Thursday, July 21, 2016

Story Center - The Healing Power of Telling Our Stories



Ts' its' tsi' nako, Thought-Woman, the Spider
is sitting in her room and what ever she thinks about
appears.  Thought-Woman
named things and as she named them
they appeared. She is sitting in her room
thinking of a story now:
I'm telling you the story
she is thinking.
Keresan Pueblo Proverb
On the Trail of Spider WomanCarol Patterson-Rudolph

In the Pueblo People's mythos of Tse Che Nako, Spider Woman who is also called Thought Woman the Creatrix spins the worlds into being with the stories she tells about the world.  Like a spider, she spins from her own substance the great Web of being, and within that web all beings are connected by Her threads.  This power of storytelling the World into being was also given to us.  And there is also great healing in telling our stories, in not being left mute. And great healing and growth in learning to listen, really listen.  

Here's a wonderful project that originated in Berkeley.  The short videos are often powerful, and they are made by people from all over the world, all walks of life.   

Learn From My Story: Rural Ugandan Women Share Difficult Childbirth Experiences and Talk  About the Relief of Overcoming Obstetric Fistula


STORYCENTER (FORMERLY THE CENTER FOR DIGITAL STORYTELLING), FOUNDER OF THE GLOBAL DIGITAL STORYTELLING MOVEMENT, IS A NONPROFIT ORGANIZATION THAT USES A COMBINATION OF STORYWORK AND INNOVATIVE, PARTICIPATORY MEDIA METHODS TO SUPPORT PEOPLE IN SHARING PERSONAL NARRATIVES ROOTED IN THEIR OWN LIFE EXPERIENCES.

We create spaces for transforming lives and communities, through the acts of listening to and sharing stories. Since 1993, we have partnered with organizations around the world on projects in Storywork, digital storytelling, and other forms of digital media production. Our selection of public workshops supports individuals in creating and sharing stories.

WHEN WE LISTEN DEEPLY, AND TELL STORIES,
WE BUILD A JUST AND HEALTHY WORLD.

http://www.storycenter.org/stories/

Friday, July 15, 2016

"She's Beautiful When She's Angry": Documentary about the Women's Movement



I recently saw a great documentary, on Netflix, about the second wave of feminism in the 60's and 70's  that occurred with the advent of Betty Friedan's THE FEMININE MYSTIQUE, the formation of  the National Organization of Women (N.O.W.) and led into the struggle for equal pay and equal rights, the right to birth control and abortion, and openly addressing the universal violence toward women.  

I remember it well, because I was there!  I met some of these women, they were my heroines.  I marched in San Francisco, I attended consciousness raising groups. 



I've seen so very much change in my lifetime because of that time, and those leaders, and there is still so much farther to go.  An important film, beautifully made.



http://www.shesbeautifulwhenshesangry.com/

https://youtu.be/Oc6zT4mVVuc

Wednesday, July 13, 2016

Mask for Freya



Without realizing it, we may be honoring the Norse Goddess Freya every week, on Friday,  "Freya's day". This may also be the long forgotten reason that fish was a traditional meal on Fridays.   Freyja was  the daughter of the sea god Njord, and like the ocean goddesses Aphrodite and Mari, was a goddess of love, associated with the ocean and fish.  

Freyja flew over the earth and  wept tears  which turned to amber.  Amber is sometimes called "the tears of Freyja".   In classical art, Freyja is sometimes  shown with the Gods and Goddesses of Valhalla on the "Rainbow Bridge", coming and going to the earthly realm.  


Freyja's greatest treasure was the Brisings' necklace. The Brisingamen necklace was crafted by four dwarfs with such artistry that it glittered like a constellation of stars in the night sky. Around Freyja's lovely neck it became an emblem of the fruits of the heavens and earth. Freya wears "the jewel whose power cannot be resisted." Brising meant "fire", specifically the fire of an enlightened mind. The winter constellation we today know as Orion was called "Freya's Gown" by the Norse and Teutons, and the sword belt in Orion was "Freya's Girdle."

