Showing posts with label the Winter Solstice. Show all posts
Showing posts with label the Winter Solstice. Show all posts

Friday, December 20, 2024

For the Winter Solstice, 2024

 

luminaria on Serpent Mound in Ohio

You, Darkness

 

You, darkness, that I come from
I love you more than all the fires
that fence in the world,
for the fire makes a circle of light for everyone
and then no one outside learns of you.
But the darkness pulls in everything –
shapes and fires, animals and myself,
how easily it gathers them! –
powers and people –
and it is possible 
a great presence is moving near me.
I have faith in nights.

 

Rainer Maria Rilke



December Moon

 

Before going to bed
After a fall of snow
I look out on the field
Shining there in the moonlight
So calm, untouched and white
Snow silence fills my head
After I leave the window.
Hours later near dawn
When I look down again
The whole landscape has changed
The perfect surface gone
Criss-crossed and written on
Where the wild creatures ranged
While the moon rose and shone.
Why did my dog not bark?
Why did I hear no sound
There on the snow-locked ground
In the tumultuous dark?
How much can come, how much can go
When the December moon is bright,
What worlds of play we'll never know
Sleeping away the cold white night
After a fall of snow.

 

May Sarton




Pledge of Allegiance

 

I pledge allegiance to the soil
      of Turtle Island,
and to the beings who thereon dwell
      one ecosystem
      in diversity
      under the sun
With joyful interpenetration for all.

 

Gary Snyder


Monday, December 16, 2024

Wassailing

 


Although I very far from any apple trees in the American Southwest, I still like to make Wassail around this time of year.   And then there is also the Pagan tradition of Wassailing, which I cherish (even though there aren't any apple trees).  

"Wassailing" participates in the notion of living in a  “conversant” world for me,  something I've so often thought about as I read about folk traditions, mythologies, and old customs.   Instead of seeing "nature" as "other", or a "resource",  earlier times and peoples often had a mythic, friendly and "reciprocal"  relationship with the extended community of life they inhabited.  

Although Wassail is a spiced cider drink, often with brandy added and served hot, originally it's presence included the  Yuletide custom of  singing to the trees, in particular, the orchards  of apple trees from which the celebratory drink came.  The spiced cider was offered  to honor the trees,  and  traditional wassail would be prepared – soaking pieces of bread, cake or toast in it – and Wassailers would travel from apple orchard to apple orchard singing carols to the trees, in order to demonstrate appreciation for the harvest being enjoyed.  Wassail-soaked pieces of bread or toast were then left at the trees’ roots or hung in the trees’ branches to appease the tree spirits and feed them well until the next harvest.




When we talk to the trees, the  animals, even stones, and celebrate their generosity………..we might just  notice that we get a response sometimes!  For example, there is the old English custom  of telling the bees when someone has died in a farm family, and there are actually documented cases of a swarm of bees turning up at the funeral.  Who is  to say that the apple trees don’t enjoy being part of the Christmas festivities? How would our world be a different place if we saw apple trees as being our generous friends, or inviting bees to the funerals of those they have lived among for so long?  From that perspective, one walks into one's garden or orchard or forest finding friends of all kinds - the world becomes "re-enchanted".

Like the Romans'  offerings on small farm shrines dedicated  to the "Numina", the spirits of place that assisted them with their crops and orchards (the indigenous Roman Goddess Pomona, whose name meant "apple",  originated as a Numen of the orchards), this custom, which is still practiced with a lot of good cheer  in some rural areas of  England, reflects that ancient pagan sense of "reciprocity" with an intelligent, spiritually  inhabited natural world.

