Thursday, April 27, 2017

"Not Man Apart" & the Dark Mountain Project


     "The Answer"

by Robinson Jeffers*
Then what is the answer?

Not to be deluded by dreams.
To know the great civilizations
have broken down into violence,
and their tyrants come, many times before.

When open violence appears, to avoid it with honor
or choose the least ugly faction; these evils are essential.
To keep one’s own integrity, be merciful and uncorrupted 
and not wish for evil; and not be duped
by dreams of universal justice or happiness.
These dreams will not be fulfilled.

To know this, and know that
however ugly the parts appear
the whole remains beautiful. 

A severed hand is an ugly thing,
and man dissevered from the earth and stars and his history...
for contemplation or in fact...
appears atrociously ugly. 

Integrity is wholeness,
the greatest beauty is organic wholeness, 
the wholeness of life and all things,
the divine beauty of the universe.

Love that, not man
Apart from that

or else you will share man’s pitiful confusions,
or drown in despair when his days darken.
photo by MicStephens

I've been trying to find a way to articulate what I feel for a long time now.  This past year especially, I've found myself  overwhelmed with the destruction of the environment, and the immanent changes that are upon us.  Our global civilization, with all its promise,  and yet just in its infancy,  increasingly looks like a runaway train.  To mature, in the little time that has been given us, to meet the challenges of climate change and our evolution and promise  as a common humanity on a small to sustain that dream?

Now that the U.S. has put  Trump*** and what he represents into power, I despair.  He and his Republican  regime are calling global warming  "A Chinese hoax" even as the poles are melting, the permafrost is melting, and islands are disappearing.  They pound their chests and threaten nuclear war as they  withdraw the U.S. from the Paris Accord, prepare to end the Environmental Protection Agency, the Clean Energy Act, renew the pipelines that leak poison into our rivers.    I watch America become dismantled, our Constitution increasingly broken, the tyrant minds of greed and violence like the Dark Lord of Tolkien's books overtaking America.  Yes, that despair I've been feeling for a long time has deepened, and I find myself increasingly asking myself, "How do I live in these times?"

 Every generation, perhaps, has to ask that.  Or perhaps not.  Perhaps many generations behind me lived with a surety of continuity in their families, countries, tribes, environments, that, even if not true (because change is the only constant), was true for their time.  But I have lived in an extraordinary time, when change is too rapid to assimilate, and not only our tribes and nations are threatened, but our very planet, the Mother Earth we take as the ultimate changing, is threatened.   And humanity, for all of our  beauty and brilliance, is still in its infancy.

It's always been with me, this "Before the Deluge" (which is also an important movie) mentality.  It took different forms, but it was always there, the shadow that hung over my generation, born just after WWII with its inconceivable violence, and in the shadow of the nuclear bomb.  For all the prosperity of the 50's, we knew what horror humanity was capable of, and we knew life was tenuous.  I remember the surrealism of the "get under your desk" exercises, the Cold War, and the bomb shelter my father made in the closet, with a barrel of water and stacks of canned beans and tuna fish.  It was always there, the Shadow.

Berkeley was ahead of its time, and in 1970 I remember taking recycled bags to the Food Co-op.  We spoke of "voluntary simplicity", and of  Zero Population Growth, and in 1973 I had a tubal ligation so I would not contribute further to the problem.  We fought for the redwoods, we talked about growing our own vegetables, and we marched, and marched.  We marched against Vietnam, we marched for Women's Rights and birth control and abortion, we marched for Free Speech, and we began to march increasingly for the Environment.  People did sit down strikes at the nuclear power stations that so dangerously sat atop California fault lines, they chained themselves to old growth redwoods to keep forests from being clear cut.    I saw the evolution of the Women's Movement and the evolution of Environmentalism, and then the evolution of Eco-feminism, which saw the profound relationship between the two evolutionary threads.  I remember when Time Magazine did its Endangered Earth edition in 1989.  Almost 20 years later in 2006 I saw the former Vice President of the U.S., Al Gore, produce "An Inconvenient Truth", shown in all major theatres.   Not much changed.

