the universal scapegoat

It is hard to imagine this is the 21st century.  When I look at this picture, it says a lot more to me than what the BBC wrote about. I see not only a tragic young girl, but I also see the very source of life, and by extension, our Mother Earth bending beneath those lashes. How many times will we have to shout, over and over and over, whether it's a rape victim in India, or old men trying to take away birth control from young girls here, or this horrific picture of a crowd of men enjoying the suffering of a little girl raped by her father..............? 

"Women are the universal scapegoats, rivaling Jews, gays, Gypsies, et al for that horrific honor. Excuses are rarely needed to put women in psychological and physical chains...........Since scapegoating is a group or collective phenomena, the very fact of gender scapegoating is something of a mystery. Women make up more than half the world’s population. ." Arthur D. Colman  

Maldives girl to get 100 lashes for pre-marital sex

By Olivia Lang BBC News
 
A 15-year-old rape victim has been sentenced to 100 lashes for engaging in premarital sex, court officials said.  The charges against the girl were brought against her last year after police investigated accusations that her stepfather had raped her and killed their baby. He is still to face trial.
Prosecutors said her conviction did not relate to the rape case.  Amnesty International condemned the punishment as "cruel, degrading and inhumane".  The government said it did not agree with the punishment and that it would look into changing the law.

Baby death

Zaima Nasheed, a spokesperson for the juvenile court, said the girl was also ordered to remain under house arrest at a children's home for eight months. She defended the punishment, saying the girl had willingly committed an act outside of the law.  Officials said she would receive the punishment when she turns 18, unless she requested it earlier. The case was sent for prosecution after police were called to investigate a dead baby buried on the island of Feydhoo in Shaviyani Atoll, in the north of the country.

Her stepfather was accused of raping her and impregnating her before killing the baby. The girl's mother also faces charges for failing to report the abuse to the authorities. The legal system of the Maldives, an Islamic archipelago with a population of some 400,000, has elements of Islamic law (Sharia) as well as English common law. Ahmed Faiz, a researcher with Amnesty International, said flogging was "cruel, degrading and inhumane" and urged the authorities to abolish it. "We are very surprised that the government is not doing anything to stop this punishment - to remove it altogether from the statute books."

"This is not the only case. It is happening frequently - only last month there was another girl who was sexually abused and sentenced to lashes." He said he did not know when the punishment was last carried out as people were not willing to discuss it openly.

Largest Climate Rally in Washington, D.C.

  We might observe here that the Great Work of a people is the work of all the people. No one is exempt. Each of us has our individual life patterns and responsibilities. Yet beyond these concerns, each person in and through their personal work assists in the Great Work. The Great Work now… is to carry out the transition from a period of human devastation of the Earth to a period when humans would be present to the planet in a mutually beneficial manner. 

-- Thomas Berry

As I work on the last Numina masks for my friends performance in mid-march (full information about the event to be posted soon - and there will also be an interview with Janie Rezner on the radio) I reflect that what we need now, as much as coming out of universal collective denial is hope.  And there are many evolutionary people and events that bring hope......here's one from the newsletter of Genesis Farm in New Jersey (thanks again to Annie Waters) I felt like saving here in this blog.