From a lovely Blog about Wassailing in Somerset, UK about Wassailing in Somerset, UK, I take the liberty of sharing this:

"Wassailing dates back to Anglo-Saxon times, traditionally taking place on Twelfth Night (originally the 17 January, before the introduction of the Gregorian Calendar in 1752). The centuries-old ritual has Pagan roots and is intended to awaken the apple trees from their winter slumber. This involves blessing the orchards, reciting incantations, dancing, singing traditional songs and clattering pots and pans to scare away evil spirits and secure a bountiful apple harvest come autumn.  ..........Traditions vary slightly from place to place but usually, the wassail starts at dusk and is sometimes led by a Wassail King or Queen. Branches of the trees may be hit to frighten away evil spirits, cider is often poured on the roots of the oldest tree and pieces of toast, cake or bread are put into the branches to feed the good spirits or entice robins – believed to be the ‘guardians of the orchard’.   Afterwards, the trees of the orchard are serenaded with songs, Morris dancing and tasting the wassail drink."

And here's a description I found about Wassailing in WhimpleDevon, England that takes place annually:  

 Our ritual follows the traditional well-tried and tested ceremony of our predecessors with the Mayor in his robes of office and the Princess carrying lightly toasted bread in her delicately trimmed flasket, whilst the Queen, wearing her crown of Ivy, Lichen and Mistletoe, recites the traditional verse. The original Whimple Incantation has been retained:
Here's to thee, old apple tree, that blooms well, and bears well.  Hats full, caps full, three bushel bags full, an' all under one tree!  Hurrah! Hurrah!
Her Majesty is then gently but manfully assisted up the tree in order to place the cider-soaked toast in the branches whilst the assembled throng, accompanied by a group of talented musicians, sing the Wassail Song and dance around the tree. The Mulled Cider or 'Wassail Cup' is produced and everyone takes a sample with their 'Clayen Cup'.




I read recently  that our habit of "toasting" may go back to Wassail revelries.  "Waes hael"  revelers would say,  from the Old English term  meaning "be well".  Eventually  "wassail" referred less to the greeting and more to the drink.  The contents of the Wassail bowl varied, but a popular one was known as 'lambs wool'. It consisted of hot ale, roasted crab apples, sugar, spices, eggs, and cream served with little pieces of toast. It was the toast floating on the top that made it look like lamb's wool.  The toast that was traditionally floated atop the wassail eventually became our "toast" -  when you hold up your glass and announce, “Let’s have a toast,”  or  ”I’ll toast to that,” you’re remembering this very old ritual of floating a bit of toast in spiced ale or mulled wine or wassail in celebration.

Wassailing – visiting neighbors (and much appreciated, friendly trees), singing carols  and sharing warmed drink – is a tradition related to the Winter Solstice with ancient roots indeed.  


I share a Wassail recipe below, which I soon will make to the best of my abilities.  I probably won't be going out to sing to the Saguaros for the Solstice,  but who knows what I might end up doing if I drink enough Wassail with some brandy added.  Bring in the pipes and the Bards!

I'm sure the Saguaros wouldn't mind the attention. 

Photo by Martin Beebee
 
Apple Tree (and why not Saguaros too?)  Wassailing Chants and Rhymes

Compiled in The Stations of the Sun by Ronald Hutton

From the South Hams of Devon, recorded 1871: 

Here's to thee, old apple tree,
Whence thou mayst bud
And whence thou mayst blow!
And whence thou mayst bear apples enow!
Hats full! Caps full!
Bushel--bushel--sacks full,
And my pockets full too! Huzza!

From Cornworthy, Devon, recorded 1805:

Huzza, Huzza, in our good town
The bread shall be white, and the liquor be brown
So here my old fellow I drink to thee
And the very health of each other tree.
Well may ye blow, well may ye bear
Blossom and fruit both apple and pear.
So that every bough and every twig
May bend with a burden both fair and big
May ye bear us and yield us fruit such a stores
That the bags and chambers and house run o'er.

