Thursday, May 8, 2014

"Numina" Article Revised



NUMINA:  Spirit of Place, Myth and Pilgrimage

By Lauren Raine MFA

"To the native Irish, the literal representation of the country was less important than its poetic dimension.  In traditional Bardic culture, the terrain was studied, discussed, and referenced:  every place had its legend and its own identity....what endured was the mythic landscape."

            R.F. Foster 1

The Romans believed that special places were inhabited by intelligences they called Numina, the "genius loci" of a particular place.   I personally believe many mythologies may be rooted in the experience of “spirit of place", the numinous, felt presence within a sacred landscape.

To early and indigenous peoples, nature includes a “mythic conversation”, a conversation within which human beings participate in various ways.  Myth is, and always has been, a way for human beings to become intimate and conversant with what is vast, deep, and ultimately mysterious.  Mything place provides a language wherein the “conversation” can be spoken and interpreted, and personified.   Our experience changes when Place becomes "you" or "Thou" instead of "it".

In the past, "Nature" was not just a “resource"; the natural world was a relationship within which human cultures were profoundly embedded.   The gods and goddesses arose from the powers of place, from the powers of wind, earth, fire and water, as well as the mysteries of birth and death.  

In India, virtually all rivers bear the name of a Goddess.  In southwestern U.S., the “mountain gods” dwell at the tops of mountains like, near Tucson, Arizona, Baboquivari, sacred mountain to the Tohono O’odam, who still make pilgrimages there and will not allow visitors without tribal permission.  This has been a universal human quest, whether we speak of the Celtic peoples with their legends of the Fey, ubiquitous mythologies of the Americas, or the agrarian roots of Rome:  the landscape was once populated with intelligences that became personified through the evolution of local mythologies. 

The early agrarian Romans called these forces “Numina”.  Every river, cave or mountain had its unique quality and force – its inherent Numen.   Cooperation and respect for the Numina was essential for well-being.  And some places were places of special potency, such as a healing spring or a sacred grove.

As monotheistic religions developed, divinity was increasingly removed from nature, and the natural world lost its “personae”.  In the wake of renunciate religions that de-sacralized nature and the body, and then the rapid rise of industrialization, nature has become viewed as something to use or exploit, rather than a relationship with powers that require both communion and reciprocity.   Yet early cultures throughout the world   believed that nature is alive, intelligent, and responsive, and they symbolized this through local mythologies. 


From Hopi Katchinas to the Orisha of Western Africa, from the Undines of the Danube to the Songlines of the native Australians, from Alchemy’s Anima Mundi, every local myth reflects what the Romans knew as the resident “spirit of place”, the Genius Loci.   

Contemporary Gaia Theory 2 revolutionized earth science in the 1970’s by proposing that the Earth is a living, self-regulating organism, interdependent and continually evolving in its diversity.   “The Gaia Hypothesis, which is named after the Greek Goddess Gaia, was formulated by the scientist James Lovelock and co-developed by the microbiologist Lynn Margulis in the 1970s.  While early versions of the hypothesis were criticized for being teleological and contradicting principles of natural selection, later refinements have resulted in ideas highlighted by the Gaia Hypothesis being used in subjects such as geophysiology, Earth system science, biogeochemistry, systems ecology, and climate science.  ................In some versions of Gaia philosophy, all life forms are considered part of one single living planetary being called Gaia. In this view, the atmosphere, the seas and the terrestrial crust would be results of interventions carried out by Gaia through the coevolving diversity of living organisms.”2


If one is sympathetic to Gaia Theory, it might follow that everything has the potential to be responsive in some way, because we inhabit and interact with a vast living ecological system, whether visible to us or not.    Sacred places may be quite  literally places where the potential for “interaction” is more potent.  There is evidence that Delphi was a sacred site to prehistoric peoples prior to the evolution of Greece.  Ancient Greeks built their Temple at Delphi because it was a site felt to be particularly auspicious for communion with the Goddess Gaia.  Later Gaia was displaced by Apollo, who also became the patron of Delphi and the prophetic Oracle.   Mecca was a pilgrimage site long before the evolution of Islam, and it is well known that early Christians built churches on existing pagan sacred sites.

There is a geo-magnetic energy felt at special places that can change consciousness.   Before they became contained by churches, standing stones, or religious symbolism, these “vortexes” were intrinsically places of numinous power and presence in their own right.