Forward on Climate Rally, Washington DC February 17, 2013 Genesis Farm Reflection
In these opening years of the twenty-first century, as the human community experiences a rather difficult situation in its relation with the natural world, we might reflect that a fourfold wisdom is available to guide us into the future: the wisdom of indigenous peoples, the wisdom of women, the wisdom of the classical traditions and the wisdom of science. We need to consider these wisdom traditions in terms of… their common support for the emerging age when humans will be a mutually enhancing presence on the Earth. -- Thomas Berry Last Sunday, a major event unfolded in our nation's capitol. The largest climate rally in US history took place in cold winter winds, in the shadow of the Washington Monument. An estimated forty to fifty thousand people gathered together to speak out against the Keystone XL pipeline, against fracking, and against business-as-usual energy policies that heat up Earth's atmosphere and continue to threaten the long-term viability of the planet. In addition to the strong opposition to further extraction and use of fossil fuels, there was a conspicuous feeling of unity. Represented at the rally were a diversity of peoples and perspectives. From the stage, we heard the voices of a remarkable assembly of First Nations and Native American leaders, women, people of faith, people of color, scientists and activists. All of them are confronting on a daily basis the direct effects of serious climate change and dirty energy in their communities. Though the tone of urgency was palpable, so too was the sense of hope that this event was part of an awakening of a deep common wisdom. Thomas Berry wrote that humanity would need to call upon a “four-fold wisdom” to develop a mutually-enhancing relationship with Earth. This four-fold wisdom — the wisdom of the feminine, of indigenous people, of classical religions, and of modern science — were on display in full and glorious force at the rally. At this point in human history, we face urgent choices and complex problems. And everywhere, ordinary people are responding. Something is stirring that is unprecedented, and we are gathering as never before. Idle No More's defense of First Nations rights in Canada, or 350.Org's movement to divest college monies from fossil fuel corporations, or the many people who are blocking the path of the Keystone XL Tar Sands pipeline are but three examples just on this continent. This rising of an uncommon wisdom is everywhere across the planet. As we work to reverse the drift toward global warming, we will draw from our deepest reserves of inner wisdom to inform our actions. As Berry wrote, “We need all of the traditions. Each has its…own special contribution toward an integral wisdom tradition that seems to be taking shape in the emerging twenty-first century.” All quotes are taken from Berry's book The Great Work: Our Way into the Future
Tel: (908) 362-6735 Email: office@genesisfarm.org

Our Changing Earth: MIDWAY Project

  

Here is a forthcoming film that is heartbreaking, and important, and well worth supporting.

"The MIDWAY media project is a powerful visual journey into the heart of an astonishingly symbolic environmental tragedy. On one of the remotest islands on our planet, tens of thousands of baby albatrosses lie dead on the ground, their bodies filled with plastic from the Pacific Garbage Patch. Returning to the island over several years, our team is witnessing the cycles of life and death of these birds as a multi-layered metaphor for our times. With photographer Chris Jordan as our guide, we walk through the fire of horror and grief, facing the immensity of this tragedy—and our own complicity—head on. And in this process, we find an unexpected route to a transformational experience of beauty, acceptance, and understanding."

Midway:  a Love Story for Our Time 

from the Heart of the Pacific

A forthcoming film by Chris Jordan

https://www.albatrossthefilm.com/

Homeric Hymn to Earth

To Earth the Mother of All
I will sing of the well-founded Earth,
mother of all, eldest of all beings.

She feeds all creatures that are in the world,
all that go upon the goodly land,
all that are in the paths of the seas, and all that fly;
all these are fed of her store.

Through you, O Queen, we are blessed
In our children, and in our harvest
and to you we owe our lives.

Happy are we who you delight to honor!

We have all things abundantly:
our houses are filled with good things,
our cities are orderly,
our sons exult with feverish delight.

(May they take no delight in war)

Our daughters with flower-laden hands
play and skip merrily over the soft flowers of the field.

(May they seek peace for all peoples)

Thus it is for those whom you honor,
O holy Goddess, Bountiful spirit!
Hail Earth, mother of the gods,
freely bestow upon us for this our song
that cheers and soothes the heart!

May we seek peace for all peoples of the well-founded earth

Homeric Hymn XXX, adapted by Elizabeth Roberts

 

Oracular Snakes

 

I've been at Pantheacon, and up in Willits, California, to meet with Annie Waters and Mana Youngbear about the performance they will be doing in March with the Numina masks............I am so delighted to be able to share my art with them and their community!  More later.........