Cider apples on the ground in orchard in Somerset, United Kingdom
(image courtesy 
https://downsomersetway.co.uk/best-places-to-take-part-in-a-somerset-wassail/)


 Yield: 10-12 servings,  Prep Time: 5 minutes, Cook Time: 4 hours

Wassail Recipe

Ingredients:
  • 1 gallon Apple Cider
  • 4 cups orange juice
  • 4 hibiscus tea bags
  • 10 cinnamon sticks
  • 1 tsp. whole cloves
  • 1 Tb. juniper berries
  • 1 1/2 inch piece of fresh ginger, cut into slices
  • 1 apple, sliced into rounds
  • 1 orange, sliced into rounds

Directions:

  1. Place all the ingredients in a slow cooker and cover.
  2. Turn the slow cooker on high heat and cook for 3-4 hours, until the color has darkened and the fruit is soft. Remove the tea bags and serve hot.

Sunday, December 17, 2023

The Winter Solstice: Return of the Light

 

Saint Lucia Swedish Celebration 

The longest night, the sweet and Blessed Dark, and the Rebirth of the Sun.  Perhaps the oldest of all human holy days, and source of many different sacred celebrations. In Sweden it is celebrated with St. Lucia's Day.  "Lucia" derives from the Latin word for "Light", and one such story concerns the arrival of a Christian martyr named Lucia who appeared in white, with a crown of light around her head, to give succor to the hungry and suffering.  Different stories and traditions surround St. Lucia in different countries, but all focus on central themes of service  and light.  Lucia symbolizes the coming end of the long winter nights and the return of light to the darkened world.

 


As the dark is holy, the generative place of rest, so is the Light holy.  On this, the longest and darkest night,  we light our candles and our bonfires as ancestors have done for uncounted centuries, around the world and in many languages, before us.  We bring light to darkness, light to each other, and we honor the Blessing of the Return of the Sun.  And I also reflect on the healing and creative powers of  what poet David Whyte called "sweet darkness", the times of silence and incubation that are wedded to the times of  illumination.

For myself, I ask what  Light I might hope to  ignite within myself.  What light can I offer that might illuminate not only my path, but perhaps assist the pathways of  other Beings of the Earth as well?  

"To go in the dark with a light
is to know the light. 
To know the dark, go dark.
 Go without sight, and find
 that the dark, too, blooms and sings,
 and is traveled by dark feet and dark wings."
Wendell Berry



Winter Solstice, Willits Community (2012)
 Photos courtesy JJ Idarius and Ann Waters



Sunday, December 3, 2023

Hello Darkness: Why We Need the Dark

 

"We’ve rolled back the night so far that soon we will come full circle and reach the dawn of the following day. And where will that leave us? In a world with no God and no wolf either — only unrelenting commerce and consumption, information and media ... and light. We need a rest from ourselves that only a night like the winter solstice can give us."

The Winter Solstice approaches again,  and I find myself longing each day for rest, solitude, reflection, the incubatory quietude of this time.  The Dark is gestative, and emotional states arise in myself and others that disturb, revealing what has been buried in the daily frenzy of life.  Yet if listened to, if given a voice in the dark, they can provide needed insight and healing. I believe the  cycle of the season calls for it.  Not so very long ago, we had Ancestors who, like all mammals, lived within the cycles of the seasons.  After the last Harvest, the days grew shorter, and the world colder, and the hard work of the summer and fall ceased.  This was a time of dormancy, of going within, of rest and sleep, of being enveloped by the Dark as the Winter Solstice approached.  

We don't have that relationship with the Dark, or with the Cycles of our world, that our ancestors had very much these days.  Yet I believe it is still there within each of us, still felt, perhaps felt as a loss or a hollow place inside.  I pay attention these days  to my own fear of "stopping", my own preoccupation with busy-ness as the Night approaches and wishes to be heard. I am giving myself time to listen now.  