Roman philosopher Annaeus Seneca junior commented that:

  "If you have come upon a grove that is thick with ancient trees which rise far above their usual height and block the view of the sky with their cover of intertwining branches, then the loftiness of the forest and the seclusion of the place and the wonder of the unbroken shade in the midst of open space will create in you a feeling of a divine presence, a Numen.”3


Personal Encounters

Many years ago I lived in Vermont, and one morning I went down to the local Inn for a cup of coffee to discover a group of people about to visit one of Vermont's mysterious stone cairns on Putney Mountain, the subject of a popular book by Barry Fell, a Harvard researcher 4, and under continual exploration by the New England Archeological Research Association (NEARA).  I had stumbled upon their yearly Conference.   Among them was Sig Lonegren 5, a well-known dowser and researcher of earth mysteries who now lives in Glastonbury, England and was then teaching at Goddard College in Vermont.  Through his spontaneous generosity, I found myself on a bus that took us to a chamber constructed of huge stones, hidden among brilliant foliage, with an entrance way perfectly framing the Summer Solstice. 

Fell and others suggest that  Celtic colonists built these structures, which are very similar to cairns and Calendar sites found in Britain and Ireland; others maintain they were created by a prehistoric Native American civilization,   but no one knows for sure who built them.  They occur by the hundreds up and down the Connecticut River.  Approaching the site on the side of Putney Mountain, I felt such a rush of vitality it took my breath away.  I was stunned when Sig placed divining rods in my hands, and I watched them open as we traced the “ley lines” that ran into this site. Standing on the huge top stone of that submerged chamber, my divining rod "helicoptered", letting me know, according to Sig, that this was the “crossing of two leys”; a potent place geomantically. 

According to many contemporary dowsers, telluric energy moves through stone and soil, strongest where water flows beneath the earth, such as in springs, and also where there is dense green life, such as an old growth forest.  Telluric force is affected by planetary cycles, season, the moon, the sun, and the underground landscape of water, soil and stone.  Symbolically this “serpentine energy” has often been represented by snakes or dragons.  “Leys” are believed to be lines of energy, not unlike Terrestrial  acupuncture lines and nodes, that are especially potent where they intersect, hence dowsers in Southern England, for example, talk about the “Michael Line” and the “Mary Line”, which intersect at the sites of many prehistoric megaliths, as well as where a number of Cathedrals were built.

At the time I knew little about dowsing, but I was so impressed with my experience that months later I  gathered with friends to sit in the dark in that chamber, while we watched the summer Solstice sun rise through its entrance.  We all felt the deep, vibrant energy there, and awe as the sun rose to illuminate the chamber, we all left in a heightened state of awareness and empathy.

Earth mysteries researcher John Steele 5 wrote in EARTHMIND, a 1989 book written in collaboration with Paul Deveraux and David Kubrin,   that we suffer from what he called “geomantic amnesia".  We have forgotten how to “listen to the Earth”, lost the capacity to engage in what he termed “geomantic reciprocity".  Instinctively, mythically, and practically, we have lost the sensory and imaginative communion with place and nature that informed our ancestors spiritual and practical lives, to our great loss.  

We diminish or destroy, for money, places of power long revered by generations past, oblivious to the unique properties it may have, and conversely, build homes, even hospitals, on places that are geomagnetically toxic instead of intrinsically auspicious.   Our culture, versed in a “dominator” and economic value system, is utterly ignorant of the significance of place that was of vital importance to peoples of the past.  Re-discovering what it was that  inspired traditional peoples to decide on a particular place for healing or worship  may be important not only to contemporary  pilgrims, but to a way of seeing the world we need to regain if we are to continue into the future as human culture at all.



Making a pilgrimage to commune in some way with a sacred place is a something human beings have been doing since the most primal times.  Recently unearthed temples in Turkey’s Gobekli Tepe 6 reveal a vast ceremonial pilgrimage site that may be 12,000 years old.   The Eleusinian Mysteries of Greece combined spirit of place and mythic enactment to transform pilgrims for over two millennia.

One of the most famous contemporary pilgrimages is the "Camino" throughout Spain, which concludes at the Cathedral of Santiago at Compostella.  Compostella comes from the same linguistic root  as "compost",  the fertile soil created from rotting organic matter -  the "dark matter"  to which everything living returns, and is continually resurrected by the processes of nature into new life, new form.  Pilgrims arriving after their long journey are being metaphorically ‘composted’, made new again.   When they emerge from the darkness of the medieval cathedral in Composella, and from the mythos of their journey, they were ready to return home with their spirits reborn.