I' ve been thinking about the photograph above  Mana Youngbear portraying DAWN, standing before the "Evolutionary Cauldron" for the Winter Solstice ceremony created by Ann Waters and the Community of Willits on December 21, 2012.  Having had some dramatic (and quite beautiful) "spirit photographs" occur in  my own ritual theatre performances in the past, I pay attention to visual "signals" that occur when we enter the sacred circle of ritual, the realm of the Goddesses and the Archetypal Powers.  Carolyn Myss talks about Symbolic Thinking, and no where is it more dramatic than when we enter the collective, and yet deeply personal, Mythic Realm.   And the language spoken is the language of  metaphor, dream and oracle..........

http://goddesschess.blogspot.co.uk/2013/01/athenian-snake-goddess-now-identified.html

It is the Year of the Snake in Chinese reckoning.  Above is a very old  Greek bas relief of Demeter, who became Ceres in Rome, the Goddess off nature and the cycles of nature that produce, ultimately, the grains (she hold wheat in her hands) that sustain  life.  Just a few days ago, on Valentine's Day, women around the world danced  and  demonstrated against violence toward women for Eve Ensler's One Billion Rising.    In the old kingdom of Egypt, the word for "snake" and the word for "goddess" was the same.  I cannot help but reflect, seeing the image above, that what is  rising in Dawn's Cauldron is a snake, the ubiquitous symbol in the ancient world for the serpentine energies, the winding waters and cyclical seasons of the Goddess, of  Mother Earth.

Snake may have been diabolized in the Bible, but elsewhere snake is an ubiquitous symbol for the feminine divine, the interwoven forces of nature, for healing, and in the East, "Raja Naga" is associated with Tantra, the snake of the  Kundalini force of generation and sexual/spiritual union.  Snakes received a bad rap in Biblical terms, with the "fall from grace" occurring because snake (sometimes identified with Lilith)  tempted Eve with an apple.  Which is too bad indeed, as the  life/death/rebirth cycle represented by snake, whose shedding skin is a symbol of regeneration and rebirth, is among the most primal metaphors.  The Biblical "Fall from Grace" of Eve, and of Snake, represents the fall from grace with nature we have inherited  which at this time in hisstory is becoming catastrophic. 

Klimpt's HYGIEA

Yet the old origins of Snake Medicine are still to be found everywhere, for example, in the ubiquitous symbol of pharmacology, the Chalice and Snake of the Greek Goddess Hygiea.   The “Bowl of Hygeia”*** is  the most widely recognized international symbol of pharmacy, along with the snake entwined staff of the healing God  Aesculapius (and there, by the way, you find the "chalice and the blade", the male and female symbols entwined with the powerful creative force of the rising or entwined Kundalini.  All over Walgreens.)  The pharmaceutical association doesn't see it that way, but rather describes the universal symbol as "Hygeia's classical symbol was a bowl containing a medicinal potion with the serpent of Wisdom (or guardianship) partaking it.  This is the same serpent of Wisdom, which appears on the caduceus, the staff of Aesculapius, which is the symbol of medicine."   

Snake is good  MEDICINE. apparently, and the conversation in the garden of Eden may have been misunderstood!

In ancient Egypt, in the earliest of iconography, the word for Cobra and for Goddess were virtually the same.  The Uraeus  (from the Egyptian jʿr.t (iaret), "rearing cobra") is the  upright form of a cobra used as a symbol of  royalty, deity, and divine authority in ancient Egypt.  The Uraeus was  a symbol for the goddess Wadjet, one of the earliest Egyptian deities. She was the  patroness of the Nile (and here again one sees the personification of the serpentine movements  of water identified with snake and with the feminine).. The pharaohs wore the Uraeus as a head ornament: either with the body of Wadjet atop the head, or as a crown encircling the head; this indicated Wadjet's protection and reinforced the Pharaoh's claim over the land.  There is evidence for this tradition even in the Old Kingdom during the third millennium BCE.