Freya was a member of the Vanir, one of the 2 branches into which the Germanic gods were divided. It has been suggested that the Vanir represent earlier,
pre-patriarchal deities, which may account for Freyja's association with the cycle of life, from birth and sexuality to death.  The Vanir became supplanted by the younger Aesir, but in earlier mythologies, she was all-encompassing in her attributes. 

She was the patroness of women who attain wisdom, status, and power -  the Valkyries - ordinary women who became priestesses and warriors.   The Valkyr at last became Norns, the Goddesses who weave the fates and histories of people and of nations. As chief Valkyrie, Freya's origins may indeed be among the much earlier Goddess religions of Old Europe.
Freyja could fly in a chariot drawn by two cats, and she is associated with the love of cats.  
"Freya's Cats on the Rainbow Bridge" by Katherine Pyle

"Love is one of those treasures where the gift and the reason for giving are one and the same. When love is given freely, its existence becomes self-fulfilled, needing neither acknowledgment or permission to live on. The people of the Norse peninsula and Iceland gave expression to this inexplicable force in their lives in the Goddess Freyja. Honored as the Goddess of love, Freyja was called on to assist those who needed to bring the magic of love back into their lives.
Freyja's inspiration led the way from one age to another, as new discoveries replaced old beliefs and methods. Freyja symbolized the shift form wood to iron, an inevitable transformation, that brought both happiness and pain. Imagine the people of the north singing her song while sharpening their swords and tending their iron cooking pots that fed their families. Through it all Freyja was the muse for transcendent love. She cherished and sometimes cried golden tears over the death of her husband, Od, one of the gods of ecstasy. You can still see Freyja in the night sky wearing her favorite necklace made of precious metals and gems. Only now she has become known as the Milky Way. 
Calling on Freyja, you acknowledge the love that lives on, from age to age — from the very earth's beginning, beyond today, and into the infinite future. Asking for the strength to love, even when the outcome is uncertain, you draw on a power that illuminates and transcends this moment. 
Bring to mind a situation you want to infuse with love's embrace. Ask Freyja to help you find the source of your heart's desire, for she embodies the enduring power of love in your life. Let the thoughts and feelings that arise be your guide."
Donna Peck, 2006

artwork by Howard David Johnson 

Monday, July 11, 2016

New Work for July.........


An onion,

All those layers.

just when you think you can name yourself,
you discover new layers,
you’re forming a new skin,

a new ring.

But there's a core.
And where does that core start?


"Sow" , clay mosaic (2016)

What's been so fun about being in the ceramic studio all summer (in spite of the hot kilns) is that I don't know what I'm doing.  I let the clay kind of tell me what to do, and it's such a great Conversation!  Plus, I've been able to re-connect joyfully with "Flow", meaning, I look at the piece (or lump of clay) and I see what it can become, a picture comes into my mind of where to go next.

It's also been very liberating to kind of disassociate myself from the internal critic and "art world".......I'm letting myself just make what I enjoy, and not worrying about whether it's "good" by anyone's standards.  

"Sow" (2016)

"Reliquary for a Lost Forest" (2016)


"Quan Yin"

Friday, July 8, 2016

Spring at Santa Fe Dam, a Preserve in Los Angeles


Finally processed these photos from May..........this is actually the park, near Azusa and right in the heart of Los Angeles, where the California Renaissance Faire is held.









Tuesday, July 5, 2016

Remembering Avebury

“The ancient Greeks spoke of the "genus loci," or spirit of a place. They sited a shrine to honor the Earth Goddess Gaia in Delphi in Greece because the unique personality or spirit of that place was divined to be especially suited to Gaia residing there. Understanding the forces that drew the early Greeks to reach that decision may well be a concept that is at the very root of developing sustainable human societies and creating programs that maximize the unique values of each destination.” 

James  Swan, "Sacred Places"

Five years ago, in July, I took my credit cards and did something I always wanted to do, make my Pilgrimage to Glastonbury, Avebury, the Goddess Conference, and the mystical Arthurian landscape of the sacred springs and the Chalice Well.  It was well worth the expense, and my only regret ever since is that I've not been able to afford going back.  I felt like looking again at that time, and sharing some of the notes and images I brought back with me......I'm working hard in the studio these days, but my heart seems to be across the sea.  And I do hope I can walk among the "speaking stones" of Avebury again.

