1)

I was wondering if there was another word for the emergence of the "Crone" archetype, and I remembered a Saga Storytelling Festival I was once invited to attend. "Saga" is a Scandinavian word that means not only "a long, ancestral or heroic story". According to the dictionary, "Saga" is:

1. a. Any of the narrative compositions in prose that were written in Iceland or Norway during the middle ages; in English use often applied spec. to those which embody the traditional history of Icelandic families or of the kings of Norway….

b. transf. A narrative having the (real or supposed) characteristics of the Icelandic sagas; a story of heroic achievement or marvellous adventure. Also, a novel or series of novels recounting the history of a family through several generations, as The Forsyte Saga, etc. Now freq. in weakened use, a long and complicated (account of a) series of more or less loosely connected events.

”The Oxford English Dictionary, 2nd ed. (1989), s.v. “saga.” 

 According to mythologist Barbara Walker, Saga also means "She Who Speaks". Similar to the masculine "Sage", a Saga is a wise old woman, a female mentor and teacher. Similar, but not, to my mind, quite the same in it's meanings, and that is because of the context of "story" that imbues the word and its origins.

She-Who-Speaks is the potent teller of story, because she embodies, within her long life, a long, interwoven, generational, story - a Saga. The Saga hold a thread that weaves through many lives into the distant past, and she casts her warp and weft with her telling forward into the lives of Sagas to come. Here is another one of Spider Woman's many names! 

I want to pursue this a bit farther - but will have to close for today with bit of information about a fascinating book along these lines (or threads), called "My Grandmother's Hair", by Ann Elizabeth Carson (2006). "Our stories", she wrote, "never leave our bodies." Here is a review about this important book, written by a contemporary Saga.

"Our family stories make our memories and shape our lives. "

"Poignant, honest and endearing, My Grandmother's Hair tells the story of how her art kept Ann Elizabeth Carson alive and showed her the truth as she re-membered and relived the stories her own life embodied. A study of power and psyche, My Grandmother's Hair delves into personal and social stories about how power is realized and suppressed in the body. The author explores how the connections of our memories are made in the body and tells the stories of those whose lives and memories are often ignored. My Grandmother's Hair cracks open with the life-changing story of Ann Carson's grandmother: the moment her husband demanded she cut off her hair, and the single cry of anguish she let out during the act. That story resurfaces, eventually becoming relevant in the author's own life. Carson shows how the myths and archetypes of our culture layer with our memories — spoken or buried, our own or our elders- -and have so much to do with the way we live our lives. She brings to light the tendency we all have to "live in that twilight zone where you say you believe one thing so you can be part of a community, while quietly living your own truth in order to save your sanity." Then she bravely shares her own healing journey of coming out of the twilight zone so we may all discover that tapping into the images and languages of our own experience — our memories — can nourish and encourage us."

http://anncarson.com/hair.htm

----------------

*(San Francisco: Harper & Row, Publishers, 1985), p. 52. (Quote is taken from the website of The SAGA Centre for Studies in Autobiography, Gender, and Age, University of British Columbia )

** Julie's very insightful Blog, "Emerging Crone" is found at http://emergingcrone.wordpress.com/

(1)

On the subject of composting, or rituals of transmutation, I'm going to tell something very personal here. My brother has had a brain stem stroke, and there is very little hope for his physical recovery. I do not feel, personally, that he is inhabiting his body now.

Glenn, in many ways, withdrew from the world in his later years, and the sweetness of his character I remember from when we were children became overcast with loneliness, and personal despair. He became obsessed with "survivalist" ideas, and subscribed to certain newsletters I personally found disturbing in their paranoia. In his closet I found a collection of guns. 

Last night, I prayed for his release from the dark dreams and loneliness that have encrusted his spirit for the past decade, and I made a ritual of burning that literature. The ashes I took to the garden, watering them so they could represent release and lightening of his spirit, and new growth in the "soil" of life. I sold the guns, and sent the proceeds to THE HUNDRED FRIENDS PROJECT in his name. Those guns, which represented fear and anger, are now turned into money that will build schools in Afghanistan (thanks to Marc Gold), and help children in orphanages in Cambodia and Nepal. I am certain that this is what he would wish.

The Dark Side of the Light Chasers

I have resolved to chose a number of topics, and write short articles, as I've been invited to contribute articles to several on line magazines. I do not by any means consider myself a very good journalist, but I'm glad of the opportunity, and can use the discipline.