So I reflect, as we enter the year of the snake, 2013 (thirteen is another ancient feminine symbol or number that has been diabolized by patriarchal process - there are 13 lunations or menstrual cycles in a year, thus, the magic number 13, sacred to the Goddess Freya, becomes "bad luck" on Her day, Friday the 13th)......that perhaps the rising now is the arising of the Goddess in our world, the Goddess that rises practically with feminist activism, and spiritually with reverence for the Earth, and for the universal  source of life.

Snake has so much to teach us.........here's to her arising in the Year of the Snake!

http://www.thepharmacyexpert.com/Hygeia.htm

***"The “Bowl of Hygeia” symbol  is the most widely recognized international symbol of pharmacy.  In Greek mythology, Hygeia was the daughter and assistant of Aesculapius (sometimes spelled Asklepios), the God of Medicine and Healing.  Hygeia's classical symbol was a bowl containing a medicinal potion with the serpent of Wisdom (or guardianship) partaking it.  This is the same serpent of Wisdom, which appears on the caduceus, the staff of Aesculapius, which is the symbol of medicine."

Goddesses and "Oracular Snakes"

 

I've been at Pantheacon, and up in Willits, California, to meet with Annie Waters and Mana Youngbear about the performance they will be doing in March with the Numina masks............I am so delighted to be able to share my art with them and their community!  More later.........

I' ve been thinking about the photograph above  Mana Youngbear portraying DAWN, standing before the "Evolutionary Cauldron" for the Winter Solstice ceremony created by Ann Waters and the Community of Willits on December 21, 2012.  Having had some dramatic (and quite beautiful) "spirit photographs" occur in  my own ritual theatre performances in the past, I pay attention to visual "signals" that occur when we enter the sacred circle of ritual, the realm of the Goddesses and the Archetypal Powers.  Carolyn Myss talks about Symbolic Thinking, and no where is it more dramatic than when we enter the collective, and yet deeply personal, Mythic Realm.   And the language spoken is the language of  metaphor, dream and oracle..........

http://goddesschess.blogspot.co.uk/2013/01/athenian-snake-goddess-now-identified.html

It is the Year of the Snake in Chinese reckoning.  Above is a very old  Greek bas relief of Demeter, who became Ceres in Rome, the Goddess off nature and the cycles of nature that produce, ultimately, the grains (she hold wheat in her hands) that sustain  life.  Just a few days ago, on Valentine's Day, women around the world danced  and  demonstrated against violence toward women for Eve Ensler's One Billion Rising.    In the old kingdom of Egypt, the word for "snake" and the word for "goddess" was the same.  I cannot help but reflect, seeing the image above, that what is  rising in Dawn's Cauldron is a snake, the ubiquitous symbol in the ancient world for the serpentine energies, the winding waters and cyclical seasons of the Goddess, of  Mother Earth.

Snake may have been diabolized in the Bible, but elsewhere snake is an ubiquitous symbol for the feminine divine, the interwoven forces of nature, for healing, and in the East, "Raja Naga" is associated with Tantra, the snake of the  Kundalini force of generation and sexual/spiritual union.  Snakes received a bad rap in Biblical terms, with the "fall from grace" occurring because snake (sometimes identified with Lilith)  tempted Eve with an apple.  Which is too bad indeed, as the  life/death/rebirth cycle represented by snake, whose shedding skin is a symbol of regeneration and rebirth, is among the most primal metaphors.  The Biblical "Fall from Grace" of Eve, and of Snake, represents the fall from grace with nature we have inherited  which at this time in hisstory is becoming catastrophic. 

Klimpt's HYGIEA

Yet the old origins of Snake Medicine are still to be found everywhere, for example, in the ubiquitous symbol of pharmacology, the Chalice and Snake of the Greek Goddess Hygiea.   The “Bowl of Hygeia”*** is  the most widely recognized international symbol of pharmacy, along with the snake entwined staff of the healing God  Aesculapius (and there, by the way, you find the "chalice and the blade", the male and female symbols entwined with the powerful creative force of the rising or entwined Kundalini.  All over Walgreens.)  The pharmaceutical association doesn't see it that way, but rather describes the universal symbol as "Hygeia's classical symbol was a bowl containing a medicinal potion with the serpent of Wisdom (or guardianship) partaking it.  This is the same serpent of Wisdom, which appears on the caduceus, the staff of Aesculapius, which is the symbol of medicine."   