July 24, 2011

Going to Avebury was a process, because it represented an intention, long nurtured, of making a personal pilgrimage to this ancient sacred landscape.  So it could be said that the intention preceded me, one of Spider Woman’s threads, across the Atlantic.  Going to a Pilgrimage, even if only half realized, I venture to suggest there are stages of opening, of preparation, necessary.  Entering “mythic mind and space” is part of entering sacred space of any kind – it’s entering that dimension wherein the mind is prepared for the possibility that here the land speaks, the oracle resides, the fey are, and the ancestral spirits listen.
 
 Among the Lakota, preparation for any kind of spiritual activity, and many communal activities that involve consensus as well, must include cleansing activities – a fast, and a sweat lodge, for example.  This “purification” is found throughout virtually all spiritual traditions.   So following this logic, I’m not surprised I became sick almost as soon as I got off the plane, with three days of fever.  It certainly served to detox me from the stress and negative, fearful atmospheres I’ve been dealing with for months.



 It was with an exhausted body and an open mind I got off the bus at the village of Avesbury, and immediately walked, delighted, across the street and between two great stones that seemed for the entire world like a bright doorway to me.  I later learned that they’ve been dubbed the “Adam & Eve” stones, presumably because they represent polarities of male and female to some group that works with them.

You don't have to be long at Avesbury, or the area in general, to realize it is a pilgrimage point and magnet for many people, among them spiritual seekers, crop circle researchers, druids and witches, and a lot of others who have many different ideas of what is going on, some of it fascinating, some pretty fanciful. 

So I tried to keep myself open to my own experience, without superimposing projections on the landscape.


There is brightness there, it emanates from the land.  Local dowsers tell me it’s a “time vortex”, and hence that explains the continual conversation of so many magnificent crop circles that have occurred near Avebury, or Silbury Hill.   Quite a few studies of electromagnetic anomalies, brain waves, and other phenomena have been done in the area, and within crop circles that have occurred in the area as well. (There was a crop circle that occurred the morning I visited, July 18th, although I did not see it – it was closer to Silbury Hill, about a mile away.)

I proceeded to the stone the pair seemed to frame, and sat at its base, warmed by the stone’s presence.  I was becoming euphoric, and sheep wandering throughout with their soothing cries, and their curious-cautious eyes were good companions, a counter-point to the solemnity of the stones.

Then up the side of the great circular “henge”, attracted by wildflowers on its crest, and the naïve hope of seeing, in the fields below and beyond, a crop circle, or maybe Silbury Hill (wrong direction).  But what I looked on were just corn fields.  Rather fancifully, I felt I had, in some way, entered the “Gate”, and could now walk the Circle that is Avebury.

When we used to cast a circle in Reclaiming, we closed with "And now we are between the worlds, and what happens between the worlds can change the world."  Between the worlds is another order of being, an imaginal order that we enclosed by casting a circle, which we entered through a “doorway”, leaving behind the mundane world.  I think places of potency, Avebury, were enclosures and temples for “places between the worlds”, points of heightened earth energies, marked reverently by their stone monuments and avenues, places where celebrants could attune.  Places to contact the ancestors, the devas, places to heal, communicate, conceive, receive an oracle,  retrieve a soul, pray for rain or celebrate an auspicious day between the moon and the stars and the wheel of the year.  This was where the Great Mother spoke and the gods made their play.

Photo by www.adlag.com

I found that they are also ripe with synchronicity – that’s what places of heightened energy do, they “connect” and weave.  I had put on my Spider Woman necklace that morning, a Navajo piece that shows Grandmother Spider Woman weaving.  As soon as I  came off the Henge, I went into a little shop, where I  got into conversation with an elderly local, who told me he had seen a fabulous crop circle with his own eyes, and pulled out a polaroid of  the famous “Spider Web Circle” (of 1994),  proudly informing me that he had taken the photo himself.  He told me  it was “just over there, on the other side of the Henge.”  Just over by the fields and vista I had been  attracted to!