I made a committment to write in this blog, and whether it should be information or aesthetic resource, I haven't yet really determined. I am not uncomfortable, exactly, with the notion "personal", because, as a feminist, I've been saying that the personal is political for a good 30 years.

How can the personal not be spiritual, political, and what informs our aesthetics as well? As above, so below. I think what I am uncomfortable with is ironic: because of the often spiritual or metaphysical nature of my art work, I've become afraid to express the dark, the painful, the depressed, the "negative". Which of course only makes me want to do it more, the same way I used to end up dancing around with a lampshade on my head at formal occasions after a few rounds of tequila shots (in my much younger years). Make something taboo and watch how interesting it suddenly becomes.

Although I've read everything from Quantum Psychology to Peace Pilgrim's Memoirs and Caroline Myss "Anatomy of the Spirit", in reality, I am not a "positive" person by nature, and often have to work very hard to shift my consciousness away from habitual dark tracks. Sometimes, I don't want to. A good depression can inform one of authentic needs, a tantrum releases blocked or stagnant energy, getting pissed off is sometimes not only appropriate but absolutely necessary. In fact, with Cronehood, I've become outright irritable. And all of my pretty and charming masks have dissolved.

Don't get me wrong..........I absolutely agree with the necessity for positive thinking and affirmation. Equally, as someone who has suffered with depression, who wakes up remembering that thousands of species are passing out of existance every week, That all that cheery seasonal consumerism comes at the expense of the planet's health, as one who personally must deal, as most people must, with the suffering to be found in a hospital ..... I confess I have a horror of the "dark side of the light chasers" (this is the title of a book by psychologist Debbie Ford (1998). One of my favorite quotes is by (again) Ursula Leguin: "Light is the Left Hand of Darkness".

Sometimes the soul needs a wailing wall, and sometimes the spirit needs to ferment and incubate in its depressions, and sometimes the heart needs to tell its dark story in order to heal. Any actor knows that a full spectrum emotional affect is necessary to create a profound performance.
And those who are too preoccupied with their "purity" have a tendancy to project their shadows elsewhere..........

Spider Woman on the Road

Great Mother, Thank you for this day, My life, My strand on the Web, the Vibration it makes. Keep me in tune, in Harmony with Your Purpose. Let me serve. Xia, The Temple of the Goddess, Los Angeles

I woke up this morning feeling very sorry for myself, as I often do, the "victim act" being my primary character flaw, a "weaving" of my mind that has depleted so much of my creative life force........then I remembered, again, that Spider Woman and the great Divine quite literally "dropped in" for a little wake up call not so very long ago in the form of a wonderful syncronicity. Flooded with that miraculous memory, I kicked myself in my metaphorical butt, dedicated some of my morning coffee as an offering to the rising sun and the great privilege of being alive another day, and here I sit to tell the tale. It's a long, barren stretch from Hatch to Deming. Vast treeless desert, blue shapes of jagged treeless mountains in the distance, fifty miles without even a gas station. Driving west, the setting sun is blinding, so I wear a baseball cap pulled down low over my sunglasses when the glare is especially brutal, just before the sun tips below the horizon. With that glare before me my mind wandered to an astrological consultation I had, on a whim, recently. The astrologer did something called astrocartography, and I was surprised with his accuracy. He pointed out that Indonesia was a well aspected place (Bali has indeed been a huge inspiration for me). And the places he mentioned on the east coast - are the very places I've been drawn to in heart, over and over again. It seems that Tucson and Phoenix are just about the most unauspicious places I could find to live. In the corner of the chart, he pencilled "born teacher". I was thinking idly of that, how aimless I feel about my goals these days, how out of touch with what I used to call "guidance". Specifically, I was thinking wistfully "they want me to teach", and wondering if I had anything worth teaching anyone. Suddenly a tiny spider dropped down on its web, right before my eyes in the glare of the setting sun, from the hood of the baseball cap. It startled me so that I swerved the car........then it dropped down onto my lap and disappeared! Syncronicities are like waking dreams, an engagement with the greater conversant intelligence we are a part of. I ponder them as I would ponder a dream. Because I dream so little, they are far more significant to me. I don't think this is difficult to interpret - I was thinking of teaching, and a spider dropped down literally before my eyes, weaving it's strand. When you're as stubbornly dense as I am, I suspect Spider Woman, who has a great sense of humor, needs to manifest in not so subtle ways! I'd call that a "Webbed Vision" in dynamic progress! (Well, I'll return to this a little later. The rock and roll noise level in this cafe is winning, and I am going to have to flee until I can find a place one can think in. I like Wi Fi, but forgot that there is nowhere left as far as I know in Tucson where one can drink coffee without being blasted with loud adolescent sex music. Did I say that?.......) Well, I was just packing up the computer, and would you believe, they switched the music to Christmas music by Frank Sinatra? So with pleasure and relief, I sit a bit longer and sip my delectable coffee. I note one more syncronicity. My motorhome is in a strange but very appreciated rv court in T or C - it is full of people over 50 who are basically amiable hermits, living frugal lives in their rv's or trailors. Most of them are sensitive souls, educated and full of stories about interesting lives. Joanne, next to me, was a professor somewhere in Maine, and her trailor is so full of books she can hardly move. When it's cold, she's like a hermit crab that never comes out of her shell. Down the way is Jeff, who organized the local poetry group, and has committed to writing a poem of the day. There's a new trailor on the other side of me, occupied by an elderly but spry man named Carl. We've been introduced, but that's about it. Yesterday, as I was packing my car, he spontaneously started telling me about his near death experiences, and the several times he has had what is called an "out of body experience". He said that when that happens, we instantly know that we are far more than physical, and all the fear of death disappears. I thanked him, took off on my long trip to Tucson, and Glenn. It was a surprising comfort from a stranger.