Snake is good  MEDICINE. apparently, and the conversation in the garden of Eden may have been misunderstood!

In ancient Egypt, in the earliest of iconography, the word for Cobra and for Goddess were virtually the same.  The Uraeus  (from the Egyptian jʿr.t (iaret), "rearing cobra") is the  upright form of a cobra used as a symbol of  royalty, deity, and divine authority in ancient Egypt.  The Uraeus was  a symbol for the goddess Wadjet, one of the earliest Egyptian deities. She was the  patroness of the Nile (and here again one sees the personification of the serpentine movements  of water identified with snake and with the feminine).. The pharaohs wore the Uraeus as a head ornament: either with the body of Wadjet atop the head, or as a crown encircling the head; this indicated Wadjet's protection and reinforced the Pharaoh's claim over the land.  There is evidence for this tradition even in the Old Kingdom during the third millennium BCE.

So I reflect, as we enter the year of the snake, 2013 (thirteen is another ancient feminine symbol or number that has been diabolized by patriarchal process - there are 13 lunations or menstrual cycles in a year, thus, the magic number 13, sacred to the Goddess Freya, becomes "bad luck" on Her day, Friday the 13th)......that perhaps the rising now is the arising of the Goddess in our world, the Goddess that rises practically with feminist activism, and spiritually with reverence for the Earth, and for the universal  source of life.

Snake has so much to teach us.........here's to her arising in the Year of the Snake!

http://www.thepharmacyexpert.com/Hygeia.htm

***"The “Bowl of Hygeia” symbol  is the most widely recognized international symbol of pharmacy.  In Greek mythology, Hygeia was the daughter and assistant of Aesculapius (sometimes spelled Asklepios), the God of Medicine and Healing.  Hygeia's classical symbol was a bowl containing a medicinal potion with the serpent of Wisdom (or guardianship) partaking it.  This is the same serpent of Wisdom, which appears on the caduceus, the staff of Aesculapius, which is the symbol of medicine."

The Power of Shamanic Art

 

My friend Denita is an artist, teacher, and psychologist who specializes in helping others access their deep creativity.  Recently she wrote this article for  AY Atelier Art  and Art 4 All People, and gave me permission to reprint her article here.  You can have a look at her  art as well  here.  Thanks Denita!

The Transformative Power of Shamanic Art 

by Denita Benyshek, PhD

Several years ago, I participated in a shamanic drum ceremony given by the anthropologist, Dr. Ruth-Inge Heinze. Her powerful, sustained drumming gave me a vivid, astounding, and meaningful series of visions. The progression of the visions and the symbolic conent of the visions were similar to what I experienced during artistic creativity. As I learned more about the calling, training, initiation, and practices of shamans, I recognized more and more similarities to my own artistic way of being. In shamanism, I found a model of how and why I make art.
Although I am formally trained as an artist (with both a BFA and an MFA in painting), I was so fascinated by the multiple relationships between artists and shamans, including the intent to heal, that I pursued a graduate certificate in the psychology of creativity, a masters degree in marriage and family therapy, and then a doctoral degree in humanistic and transpersonal psychology.

                                         

What is a Shamanic Artist?

My research (Benyshek, 2013a, 2013b, 2013c, 2013d) demonstrated how contemporary artists serve as shamans. Shamanic artists are socially designated spiritual practitioners who voluntarily regulate their attention for the purpose of obtaining information generally unavailable to their community, which is used for the benefit of communities and individual members of those communities.  All of these properties must be fulfilled for an artist to fully qualify as a shaman.