I've come to agree with the founders of the Dark Mountain Project, and their Manifesto.  Our civilization is not sustainable, our worldwide  economic system is manifestly unethical, and our descendants cannot have the hope and privilege we have known.  And as I say that I acknowledge that the majority of human beings on this planet have never had the hope and privilege that I have.   The question is, how do you live with that?

For myself, I'm going to focus on what I love, and hope to learn to be a loving person in the time that I am granted here.  And I aspire to live in as much simplicity and gratitude as I may. Despair, anger, polarization, none of this is helping me.   My work has always  been an effort to share Her image, in many different forms and with many different faces.  I'll continue to make my shrines, and reliquaries, and words of praise to Her, in all of Gaia's vast diversity and indescribable beauty.  It has been a privilege to live within Gaia, and a privilege to live in this time.  It has been a privilege to  live.  Let my life become a prayer of gratitude, and perhaps some of those threads will go forward to those who are yet to come.  Perhaps they will not curse all of us.  But we'll never know.

A manifesto for change

"The Dark Mountain Project is a network of writers, artists and thinkers who have stopped believing the stories our civilization tells itself. We produce and seek out writing, art and culture rooted in place, time and nature."

The Dark Mountain Project was initially created as a journal by the former  deputy editor of the Ecologist, Paul Kingsnorth.  He and colleagues became disillusioned with the narratives of environmentalism, and so they decided to write their own.  Eventually this evolved into a large artistic, literary, and scientific community, as well as workshops and the "Uncivilization Festivals".  As he explains:

"Out of this huddle came a slim, self-published pamphlet that we called Uncivilisation: the Dark Mountain Manifesto. It was a clarion call to those who, like us, did not believe that the future would be an upgraded version of the present, and who wanted to help forge a new cultural response to the human predicament. It called for a clear-sighted view of humanity's true place in the world.  We had no idea if this would resonate, but it did - all over the world. We sold hundreds of manifestos and attracted enthusiastic support from thousands of people. A movement began to coalesce. What was most fascinating – and telling – about it was the common thread running through it. So many of the communications we received were from people who professed a profound sense of relief. They too had been going through the motions about 'saving the planet' but had long since stopped believing it. Coming across other people who didn't believe it either, and who wanted to forge a new way of looking at the future, got a lot of people very excited.

To me, this is the most exciting thing about the Dark Mountain Project. It has brought together people from all over the world, from varied backgrounds – writers, poets, illustrators, engineers, scientists, woodworkers, teachers, songwriters, farmers – all of whom are tied together by a shared vision. It is a vision that a few years back would have seemed heretical to many greens, but which is now gaining wide traction as the failure of humanity to respond to the crises it has created becomes increasingly obvious. Together we are able to say it loud and clear: we are not going to 'save the planet'. The planet is not ours to save. The planet is not dying; but our civilisation might be, and neither green technology nor ethical shopping is going to prevent a serious crash."

*Much of Jeffers' poetry was written in narrative and epic form, but he is also known for his shorter verse and is considered an icon of the environmental movement. Influential in some circles, despite or because of his philosophy of "inhumanism", Jeffers believed that transcending conflict required human concerns to be de-emphasized in favor of the boundless whole. This led him to oppose U.S. participation in World War II, a stand that was controversial after the U.S. entered the war

** Paul Kingsworth on the founding of the Dark Mountain Project:

Sunday, April 23, 2017

James Lovelock and Gaia Theory

James Lovelock, with biologist Lynn Margulis, developed the Gaia Hypothesis, which is now  Gaia Theory .  After the massive outpouring of support for the sciences and climate change research from yesterday's Earth Day marches around the U.S. and in Washington, D.C., I felt like honoring their work.  

They offered a new, and yet very ancient, one might say "original" paradigm to the scientific community, and to the world.  Gaia theory is widely accepted by the Earth Sciences community, and certainly  Gaia  captured the imagination and hearts of many others  in my generation -  to artists, mythologists, philosophers and theologians.  Lovelock proposed that the Earth is a living being, self-regulating, interdependant in all its systems, responsive to change.  And we participate in that organism's evolution.  