I don't feel it's necessary to always come up with something new, to "re-invent the wheel" when it's been said well before.  I'm like that with books too:  I can read a book over and over, entering again each time into it with pleasure and new insight.  So in that spirit, I offer here again a post from last year, which includes an article I love by Clark Strand 

_____________________________________________________________________________

I remember a winter night many years ago, when I lived in the country in upstate N.Y..   I shared a house with a second story living room that had a big picture window,  A  mid-winter snowstorm had left us stranded in a shimmering blanket of snow.  One could look out on that field of white, illuminated by the dark sky, the moon, and an occasional star,  into a vast,  dark silence.   For a while the lights went out, but we had no shortage of candles, and somehow that makes the memory even sweeter for me.  The intensity of the dark and the silence  of the snow that long ago December was not frightening, but intimate,  a landscape for sleep, for the incubation of dreams,  a darkness ripe with dormant life.  A place where we could lie together in the warmth of our bed, becoming aware of  the occasional sound of snowfall, or an animal moving outside.  

I remember recently seeing a time lapse film of cities - vast networks of light, sky scrapers and traffic rushing along freeways like blood coursing along arteries, and I was struck by how much it looked like some kind of organism frenetically pulsing and extruding itself and consuming everything around it.  The truth is, it had a terrible beauty - the shimmering, glittering urban  triumph of humanity over nature, over the darkness.  Or is it truly "triumph"?  How is it possible we have so forgotten that we are not the conquerors of nature, but part of nature?  Have we failed to see, in our blinding pursuit of speed and of "illumination" that we are also animals, participating in the cycles and seasons of the life of Gaia, needing rest, incubation, renewal, and the sweet silence of the dark.

Newgrange at the Winter Solstice

In the years since, I have so often thought of those winter nights. 

I  take the liberty of reprinting here a wonderful article by Clark Strand, whose book is well worth reading.  He has had such nights too, of that I'm sure. 

9780812997729


By CLARK STRAND
December 19, 2014

WOODSTOCK, N.Y. — WHEN the people of this small mountain town got their first dose of electrical lighting in late 1924, they were appalled. “Old people swore that reading or living by so fierce a light was impossible,” wrote the local historian Alf Evers. That much light invited comparisons. It was an advertisement for the new, the rich and the beautiful — a verdict against the old, the ordinary and the poor. As Christmas approached, a protest was staged on the village green to decry the evils of modern light.

Woodstock has always been a small place with a big mouth where cultural issues are concerned. But in this case the protest didn’t amount to much. Here as elsewhere in early 20th-century America, the reluctance to embrace brighter nights was a brief and halfhearted affair.

Tomorrow is the winter solstice, the longest night of the year. But few of us will turn off the lights long enough to notice. There’s no getting away from the light. There are fluorescent lights and halogen lights, stadium lights, streetlights, stoplights, headlights and billboard lights. There are night lights to stand sentinel in hallways, and the lit screens of cellphones to feed our addiction to information, even in the middle of the night. No wonder we have trouble sleeping. The lights are always on.

In the modern world, petroleum may drive our engines but our consciousness is driven by light. And what it drives us to is excess, in every imaginable form.

Beginning in the late 19th century, the availability of cheap, effective lighting extended the range of waking human consciousness, effectively adding more hours onto the day — for work, for entertainment, for discovery, for consumption; for every activity except sleep, that nightly act of renunciation. Darkness was the only power that has ever put the human agenda on hold.

In centuries past, the hours of darkness were a time when no productive work could be done. Which is to say, at night the human impulse to remake the world in our own image — so that it served us, so that we could almost believe the world and its resources existed for us alone — was suspended. The night was the natural corrective to that most persistent of all illusions: that human progress is the reason for the world.

Advances in science, industry, medicine and nearly every other area of human enterprise resulted from the influx of light. The only casualty was darkness, a thing of seemingly little value. But that was only because we had forgotten what darkness was for. In times past people took to their beds at nightfall, but not merely to sleep. They touched one another, told stories and, with so much night to work with, woke in the middle of it to a darkness so luxurious it teased visions from the mind and divine visitations that helped to guide their course through life. Now that deeper darkness has turned against us. The hour of the wolf we call it — that predatory insomnia that makes billions for big pharma. It was once the hour of God.