Artists might have some, but not all, of the shamanic properties. These artists can be thought of as having family resemblances to shamans. Like sisters who resemble their mother in certain ways, some artists are similar to, and also different than, shamans.

There are many different ways in which artists fulfill shamanic properties, such as dreams, prayer, ritual, purported psi experiences including divination and relationships with spirits, interaction with the Zeitgeist, genetic influences, neurological functions,  personality types, androgyny, learning to see, mastering craft, a symbolic kind of dismemberment and disintegration that is followed by reintegration and rebirth, relationships with nature, alternate states of consciousness, intent to heal, and much more! If you want additional information about artists and shamans, you may read some of my publications online.

For myself, formally studying artists as shamans confirmed my way of creating art and provided meaningful support. The model of shamanism “understood” how my psi experiences and dreams relate to my artistic creativity, how many ways of being and many realms and different times and memories and insights and immediacies are integrated into one work of art. In my paintings, poems, and performances, I represent a kind of visual/mythic/symbolic stream of consciousness, those seemingly disparate elements that are intimately associated in the imagination. I realized that I could perform my work, whether making art or conducting research, as a spiritual practice for the purpose of providing beauty, knowledge, meaning, and healing.

The Benefits of Art: 
Have You Taken Your Dose of Art Today?

Contemporary artists are most likely to fulfill the shamanic property related to providing benefits to their communities. These benefits are found in statements made by many artists as well as studies on the benefits provided by the arts. Art can provide for psychological, social, physiological, and/or spiritual needs of individuals and communities.
There are many studies showing positive effects result from art engagement.

The visual arts can provide topics for conversation that strengthen relationships and form community (see Wikström, Theorell, and Sandström, 1992). Novels like Black Beauty (Sewell, 1907), Uncle Tom’s Cabin (Stowe, 1852), and The Heroic Slave (Douglass, 1853/1975) contributed to major social changes. Artists today work to create beauty amidst despair, provide spiritual experiences to a materialistic society, build bridges between different ethnicities, help folks form deeper relationships with their own souls, and much more.

An artwork can provide a screen onto which an individual can project internal conflicts or emotions, safely experiencing dissociated emotions in an externalized form, for a limited time, within a beautiful container. Ecstatic catharsis can result, with greater insight resulting, and then these insights can be intergrated into an individual’s sense of self.

Listening to music resulted in surgical patients needing less anesthesia (Ayoub, Rizk, Yaacoub, Gaal, & Kain, 2005), reduced pain, anxiety, depression (Guétin et al., 2011), lowered heart rate and blood pressure in cardiology patients (Bradt, 2009), decreased anxiety from pressures to excel in gifted students (Cadwallader & Campbell, 2007),  positively effected intelligence, mental health, and immunity (Avanzini et al., 2006), and improved fluency, ease of movement, and levels of antibodies, while also decreasing levels of stress hormones in people with Parkinson disease (Enk, 2008).

When surgeons listen to their favorite music during surgery, their surgical skills improve. For two weeks, seniors listened to music from their youth. At the end of that time, they stood straighter, grew in height, were happier, and had improved physical signs of health. Amazing!
At a certain neurological level, the brains of people reading novels respond to stories as though the readers were really, physically part of the story. In the mind of the reader, fiction becomes reality. Is this a form of magic?

During receipt of benefits from spiritual, healing art, art audiences are partly functioning as shamanistic (shamanlike) communities. A contemporary audience might not label individual artists as shamans. Nonetheless, when an art audience receives benefits from a work of art, the work’s artist is implicitly designated as a shaman.

When an individual is engaged with art (as an artist, member of the audience, or collector), art can evoke memories, make new connections, heighten awareness, discharge repressed emotions, halt patterns of repression, lead to self-discovery, create empathy with individuals or cultures, remind society of social ills needing attention, and lead to individual and societal healing.


Audience members utilize their own creative processes during art engagement. The efficacy of shamanic art is quite dependent upon the talents (inborn) and skills (learned and developed) of individual art audience members. I believe that audience members and collectors will benefit even more from art as they learn how to invite, engage, undergo, and accept the transformative benefits offered by art.