 "Once upon a time the Word for World was Mother."

Saturday, April 22, 2017

Happy Earth Day!

Photo courtesy J.J. Idarius

We have a beautiful mother
Her hills
are buffaloes
Her buffaloes

We have a beautiful mother
Her oceans
are wombs
Her wombs

We have a beautiful mother
Her teeth
the white stones
at the edge
of the water
the summer
her plentiful

We have a beautiful mother
Her green lap
Her brown embrace

Her blue body
everything we know.

Alice Walker

"Speak to the Earth, and it shall teach thee"



Thursday, April 20, 2017

A Silbury Moment with the Bard............

                                                            Photo by John Haxby

I re-found this delightful Telling from Celtic Mythology by the great Bard, Robin Williamson, with images of Silbury Hill, which I once Circled..... and just had to share it again.

Sunday, April 16, 2017

The Shadow Effect - reflections

 "Everyone carries a Shadow, and the less it is embodied in the individual's conscious life, the blacker and denser it is. At all counts, it forms an unconscious snag, thwarting our most well-meant intentions. One does not become enlightened by imagining figures of light, but by making the darkness conscious."
   Carl Jung

"You must go into the dark in order to bring forth your light. When we suppress any feeling or impulse, we are also suppressing its polar opposite. If we deny our ugliness, we lessen our beauty. If we deny our fear, we minimize our courage. If we deny our greed, we also reduce our generosity. Our full magnitude is more than most of us can ever imagine.”   

  Debbie Ford

I was remembering "The Shadow Effect"  (see trailer  below about the movie), which was mostly narrated by, and based on, the work of psychologist Debbie Ford, who wrote "The Dark Side of the Light Chasers", a book I've liked since I discovered it in the late 90's.  I enjoyed the movie, particularly the appearances of Deepak Chopra and James Van PraaghI admire Debbie Ford's work, although I have to confess, all that hugging in the workshops would no doubt drive me up a wall.  I'm just not a hugger.  And sometimes I get annoyed by the "do these exercises, make this realization, and you'll fulfill your destiny and be all you can be" idea..........I don't really believe in destiny any more, and trying to "be all you can be" can have some serious setbacks, like exhaustion, arrogance, and self-delusion. Which is "shadow", now that I think about it.   Sometimes the prize is not about getting richer, more love, or a better job, not about "getting" anything - it's about deepening our souls, and in the end, that's all that matters.  But I'm a crank sometimes, and what this movie has to say is  nevertheless vital, pragmatically, personally, and collectively, because it's about the essence of integral consciousness.

"The well of your joy is as deep as the well of your sorrow" 

 Kalil Gibran

 I've often written about the importance of the The Dark Goddess, and the importance of the Dark Goddess to all of planetary life now.  In other words, it's urgent that we develop true compassion for ourselves, and thus, each other, holistic compassion.    As individuals, the scales of Maat tip when too much of ourselves are unconscious, hidden away in the so-called "shadow" aspects of psyche. That's the true meaning of balance.
 Perhaps I should begin with one of my own "shadow" aspects, the "victim" archetype. I felt like sharing the following quote from Carolyn Myss because I agree with some (not all)  of her observations about what she called "woundology".
"One day, in passing, I introduced a friend of mine to two gentlemen I was talking with.  Within two minutes, my friend managed to let these men know that she was an incest survivor. Her admission had nothing whatsoever to do with the conversation we'd been having, and what I realized was that she was using her wounds as leverage. She had defined herself by a negative experience.  In workshops and in daily life I saw that, rather than working to get beyond their wounds, people were using them as social currency.  They were confusing the therapeutic value of self-expression with permission to manipulate others or define themselves with their wounds. Who would want to leave that behind? Health never commands so much clout!"