In 2011 I visited the ancient pilgrimage site of Glastonbury, England.  Glastonbury’s ruined Cathedral once drew thousands of Catholic pilgrims, and Glastonbury is also Avalon, the origin of the Arthurian legends, a prehistoric pilgrimage site.  To this day thousands still travel to Glastonbury for the festivals held there, and for numerous metaphysical conferences, including the Goddess Conference I attended.  The sacred springs of the Chalice Well and the White Spring have been drawing pilgrims since long before recorded history, and many people come still to drink their waters.  

Making this intentional Pilgrimage left me with a profound, very personal sense of the "Spirit of Place", what some call the "Lady of Avalon” and taking some of the waters from the Holy Springs back with is ever a reminder of the dreams, synchronicities and insights I had there. 

Sacred Sites are able to raise energy because they are geomantically potent, and they also become potent because of human interaction.  “Mythic mind”, the capacity to interpret and interact with self, others and place in symbolic terms (as, for example, the way the Lakota interpret “vision quest” experiences) further facilitates the communion.   Sig Lonegren, who is one of the Trustees of the Chalice Well in Glastonbury, and a famous dowser, has speculated that as human culture and language became increasingly complex, verbal, and abstract, we began to lose mediumistic, empathic consciousness, a daily intuitive gnosis with the "subtle realms" that was further facilitated by ritual.   Dowsing is a good example of daily gnosis.  “Knowing” where water is something many people can do without having any idea of how they do it.  Sometimes, beginning dowsers don’t even need to “believe” in dowsing in order to, nevertheless, locate water with a divining rod. 

With the gradual ascendancy of left-brained reasoning, and with the development of patriarchal religions, he suggests that tribal and individual gnosis was gradually replaced by complex institutions that rendered spiritual authority to priests who were viewed as the sole representatives of God.  The “conversation” stopped, and the language to continue became obscured or lost.

Perhaps this empathic, symbolic, mediumistic capacity is returning to us now as a new evolutionary balance, facilitated by re-inventing and re-discovering mythic pathways to the Numina.


Footnotes:

1  Foster, R.F., The Irish Story: Telling Tales and Making It Up in Ireland (London: Allen Lane/Penguin Press 2001)

2   Wikipedia:  The Gaia Hypothesis (http://en.wikipedia.org/wiki/Gaia_hypothesis)

3  L. Annaeus Seneca junior, (Epistulae Morales at Lucilium 41.3]

4  Fell, Barry, PhD., America B.C.: Ancient Settlers in the New World, (1976) Artisan Publishers, 2013 Edition, 352 pages

5 Lonegren, Sig, Mid Atlantic Geomancy, website and blog (http://www.geomancy.org/)

6  Steele, John, Earthmind: Communicating with the Living World of Gaia, with Paul Devereaux and David Kubrin (Harper and Row, 1989)

Curry, Andrew, Gobekli Tepe: The World’s First Temple? Predating Stonehenge by 6,000 years, Turkey's stunning Gobekli Tepe upends the conventional view of the rise of civilization,  Smithsonian Magazine, 11/2008, ,http://www.smithsonianmag.com/history/gobekli-tepe-the-worlds-first-temple-83613665/#4uZO1s0yHlpACGLu.99


Friday, May 2, 2014

New Mosaic - "Our Lady of the Waters"

"Our Lady of the Waters" (2014)
 I've been experimenting with clay and my collection of Afghani fabric presses.  There is something so wonderful about putting these antique presses, all cut by hand, to use again - they have so much spirit or mana in them.  This piece is dedicated to WATER, which is so important here in the desert.  Without the blessings of the Lady of the Waters, there is no life.
Lady of the Desert Spring

Nuestra Senora de las Aguas,

Our lady of the Arroyo,

Come quietly to us,

Come to us, and hear our prayers,

For  those who suffer thirst,

Spread your mantle of green and turquoise

 Among the red, parched lands

Bright artery of life

Nuestra Señora de las Aguas

Mother of the cottonwoods, the Palos verdes,

Snake and mallow, coyote and child

Hear our prayers

O desert spring,
Our lady of the  waters.
Tile made from antique Afghani fabric press (2014)
The Song of the Dry River

Dry.  All you hear
 is the litany of traffic, a dusty haze obscuring the distance.
Nothing sounds now
where once water  sang
among the stones,
voices of the living
where once a river ran

a river, once, here
before  cattle came,
 the cars
the mines

living as if the waters
would always flow
to green the red and barren lands,
as if the breast would never run dry.