The Role of Art Collectors

Art collectors play a critical role in the artist-artwork-audience-society system, providing a type of social support and acceptance to shamanic, healing artists that is unavailable elsewhere. Collectors give themselves opportunities to develop deeper  ongoing relationships with works of art, through repeated encounters and a prolonged, appreciative gaze. The artist has thrown the ball. The collector catches the ball. Both roles are important!

I’ve always found it fascinating that whenever I meet someone who owns my art, we are immediately elated and enjoy a deep sense of connection. It is a special relationship that continues no matter how far apart we are. Collectors purchase art that is personally expressive of who they are. Thus, my collectors and I have some quality, experience, memory, dream, some phenomena in common. Somewhere in the Venn diagram of spirituality, our souls overlap and unite.

Surrounding one’s self with art can strengthen one’s self knowledge and contribute to self actualization. Buying art is an unabashed act of personal strength, expressing individuality and freedom: This is what I like. This is what I choose to live with every day. This is who I am!

                                   

Sources of Inspiration, Doorways to Soul

If I find myself mentally thinking of some tune, I begin whistling or singing that tune, to bring it further out into the physical, sensate world. Moving my body with the tune strengthens the kind and level of integration with self. Sometimes such movements feed ideas for my works of art.  In my studio, I listen to music to establish mood, sustain creative flow, and facilitate entry into light creative trance. Listening to Joni Mitchell and Laura Nyro over and over and over supported me in making art that was profoundly personal, feminine, honest, strong, and caring. I also learned all of their songs and can sing every word of their lyrics, copying the singer’s inflections and expressions. But, when I play piano and sing Joni Mitchell’s songs, or sing Laura Nyro a cappella as a birthday gift for a friend, I offer my own interpretations and the songs are transformed into different shapes and colors.

When I was at the Ucross Art Foundation in Wyoming, I decided to paint spontaneously. Yet, while working on the oil painting, Woman and Man: The Human Animal, I realized I had dreamt about this painting – and my studio at the Ucross Foundation – months before I arrived. In the realm of dreams, I already knew what the art studio looked like.

In the graphite drawing, Prelude to Confluence, multiple sources of inspiration are present: wilderness and culture, male and female, growth and harvest, dream and fulfillment. Shamanically, I am bringing together phenomena considered opposite. In my drawing, the opposites dance in a conjunctio oppositorum, making love and creating beauty.   The large collage, Sonata in Joy Major, was created in response to works made by other artists that were dark, desultory, destructive, aggressive, or victimized. I wanted to make a work of art that was enlivened by color, movement, nature, that would give viewers a sense of joy. The watercolor Thanks Giving is a quiet and mystical celebration of the natural qualities of fecundity, pregnancy, possibility, birth, growth, and fruition. The Sacred Ladder of Light, engraved and collaged glass with embroidery, celebrates the spiritual, creative power of women.

My paintings can be seen as acts of celebration, wisdom, insight, and healing self-expression that are also intended to move and heal viewers, communities, and society, even relationships with nature. Many works, such as the drawing Beginning of a Long Journey, depict the journey of individuation or stages in the hero’s journey.

Invitation

I invite you to slow down and linger, gaze meditatively at my artwork. You can  discover your source of inspiration within the reality of my artwork. Enter through the painted door, cross the collaged threshold into a living realm of beauty, meaning, knowledge, experience, and reality of self, where you can meet your self and embrace your soul.