Carolyn Myss,  Why People Don't Heal and How They Can
  I want to comment first, as she does, that actual victimization, and the psychic wounds that arise from these experiences, should not be negated, nor should the "blame the victim" phenomenon ever be allowed to occur  Further, a sense of victimhood can be learned from our parents, and can have roots that extend far back into family and cultural history.  Having said that, I also believe, from my own experience in therapy, that healing and self-understanding comes from being able to tell our painful stories, and by the telling we can integrate those stories into the larger story, developing compassion for ourselves and strength from those experiences.  We "fore-give", and move fore-ward.  The question of whether this role is a shadow issue arises when one lingers in the role of "victim" because it is familiar, and more importantly, it has great power because it  allows one to avoid responsibility for anything, and even provides a kind of social currency with others. To put it another way - you can't win with such  a "victim".

In the past few years,  entering my 60's and becoming a SAGA (no "crone" for me.  Saga is so much better, a Finnish derived word that means both "old woman"  and "long story") I've been noticing how much the "victim" or "wounded" archetype has big real estate in our world, as well as my own past persona.  It's a shadow aspect that is rarely spoken about, because, frankly, it has so much leverage and ambiguity attached to it.  I've also had to notice that there are individual interactions with people and groups that are about supporting each other's insecurities - and success, leadership, or individual accomplishments can be punishable by ostracism.  Believe me, I've been in circles with "victims" (myself included) that could deflate any natural leader or brilliant contributor in no time flat, and continually reduced the group to a comfy  "circle of mediocrity". 

Shadow Work is harsh.  I think a stubbornly internalized and unrealized  need to retain the role of  "victim" is on the same page as the unconscious need to dis-empower or denigrate the perceived gifts and strengths of others.  We cannot afford to genuinely victimize ourselves by clinging to the exhaustive role of  "victim" at a certain point in the quest for maturity - equally, we cannot afford to "make ourselves small" and hide our light so that others will "like" us, nor unconsciously coerce this tyranny on others so we won't feel "threatened".  Empowerment is like the symbol of the Tree of Life - as above, so below, as without, so within. The roots run deep, into dark waters.

 "He governs the flowing of all waters, and the ebbing, the courses of all rivers and the replenishment of springs, the distilling of all dews and rain in every land beneath the sky.  In the deep places, He gives thought to music great and terrible; and the echo of that music runs through all the veins of the world in sorrow and in joy; for if joyful is the fountain that rises in the sun, its springs are in the wells of sorrow unfathomed at the foundations of the Earth."   J.R.R. Tolkein, "The Silmarillion"

Sunday, April 9, 2017

Story Masks: Bast

 I've been wanting to share my archive of not just masks, but stories from the 20 plus years of the "Masks of the Goddess" Project.  Here is the story of Bast, from a 2000 performance directed by Diane Darling.   I think Bast was pleased............


Her paws whisper on temple floors
Her eyes 
luminous as the moon
Her ears pricked, 
alert to danger
Her whiskers sense currents from the unseen world.

Guardian of cats and women and children
Posessor of the uchat, the all-seeing eye
Bast wards against dangers in the spirit world -
Evil beings, enchantments, nameless things
Visible only to cats.

Daughter of Ra, the sun
Lady of the East, the Moon
Her eyes hold light in darkness 


Ra the mighty sun appears at dawn as a baby
At sunset he is dying, and when he dies
Darkness falls.

But Bast prowls the Nile, gazes into the setting sun
Holds his fire in her eyes
Shining in the dark, until Ra is born again.

Bast is Mistress of the science of relaxation,
Bast luxuriates in her sensuality and agility
She plays  with her children:
But leaps ferociously to their defense.

She is The One Who Tears, Little Lion -
Her sharp claws are the vengeance of Ra. 

Those who love Bast honor every cat.
Speak to them with respect
Lay gifts at their paws.
They call to her:

“Mau Bast! Mau Bast!”

Here is her blessing
Her secret wisdom is yours to know:

Sunny spots are best for dreaming.
Never waste a moonlit night,
and accept reality with supreme indifference

To the opinions of mere mortals.

by Mary Kay Landon with Diane Darlilne (2000)

Wednesday, April 5, 2017

Story Masks: "The Bone Goddess"

I love stories, discovering the stories that "wrap themselves around old bones" and wrap themselves around each of us.  With masks, the story is as much a part of the mask as the mask itself.  Masks are by their very nature "vessels for Story",  stories ever evolving in mysterious ways. If you let the mask "talk to you", much can be revealed.  While re-visiting the  Superstition mountains not so long ago, I remembered an encounter I had once with a persona of the land, a Numen of the mountain.  She spoke, I listened. Her name, I think, was the Bone Goddess.  