“What might we see, how might we act, if we saw with a webbed vision? The world seen through a web of relationships…as delicate as spider’s silk, yet strong enough to hang a bridge on.”

Catherine Keller, Theologian

From a Broken Web

I want to thank those who left entries on this blog, again, for your wisdom.

The Diving Bell and the Butterfly

Still from movie "The Diving Bell and the Butterfly", 2007

I'd like to thank the kind people who responded to the previous post with sympathy and wisdom. I genuinely appreciate your generosity. It is so good to know that there are kindred souls literally all over the world.

I may not be able to be consistent with blog entries for a while, as the demands of my family's needs press me. My mother is 91, and my brother has lived with her as her caretaker. They have taken him to Phoenix, which is a 100 mile drive from Tucson, so the visits are long endeavors. I'm working to get the insurance necessary to bring him to Tucson. What the longer term prospects are for him, I don't know. Glenn has had a brain stem stroke, and the prospects aren't good - it is hard, with such, to know what kind of recovery he may make, if there is to be a recovery. This is something my mother and other brother will not, or cannot, contemplate, and so I am also isolated in this. As it is, Glenn may have "locked in" syndrome, which means, he can perceive, hear or perhaps see, and cannot communicate.

I have tried asking him to blink, or to move his feet, but am unable to determine whether he responds with volition or not. I do not know what kind of therapy he will get in Phoenix. I am overwhelmed, frankly, with this situation. These circumstances leave me mute..........I do not know how to ease my brother's suffering, I also do not know how to come to terms with the aspects of myself that are overwhelmed with the needs of my family and my own needs. I will do my best, and the best I can do ultimately is to be aware. I will try to not deplete myself with guilt or the other emotions that follow.

I'm in T or C for a few days, a friend from NY will be taking the studio I just finished, which leaves me with a wistful feeling. In my imagination it is full of paints and canvases ready to become interior universes...........well, someday I hope, and the best laid plans of mice and men, etc................ here is a quote by my favorite author (who has created many, many universes that I've come to visit and occasionally inhabit). I put it on the inside door, alongside a yin/yang symbol. It will be a blessing for the fecundity of the place. Sometimes, I wonder about my obsession with painting and renovating rundown storefronts and motorhomes and rooms and yards and circles of stones in woods ........ I think I'm always running around making studios, theatres, sacred places, shrines........making creative wombs for the Divine to manifest, even if I can't be there to see it happen. Making containers..............

"To create difference - to establish strangeness - then to let the fiery arc of human emotion leap and close the gap: this acrobatics of the imagination fascinates and satisfies me as no other." ......Ursula K. Le Guin

I wanted to share something about an extraordinary book, and now a recent movie based upon the book by Jean-Dominique Bauby. This book would not have come to my attention had my brother's stroke not occurred. I take the liberty (and I sure hope I never get caught with all the liberties I take in this blog of copying the writings of others.......if I do, I hope there is some humanity in the publishing world that sees it is from admiration, and I am careful to give the credit due).........I take the liberty thus of copying below a review by Thomas Mallon, with links to the review. Also, should anyone want to purchase the book, here's how you can buy it from Amazon:

http://www.amazon.com/Diving-Bell-Butterfly-Memoir-Death/dp/0375701214

"I can weep discreetly. People think my eye is watering."