As if  there none yet unborn
Who must know  thirst.

Are there only stones
And pottery shards
Left to remember me?

I sing to their  ghosts now,
I sing
where once a river ran


(2002)


Wednesday, April 30, 2014

Beltane Comes Again!



“Flora” Mask (2013)
 Happy May Day to all!

Ah, the RITES OF SPRING!  I've posted this article before, but I still like it, and felt like sharing previous year's Beltane post once again, for any who may be interested.

May Day was celebrated everywhere in Britain and Europe  with Maypole, flower garlands, May wine and love.  The birth of spring on May Day in Elizabethan England would send villagers into the woods to collect flowers and boughs, and then they would wait for the sun to rise as it brought the fully opened year flowering into spring.  


 

A few years back I found myself  singing "Lady Godiva", an old song  by Peter and Gordon from the 60's.  When I find myself with  mental "muszak"  that just won’t go away, I’m kind of forced  to pay attention.  According to legend, Lady Godiva rode naked on a horse through the streets of Coventry, England, to ease the tax burden of the citizens imposed by her husband, who agreed to relieve the toll if she did this.  Pulling out my Jungian “Inner Pun”  book, I decided that it had something to do with "Lady God", this being what I get from the word.   “Godiva” has both “God” and  “Diva or Deva” which means divine, shining.   

 

Words can tell us much about the origins of  things.Coventry" is an interesting addendum as well. If you look it up in the dictionary, besides being a  city in England, the actual definition of the word "coventry" means:  

"the state of being banished or ostracized (excluded from society by general consent); ie,  "the association should get rid of its elderly members--not by euthanasia, of course, but by Coventry"**

Thus, "coventry" is the opposite of "coven", "covenant", or "to convene", which means to bring together.  So, perhaps in all of this linguistic trail one can see the way the pagan Rites of Spring were “ostracized”.   A Blog friend, Robur D'Amour, wrote a fascinating article about Lady Godiva,  and commented that the origins of this legend are almost certainly found in the ride of the May Queen to the sacred tree (Maypole), the "coven tree".  

 He wrote:

" A very early spelling, 1050, is Couaentree.  I found, by chance, a reference to Coventry as bring a rebus for 'a coven round a tree'…….. There was a widespread practice for dancing round a tree on May Eve, which is the maypole. Perhaps there really was a tree that was used for festivities.  The story that Lady Godiva was protesting against taxes is untrue.  Apparently, at the time the procession dates from, Coventry was a village, and there were no taxes.  The procession is actually a May-Eve fertility procession, many of which are found across Europe.  What happened at Coventry was that there was a Benedictine monastery there. The monks did not approve of  people watching the fertility procession, and so invented the story about taxes. "1

The origin of the “peeping Tom” legend also derives from the famous ride of Lady Godiva -  the May Queen in all of her glory being, from a Benedictine point of view, perilous for  eyes to see.  The May Queen is the young  Goddess Herself, riding to bless the rising fertility of the land and to meet the May King.
Villagers celebrating  Rites of Spring throughout Merrie Old England and much of Europe would bear flowers, all the while capering around the new Maypole.  Often it was only unmarried girls who would be allowed to plant the phallic Maypole into the fertile Earth, which then would be woven in dance by men and women with ribbons or twine.  Dancers took hold of the ends in a weaving courtship dance.  A procession led by  Jack O' the Green (a variant of the Green Man), fantastically arrayed with flowers, leaves and ribbons, might also be part of the celebration.  And of course there would be  Morris Dancers.     Crowned with a garland, the May Queen, no matter how capricious, was to be obeyed throughout the day's celebrations, and everyone would vie for the honor of doing her homage.

“Guenivere as the May Queen” by John Collier
 
 A  lovely ritual with ancient origins in pagan practices of sympathetic magic.   In other words, "the world is waking up and making love, so we too wake up and make love, and all will bear fruit".

The union of the May Queen with the May King (or the Green Man) probably has its origins in very ancient traditions of the Sacred Marriage, going back as far as Sumeria and the marriage of Inanna and Dumuzi.  Perhaps, much farther than that into unknown origins in prehistory.  

In ancient times, the spring ritual union of the King with the priestess (representing the Earth Mother) was a very significant rite; in later times, even in early Christian Europe, church morality may have been suspended for Beltane, as couples went out into the fields to participate in the worlds ripening fertility.   