Circles within Circles……………

Avebury only has a hundred or so of its original 600 plus stones.  Most of these have been broken down and used by farmers to build houses and barns – the church has not been kind to the stones either, with various ministers admonishing their congregation to pull down  the “devil tracks” .

I found myself, walking that wide circle,  ecstatic, my heart chakra open, feeling “turned on” with that visceral deep eros of nature, of Gaia.  The following day, I was “stoned", spaced out, open.  I didn’t much want to return to “human time”, and I’m convinced if I had been able to sleep there, the dreams would have been vivid.   Avebury affected me in subtle ways, an effect that continues.




Sometimes language bears in its fossil rock
things once commonly known, now information
available to us only as tourists
as here poke through the earth
through the welter of houses from the last thousand years
through country roads, prim churches, blowzy pubs,
through male and female stones, the huge breast
called Silbury Hill, vast and cumbersome
works of a people whose will slumbers
in the stone circles, rows, wordless
as the thoughts of the sheep that graze.


Yet that will is potent, not with the dumb ferocity
and shapeliness of mountains, not with the bodily
eloquence of frightened or curious sheep.
Here are erected runes of language partly designed
to be read by clouds or goddesses, left for us
too carefully wrought to be ignored.
Sometimes with my hands on the warm/cold stone
I almost think I hear it in my bones.


Marge Piercy

Sunday, July 3, 2016

More on "Flow" - the Multiplicity of Creative People



“If there is one word that makes creative people different from others,
 it is the word complexity. Instead of being an individual, they are a multitude.”

Mihaly Csikszentmihalyi, author of "Flow:  The Psychology of Optimal Experience"


I wrote recently about "inviting flow" as I gave myself the gift of the month of June to go into the clay studio and work without constraints or even ideas about what that work might be.  I've not been disappointed in the process, which continues, because ceramics takes patience, and each piece, as its developing, always seems to mention another piece as a kind of "P.S. This Too" afterthought.  I guess that is to me true happiness....because it removes you from the mundane time stream and puts you into the creative stream, which is perhaps not apart from timeless. 

Somewhere in the course of the flow-stream I ran across these interesting videos and articles about the "multi-dimensionality" of creativity, something that has always been obvious to me (except when I was judging myself as having a bad, life-long case of ADD - I actually was tested once, and it was determined that I was off the charts).  But since that time I've come to accept the multiplicity of my interests and ways of self expression as just being about the diversity of my creativity, the diversity of my being.  Which I have noticed I share with many, many others.  Ultimately, bringing together phrases and means from different internal languages (or disciplines) to say what I have to say, just in different ways.  The song has different voices, and perhaps the greatest experience is when the Song sings you.  Those are the best of all creative times.
 
"I, the Song, I walk here."
..........Lakota poem


Anyway,  I believe this multiplicity of expression  is true of most, if not all, people who are able to contact and  unleash their creativity.  I've never liked the popular  idea that "creative people" are somehow so rare and different (and perhaps suspect as well). They are rare and different only because the inherant creativity, the life force itself, has not been been so discouraged, pounded out of, negated, humiliated, dis-empowered, exhausted, compromised, co-opted, stolen..........away.  Or denied.  I guess, in essence, I believe the nature of divinity, by any name, is creativity and co-creativity.  This is the basis of the metaphor of the Pueblo  Spider Woman, Tse Che Nako, also called  Thought Woman.  Like the spider, the Creatrix weaves the world into being with her own substance, the stories and words and songs she makes about the world, and this is the gift she endows all Her Relations with as well, to "create the world with the stories that are told".   At the center of the Great Web,  Grandmother Spider Woman is connected to all things, all beings, all stories.

"If you bring forth that which is within you it will save you.
  If you do not bring forth that which is within you, it will destroy you."
...........the Gnostic Gospel of Thomas

I have no doubts about how privileged I am, always have been, to be free to create and explore.  And that privilege began with education and parents that encouraged me.  It is always sad to me when I encounter so very many people who denigate their own creativity and imagining powers.   Anyway, interesting articles...........
“Photography, painting or poetry – those are just extensions of me,
 how I perceive things, they are my way of communicating.” 

 Viggo Mortensen, Actor, Artist, Writer, Activist
https://vimeo.com/81254512

Barbara Sher - quote