Jean-Dominique Bauby

"I think you need to go into his world in order to get out of his world. And he said the only way he could escape his diving bell was through his imagination and his memory."

Julian Schnabel, Director The Diving Bell and the Butterfly

June 15, 1997

In the Blink of an Eye

---

After a devastating stroke, the author dictated this memoir using only his left eyelid

By THOMAS MALLON

THE DIVING BELL AND THE BUTTERFLY By Jean-Dominique Bauby. Translated by Jeremy Leggatt. 132 pp. New York: Alfred A. Knopf. $20.

A year and a half ago, following a catastrophic stroke and weeks of deep coma in that same hospital, Jean-Dominique Bauby gradually ''surfaced'' into a new existence as a victim of ''locked-in syndrome,'' mentally alert but deprived of movement and speech. Just 44 years old, his body useless but still painful (''my hands, lying curled on the yellow sheets, are hurting, although I can't tell if they are burning hot or ice cold''), he was forced to recognize that his former life in Paris as the witty, high-living editor in chief of Elle magazine had become as unreachable as the books and trinkets across his hospital room, where he now lived ''like a hermit crab dug into his rock.''

His time ''as a perfectly functioning earthling'' ended, one might say, in the blink of an eye. But it was blinking -- that age-old image of heedless speed turned into literal, concentrated labor -- that saved Bauby from becoming just another object in the room. By moving his left eyelid in response to an alphabet rearranged according to the letters' frequency of use, Bauby managed to write a book as moving as Job's and as expansive, in its way, as any composed by the wheelchaired, boundless Stephen Hawking.

Jean-Dominique Bauby was the victim of a stroke that left his mind and one eye functioning -- enough to enable him to dictate "The Diving Suit and the Butterfly" to Claude Mendibil before dying of heart failure. (Jean-Louis Sieff)

''It is a simple enough system,'' he explains. ''You read off the alphabet . . . until, with a blink of my eye, I stop you at the letter to be noted. The maneuver is repeated for the letters that follow, so that fairly soon you have a whole word.'' Fairly soon! Less soon when the amanuensis anticipates and makes mistakes: ''One day when, attempting to ask for my glasses (lunettes), I was asked what I wanted to do with the moon (lune).''

Bauby allows that his ''communication system disqualifies repartee,'' but it does beautiful service to all sorts of physical and emotional description. ''There comes a time,'' he explains, ''when the heaping up of calamities brings on uncontrollable nervous laughter,'' but in this strong, slim volume the author displays a writerly control equal to his honesty: ''One day . . . I can find it amusing, in my 45th year, to be cleaned up and turned over, to have my bottom wiped and swaddled like a newborn's. I even derive a guilty pleasure from this total lapse into infancy. But the next day, the same procedure seems to me unbearably sad, and a tear rolls down through the lather a nurse's aide spreads over my cheeks.'' There are scenes in Bauby's narrative -- his discovery, in a windowpane, that he is not just ''reduced to the existence of a jellyfish'' but ''also horrible to behold'' -- that one might be inclined to describe as unbearably sad, if ''unbearable,'' thanks to this book, were not a word one will never again use quite so loosely.

The diving bell of Bauby's title is his corporeal trap, the butterfly his imagination: ''There is so much to do. You can wander off in space or in time, set out for Tierra del Fuego or for King Midas's court.'' Childhood fantasies of war heroism alternate with elaborate dreams of cooking, in which his pantry is a previous lifetime's memories of smells, tastes and textures: ''You can sit down to a meal at any hour, with no fuss or ceremony. If it's a restaurant, no need to call ahead. . . . The boeuf bourguignon is tender, the boeuf en gelee translucent, the apricot pie possesses just the requisite tartness.'' It's as if he'd reversed the most famous moment in Proust and used memory to bring back the madeleine..........

The author cultivates strong feelings, especially anger, to keep his spirit from atrophying along with his limbs. But despite occasional sarcastic eruptions, the book's tone, in Jeremy Leggatt's translation, is dominated by a sweet, even humorous, lyricism. Bauby notes with pleasure how, in his reordered alphabet, ''T and U, the tender components of tu . . . have not been separated,'' and he recounts his practical distribution of all the prayers coming his way: ''A woman I know enlisted a Cameroon holy man to procure me the goodwill of Africa's gods: I have assigned him my right eye. For my hearing problems I rely on the relationship between my devout mother-in-law and the monks of a Bordeaux brotherhood.''

to read the full review