 

In Italy,  Flora was the Roman Goddess of Flowers and it’s not surprising that her festival was also held on the first day of May. The May Dance festivals of Europe have many of their origins in the ancient  “Feast of Flora”, the ecstatic Roman Rites of Spring.
This celebration of the fecundity of Spring has always made the Church nervous.  In the late 19th century, May 1 became associated with the growing labor movement, and since then many countries have celebrated May Day as International Workers' Day.  In 1955, Pope Pius XII instituted May 1 as the "feast of St. Joseph the Worker" with the intention of emphasizing the spiritual aspect of labor.

I'm sure the advent of this secondary meaning to May Day came as a belated relief to the Catholic Church, along with Lady Godiva's famous ride becoming a  folk legend about taxes.    For myself,  I am happy to see the Pagan origins of May Day, and the true tale of Lady Godiva,  continually  re-discovered and re-invented.  The re-sacralization of sexuality, in tandem with the Spring  blossoming of the world, which  was the original meaning of May Day,  is truly a  Holy Day.  And I am always surprised by  how little most people today know of its origins.   


*  Robur D’Amour   https://www.blogger.com/profile/02966938808921010638

**http://www.thefreedictionary.com/Coventry

Saturday, April 26, 2014

Chemtrails, Geo-Engineering - an Important New Film

Chem Trails over Yosemite National Park
"Drought is on the increase, and any kind of loss due to that is going to double.  Then you put yourself up as the solution so when all of this weather comes and and wipes you out,  well,  we've got the solution for you, here's this drought tolerant corn.  Oh, by the way, you've got to sign this 40 page agreement so when you go ahead and plant these seeds you now belong to Monsanto.......They look at severe conditions as an opportunity.  They are disaster capitalists."
 Although I've many times seen the weird grids of "chem trails" in the skies of Arizona, I never really took them seriously, feeling the issue was some kind of conspiracy theory fantasy, and the grids were undoubtedly just air force exercises.  We all know about climate change - but shadowy forces  consciously trying to control the weather?  Impossible.  After seeing this intelligent, award-winning film, I now view them with horror.  Watch the film, and learn about the chemicals in our rain, the alarming increase in allergies, asthma, and other diseases associated with these chemicals, about HAARP, and the hand of corporate entities like Monsanto as well as the military. 

The Lord of the Rings, and Harry Potter, were the great film epics of the past decade.  I watch films with a mythologist's eye, wondering what kind of shadow is being shown within the collective unconscious.  As Joseph Campbell pointed out in his famous "Power of Myth" interviews with Bill Moyers, the  "Star wars" trilogy films  (and decades before that, with films like  "Forbidden Planet" and "On The Beach") reflected humanity's increasing fear of the two-edged sword that is technology.  To be more specific, technology used for war and control, and the banality of greed.

What was the meaning of the great struggle against Sauron, and Voldemort, villainous forces whose lust for absolute power meant the destruction of the world?  These monsters are the monsters that exist in the psyche of  unevolved humanity.    Like the black magicians of the Atlantis myths, these people are "playing God" indeed, with an arrogance that is nothing new, but armed with a global technology that is truly disastrous.  
"If you can create weather modulation, you create crisis, and if you have the seed supply.........you control everything."......."(Geo- Engineering) can be used to control the weather, and thus corporatize every natural system on the planet.  This would enable certain individuals to consolidate an enormous amount of monetary and political power into the hands of the few at the expense of every living thing on the planet."
 Here's the trailer, and below it is the full length movie.  
 https://www.youtube.com/watch?v=s3__ssxTvNc#t=94



 

"People around the world are noticing that our planet's weather is dramatically changing. They are also beginning to notice the long lingering trails left behind airplanes that have lead millions to accept the reality of chemtrail/geoengineering programs. Could there be a connection between the trails and our severe weather? While there are many agendas associated with these damaging programs, evidence is now abundant which proves that geoengineering can be used to control weather. In this documentary you will learn how the aerosols being sprayed into our sky are used in conjunction with other technologies to control our weather. While geoengineers maintain that their models are only for the mitigation of global warming, it is now clear that they can be used as a way to consolidate an enormous amount of both monetary and political power into the hands of a few by the leverage that weather control gives certain corporations over the Earth's natural systems."

 Directed/Produced by Michael J. Murphy and Produced/Edited by Barry Kolsky.. Written by Michael J. Murphy and Barry Kolsky.