Many blessings,

Dr. Denita M. Benyshek
January 19, 2013, Snoqualmie Valley,
Washington

Biography

Dr. Denita Benyshek is a professional visionary artist, an internationally recognized researcher on contemporary artists as shamans, and a psychologist who provides psychotherapy and coaching services to artists and creative individuals. The artist-researcher-healer’s education includes a BFA and MFA in painting, training in dance and theatre, study at Pilchuck Glass School, a graduate certificate in the psychology of creativity, an MA in psychology – marriage and family therapy, and a Ph.D. in humanistic and transpersonal psychology.  
Dr. Benyshek’s conference presentations integrate scholarship, visual art, poetry, dance, and theatre. Articles, chapters, and PowerPoint presentations by Dr. Benyshek can be read and downloaded online.  

A recent study (Cardeña, Iribas-Rudin, & Reijman, 2012) entitled “Art and Psi,” published in The Journal of Parapsychology, described some of Dr. Benyshek’s precognitive and remote viewing experiences as part of the discussion about artists and paranormal phenomena.

  © 2013, Denita Benyshek


References:

Avanzini, G., Besta, C., Lopez, L., Litta, E., Koelsch, S., & Majno, M. (Eds.). (2006). The neurosciences and music II: From perception to performance (Vol. II). New York, NY: New York Academy of Sciences.
Ayoub, C. M., Rizk, L. B., Yaacoub, C. I., Gaal, D., & Kain, Z. N. (2005). Music and ambient operating room noise in patients undergoing spinal anesthesia. Anesthesia and analgesia, 5, 1316-1319.
Benyshek, D. (2013a). An archival exploration comparing contemporary artists and shamans. PhD, Saybrook University, San Francisco, CA.
Benyshek, D. (2013b). Art audience as shamanic community: How art meets psychological, social, and spiritual needs (Wang, Trans.). In G. Shuyun, W. Weibo & Q. Fang (Eds.), Modern artists and shamanism (Vol. II of Encyclopedia of shamanism). Beijing: 商務印書館 (The Commercial Press). Retrieved from Art Audience as Shamanic Community: How Art Meets Psychological Needs.
Benyshek, D. (2013c). An Overview of Western Ideas regarding the Artist as Shaman (Wang, Trans.). In G. Shuyun, W. Weibo & Q. Fang (Eds.), Modern artists and shamanism (Vol. II of Encyclopedia of shamanism). Beijing: 商務印書館 (The Commercial Press).
Benyshek, D. (2013d). The artist as shaman. ReVision, a Journal of Consciousness and Transformation, 32(2), 54-60.
Bradt, J. A. (2009). Music for stress and anxiety reduction in coronary heart disease patients Cochrane Database of Systematic Reviews (Vol. 2). New York, NY: John Wiley.
Cadwallader, S., & Campbell, J. (2007). Gifted students beat the blues with heavy metal. Coventry, England: University of Warwick.
Cardeña , E., Iribas-Rudin, A., & Reijman, S. (2012). Art and psi. Journal of Parapsychology, 76(1), 3-23.
Douglass, F. H. (1879). The heroic slave. In J. Griffiths (Ed.), Autographs for freedom. Boston, MA: John P. Jewett
Enk, R., Franzke, P., Offermanns, K., Hohenadel, M., & Koelsch, S. (2008). Music and the immune system. Paper presented at the meeting of the 14th World Congress of Psychophysiology – The Olympics of the Brain, St. Petersburg, Russia. Retrieved  from http://pubman.mpdl.mpg.de
Guétin, S., Giniès, P., Siou, D. K., Picot, M. C., Pommié, C., Guldner, E., . . . Touchon, J. (2011). The effects of music intervention in the management of chronic pain: A single-blind, randomized, controlled trial. Clinical Journal of Pain. Retrieved from http://www.prohealth.com/ibs/library
Sewell, A. (1922). Black Beauty: The autobiography of a horse. Garden City, NY: Doubleday, Page, & Company.
Stowe, H. B. (1852). Uncle Tom’s cabin or life among the lowly (Vol. I & II). Boston, MA: John P. Jewett & Company.
Wikström, B.-M., Theorell, T., & Sandström, S. (1992). Psychophysiological effects of stimulation with pictures of works of art in old age. International Journal of Psychosomatics, 39(4), 68-75.