I was the first one.
I am this land,
and you no longer know me.

Ah well. So what. I've been here a long time.
A long time.

In the beginning, I was alone. 
Alone in this place.
Me, and Old Man Mountain, 
sleeping beneath the hot sun. 

Running when the sun was young,
waking up the People in my country: 
Ho, Hare, Snake, Mallow, Saguaro. 
There were more People then.
Some have gone.
We spoke together then, laughed more. 

These ones,  these new ones, 
they think they own the place.

Ha! They dig and dig, 
but they will not find me!

Listen, I will tell you something, 
since you have come here with your hands empty.

You are full of holes.

Sometimes a person stands up and just walks outside
and keeps on walking into the sun, and does not know why.
There comes a time when you have given so much of yourself away 
there is nothing left, when you have become transparent,
when you can be seen through to the bone, 
when your spirit has become woven into bad things.

That's when you find yourself in my country.

Walk into the desert
sit beneath a cholla and be silent.  
Notice the shapes of bald mountains. 
Old Man, sleeping. 
The shape of his shadows, 
the shape of the sky, the color of shadows. 
That is when you must find beauty 
in a cholla 
crack in the sun like an old bone. 

That's the time when you must collect your own shadows.

I may help you. 
Bring your offerings if you wish, 
I will give them to the Bird People, the Mouse People, the Lizard People,
walk in the shimmering heat, the silence, you may find me.

If I want you to.
I may tell you stories that wrap themselves around old bones, 
around quartz and turquoise, pottery shards, 
stories of Snake and Coyote 
and cracks in the land like a spider web, 
full of light.

And I may not.

I was the first one. This is my place.

Sunday, April 2, 2017

A Rumi and Rilke Moment........

Georgia at White Sands (2015)

Sometimes a man stands up during supper
and walks outdoors,
and keeps on walking,
because of a church
that stands somewhere in the East.

And his children say blessings on him as if he were dead. 
And another man,
who remains inside his own house,
dies there,
inside the dishes and in the glasses,
so that his children
have to go far out into the world
toward that same church,
which he forgot.
Rainer Maria Rilke  (translated by Robert Bly)

Spring at White Sands (2015)

When grapes turn
to wine, they long for our ability to change.
When stars reel
around the North Pole,
they are longing for our growing consciousness.

Wine got drunk with us,
not the other way.
The body developed out of us, not we from it.

We are bees, and our body
is a honeycomb.
We made
the body, cell by cell, we made it.

Rumi (Translated by Robert Bly)

Wednesday, March 29, 2017

AN INCONVENIENT SEQUAL with Al Gore - Trailer and Preview

Nothing is more important than this.  Nothing.  Once again, I applaud former Vice President Al Gore, author of EARTH IN BALANCE, and collaborator of the film AN INCONVENIENT TRUTH (2006)    Gore is a true American hero, who has devoted so much of his life to waking people up to climate change and environmental destruction.   Please see the film share the film and don't let it stop there.  Literally, everything depends on it.

Sunday, March 26, 2017

Quan Yin Sculpture...........

I've made a number of sculptures dedicated to Quan Yin *** and this is the most ambitious one in progress. Quan Yin, the manifestation of Divine Compassion throughout Chinese Buddhism, represents the Bodhissatva - the Great Being who "hears the cries of the world" and returns, again and again, to aid the suffering of the world.  She is often shown, like Tara of Tibet, with many arms, and has been called "thousand armed Quan Yin"....the arms being the many ways she can help and assist those in need.  

I don't know why I have felt the need to create so many Quan Yin images, exactly.  I have felt so much this past year the hardening of hearts, division, anger, and mean spiritedness in my country, and have become quite political with the rise the far right agenda and the election of Trump.  As above, so below - in the process I have seen a lot of anger and division coming out of me as well, not all of it manifesting in a good or wise way, and I do not feel in balance these days.  So making masks, making art about Quan Yin (and I am also making a painting about the Archangel Micheal), whether I realize it or not consciously, is an act of invocation.  For the world, but most especially for myself, the lack of compassion and understanding that I find in myself as well as in the world these days.  