There is, of course, no need to fear the dark, much less prevail over it. Not that we could. Look up in the sky on a starry night, if you can still find one, and you will see that there is a lot of darkness in the universe. There is so much of it, in fact, that it simply has to be the foundation of all that is. The stars are an anomaly in the face of it, the planets an accident. Is it evil or indifferent? I don’t think so. Our lives begin in the womb and end in the tomb. It’s dark on either side.

We’ve rolled back the night so far that soon we will come full circle and reach the dawn of the following day. And where will that leave us? In a world with no God and no wolf either — only unrelenting commerce and consumption, information and media ... and light. We need a rest from ourselves that only a night like the winter solstice can give us. And the earth, too, needs that rest. The only thing I can hope for is that, if we won’t come to our senses and search for the darkness, on nights like these, the darkness will come looking for us.

You, darkness, that I come from

I love you more than all the fires

that fence in the world,

for the fire makes a circle of light for everyone

and then no one outside learns of you.

But the darkness pulls in everything –

shapes and fires, animals and myself,

how easily it gathers them! 

powers and people 

and it is possible 

a great presence is moving near me.

I have faith in nights.


Rainer Maria Rilke


Sunday, September 4, 2022

"The Goddess of the Turning" and Reflections

 

I made this mask for Nanette,  Director and creatrix of Zuzi's Dance Theatre in Tucson, Arizona.  I've worked with her and her collaborators before and it's a pleasure to create a mask for her.  This mask is for her annual Winter Solstice event, and she requested an image that symbolizes the turning of the year,  Light into Dark,  Dark into Light.  So this mask became "The Goddess of the Turning", or "The Goddess of the Turning Year" to be more precise.

Masks keep turning up in my imagination!  Just when I thought I was done with all that,  the Goddess keeps nudging me with visions of masks and those unknown ones who might dance in them, who might tell their stories.  But I have no such community at present, so all I can do is make the masks.  In some other posts I'll show some of the new ones, including "Verity", which I'm quite proud of.

Artists never retire, although sometimes we get retired whether we like it or not!  But lately I have been ........... reclaiming a few things from the Saga of my life.  One is that a long time ago I went to Bali, and learned about their Temple Mask traditions.  It inspired me and gave me a whole new way to look at mask making (I had a lively business at that time as a mask artist for Renaissance Faires).  When I returned to the U.S. I was invited to make masks for Reclaiming's  20th Annual Spiral Dance at Fort Mason Center in San Francisco as the Invocation of the Goddess.  

And later it occurred to me that I had been given an opportunity thus to create Temple Masks within the American world I lived in.  To create sacred  Temple Masks dedicated to the Divine Feminine, to the Goddess with  all of Her many faces and names.  As the Balinese say, masks are "vessels for the gods".   How blessed I was when I saw the first ritual performance of my first collection of Masks of the Goddess at the Spiral Dance in the form of a Procession of costumed and masked women,  embodying Goddesses from 30 different cultures and times.  And that became a journey of some 20 years, a journey that, it seems, isn't entirely over yet.  

We will see as the Wheel of the Year Turns, and the Lady of the Turning presides overall.





Friday, January 4, 2008

The Solstice and Joanna Brouk



light 

light


light of morning

the fairest light, 

the fairest light has come

softly, I feel its coming


night has given

night has given 

a place to morning 

breath returns

and moistens 

the grass 

the birds feather 


no longer do I hide

no longer do I hide

gone into darkness

light has come

 

Joanna Brouk 


One more Solstice moment I'd like to share, in the form of a poem from a section of my website called "Found Poems"*, by a long lost friend, Joanna Brouk, written in the winter of 1973. I still find the poem beautiful as it is like music to me, and Joanna was a consummate musician, evoking other worlds with her music,  as well as a poet. In the poem Joanna moves, like a stream, through the rythems of the seasons, night and day, to the Sun's return.  I miss her.



*Update 2021:  That website no longer exists.

**Update 2011:  Joanna and I reconnected, and  renewed our friendship.  And here is a link to Joanna's music.

https://youtu.be/gxI3t67cspw