As I love to tell my students, but don't always remember making can be a great act of invocation, a great act of healing, an act of magic if you will.  When my model and I were working on the sculpture above, we both felt a kind of light in the room, a yellow, calm, serene light/sensation.  The Goddess was with us as we invoked Her through our creative process.  And it really doesn't matter if you even "believe" in the Goddess Quan Yin.   I'm not sure that "believing" is anywhere near as important as simply wanting help, wanting guidance, opening the heart.  I don't "believe" the Divine Ones care what we call them or what form we give them.  But making art can thus be an act for us of devotion and spiritual practice or transformation.  The art object, finished, becomes an icon, a talisman to remind us.  
I wanted to make a Quan Yin that, instead of the idealized and beautiful, but iconic, representations, looks like a real woman in the real world of today -  Bodhisattva walking among us, working among us, hearing and responding to the pain of the world, bringing healing and love.  And not a beautiful young woman either, idealized, but a woman in her middle years, reflecting the experience that comes with embodiment.  

And I had to throw in a photo of the gifts of my friend, my lemon tree.  Giant lemons!  I don't go Wassailing around the lemon and lime trees, but I do make a point of thanking the tree when I harvest the lemons around this time of year.  Perhaps I should Wassail too!  Certainly I am ever reminded of the generosity of the World, the friendship of the garden that so graciously gives us these gifts.


Kuan Shih Yin - Avalokiteshvara Bodhisattva

The Bodhisattva of Great Compassion

The Sanskrit name "Avalokiteshvara" means "the lord who looks upon the world with compassion".  Translated into Chinese, the name is "Kuan Shih Yin"or Quan Yin.

Kuan: observe
Shih: the world / the region of sufferers
Yin: all the sounds of the world, in particular, the crying sounds of beings, verbal or mental, seeking help

Avalokiteshvara Bodhisattva is the embodiment of great compassion. He has vowed to free all sentient beings from suffering. Avalokiteshvara Bodhisattva is has great powers and can help all sentient beings. His skilful means are limitless and he can appear in any form in all the six realms of existence to relieve the suffering of the sentient beings who live there. He vowed to rescue those who call on him when they are in suffering, for example, when caught in a fire, shipwrecked or facing an attack.

In the Lotus Sutra, Shakyamuni Buddha said that if a suffering being hears the name of Avalokiteshvara Bodhisattva and earnestly calls out to the Bodhisattva, Avalokiteshvara will hear the call and relieve that being from his suffering.

According to the Huayen Sutra, Avalokiteshvara Bodhisattva transforms himself into forms that suit the nature of those to be helped. His manifestations or transformation bodies are countless.  e.g. if a boy or girl is about to gain some enlightenment, Avalokiteshvara Bodhisattva transforms himself into a boy or a girl to teach the child.
e.g. If a monk is about to attain some enlightenment, Avalokiteshvara Bodhisattva transforms himself into a monk.

In short, he can appear as a monk, a nun, or a normal person like you and me. The purpose of such transformations is to make people feel close to him and willing to listen to his words.

In China, Avalokiteshvara Bodhisattva is represented in female form and is known as Kuan Yin. Probably because of Kuan Yin's great compassion, a quality which is traditionally considered feminine, most of the Bodhisattva statues in China since the Tang Dynasty (A.D. 618 - 907) have appeared as female figures. In India, however, the Bodhisattva is generally represented as a male figure.

In her hands, Kuan Yin may hold a willow branch, a vase with water or occasionally, a lotus flower.  The willow branch is used to heal people's illnesses or bring fulfillment to their requests.  The water ( the dew of compassion) has the quality of removing suffering, purifying the defilement of our body, speech and mind, and lengthening life.

In Buddhist art, Avalokiteshvara Bodhisattva is sometimes shown with eleven heads, 1000 hands and eyes on the palms of each hand (Thousand-Armed Avalokiteshvara Bodhisattva). The thousand eyes allow the Bodhisattva to see the sufferings of sentient beings, and the thousand hands allow her to reach out to help them.

Sometimes, he is represented with one head and 4 arms. This is the Four-Armed Avalokiteshvara, worshipped by all Tibetans as "Chenrezig", the Holder of the White Lotus. It is in the male form which has two hands in the praying gesture while the other two hands hold his symbols, the Crystal Rosary and the Lotus Flower.

There is a sacred place for the worship of Kuan Yin in China - the Putuo Mountain. It is actually an island located near the city of Ningpo, in Zhejiang Province. There are many stories of Kuan Yin's miraculous appearances at Putuo Mountain.

Actually, anyone can be like Kuan Yin. You may say that you don't have a thousand eyes or a thousand arms or that you lack skillful means, but it is your compassion that can transform you into a Kuan Yin. With your eyes and hands, you can help others. With your compassion, you can bring peace and tranquility to this world.

The Mani Mantra (The Mantra of Universal Protection) : OM MANI PADME HUM

from:  Buddhanet

 Kuan Yin  at Putuo Mountain

Thursday, March 23, 2017

TOMORROW - a New Film by the Transition Network

TOMORROW - the Film!

Transition Network has been one of the leading inspiration of the narrative and the spirit of “TOMORROW”.
TOMORROW is an upbeat environmental documentary directed and narrated (in English) by actress Melanie Laurent (Inglorious Basterds) and activist Cyril Dion.

Together, they traveled to 10 countries to visit Permaculture farms, urban agriculture projects, community-owned renewable initiatives. They introduce us to people making a difference in the fields of food, energy, finance, democracy, and education.

See TOMORROW at these Theaters or set up a screening in your town or city:

Northern California:
  • San Francisco: Vogue Theater – April 14th to 20th – Q&A with Director Cyril Dion and Robert Reed on April 14th
  • Sebastopol: Rialto – April 14th to 20th - Q&A with Director Cyril Dion and Robert Reed on April 15th
  • Berkeley: Elmwood – April 14th to 20th - Q&A with Director Cyril Dion and Robert Reed on April 15th
Southern California
  • Los Angeles: Fine Arts – April 18th – Evening event with fundraising opportunity - Q&A with Director Cyril Dion
  • Los Angeles: Laemmle’s Music Hall – April 20th to 21st – Q&A with Director Cyril on April 21st
  • Pasadena: Laemmle’s Pasadena Playhouse – April 22nd to 23rd
  • Claremont: Laemmle’s Claremont – April 22nd to 23rd
Mid-Atlantic region
  • New York City: Village East – April 21st to 27th - Q&A with Director Cyril Dion on April 22nd
  • Rhinebeck: Upstate Films – April 24th
  • Washington DC: Film Fest DC – April 24th and 26th
  • Rockland, ME: Strand Theater – April 21st - 27th
More info here on the film's release in the U.S., including contact info of the distribution team, prices for screenings and more! 

Watch Trailer Here

Press Kit Here

And the film is also a book! The English language paperback edition of Tomorrow will be available in the U.S. on April 5th. Chelsea Green Publishing is making a special 50% (20 books or more) to Transition initiatives screening the film, or using the book as the basis for a discussion group. For more information, please contact Darrell Koerner at dkoerner@chelseagreen.com303.963.5612.
Mission: Transition US (TUS) is a 501(c)3 nonprofit organization that serves as the national hub for the international Transition Towns movement. Our mission is to catalyze and strengthen a national network of citizen-powered groups who are building local resilience through community action.

We accomplish this mission by:
  • Inspiring people to take action in their communities
  • From water and energy to transportation and agriculture, we help local people gain the skills they need to build a resilient communities and localized economies
  • Training local leaders to educate, organize and mobilize their communities
  • Identifying and sharing best resilience-building practices
  • Providing a knowledge hub of resources and models
  • Connecting emerging leaders to this vital movement and to each other
We are working in close partnership with the Transition Network, a UK based organization that supports the international Transition Movement as a whole.