Thursday, November 6, 2008
Yellow Leaf Press
Since I seem to be on a roll these days with the sheer delight of making (and finishing books that have been long in the process), I've decided to inaugurate (the timing seems good as well) YELLOW LEAF PRESS.
YELLOW LEAF will produce (along with Blurb.com) my 4 books - THE MASKS OF THE GODDESS, THE ARTIST'S ORACULAR COOKBOOK, A HOUSE OF DOORS, and SPIDER WOMAN'S HANDS. I hope that in the future I will be able to facilitate, design, or produce through my very humble publishing empire unique, beautiful limited edition books for other artists, poets, and innovators.
Even a decade ago the technology did not exist for people like myself to get their work published ....I know from experience, having had literary agents and submitted many proposals for books to publishing houses.........that it was a very daunting, and disheartening, process.
What I enjoy about the technology that is allowing artists to create professional, beautifully illustrated books through self-publishing is, well, that they can. We can publish on an individual order basis, rather than having to make a huge outlay for a quantity of books. We can market ourselves to our clients, collectors, and at the events we attend, as well as to bookstores and museum shops.
The disadvantages are obvious - the books are more expensive than a commercially printed book would be, and would not generally have the distribution of a commercially printed book.
Which is why they are unique, limited edition, special collectors books.
Monday, November 3, 2008
A House of Doors ~ open poems~
The deep parts of my life
pour onward,
as if the river shores
were opening out.
It seems as if things
are more like me now
that I can see farther into paintings
I feel closer
to what language can't reach.
Rainer Maria Rilke
I feel enormously grateful to have finished my 5th book, A HOUSE OF DOORS - my little collection of poems that span 40 years. (update - I have just made an EBook edition: cost: $1.00) (http://store.blurb.com/ebooks/360737-a-house-of-doors-open-poems)
Most of these poems are mine, but also included are "found poems", the collection of poetry by Joanna Brouk and Felicia Miller, with the illustrations I did for them back in the early '70's when we were young artists in Berkeley.
I have never been a prolific poet by any means...........I am a visual person first and foremost in my communicating and thinking processes. All of the poetry worth sharing I put into this little book, and I'm well pleased, as I was to finally complete the MASKS OF THE GODDESS book. Honoring the Past, the Muse, the Friends, the Communities, Myself, and the Divine is what this 6 month writing project has been about, and with this book, I feel free to move on and give my attention to new projects.
FOR THREE WEEKS
the cool moon
bound by occult cords
moves
through the houses
of memory and sleep
distills night in a bowl
But on the night
of the full moon
what is mirrored
in a still pool?
Felicia Miller (1972)
light
light
light of morning
the fairest light,
the fairest light
has come
softly
gently
I feel its coming
night has given
night has given
a place to morning
breath returns
and moistens the grass
the bird's feather
no longer do I hide
no longer do I hide
gone into darkness
light has come
Joanna Brouk (1972)
(5/2009) As a footnote, because I published those poems on my website in 2006, Felicia found me on the Web, which resulted in us corresponding, and my finally going to Puerto Rico this August to meet her in person again. She's still a mermaid spinning stories about Undine, still the soul I remember well, still beautiful.)
(5/15/2015) As a footnote to this footnote, I did indeed meet my friend Felicia again, near water as always (in Puerto Rico). Felicia passed away in 2010. I've written about her, and our meetings, in this Blog. And I found Joanna again, in San Diego, in 2011, still beautiful, still making music and poetry, still a friend. In fact here I sit at her kitchen table, visiting for the weekend. Below is a pastel I did of her back in 1976.)
Friday, October 31, 2008
Truth or Consequences on Halloween
It's been a strange few weeks, since I moved to Truth or Consequences, New Mexico. I will be in and out of Tucson, but I've rented a small studio here, and have bought "Lucy" to an old trailor park with a 1940's bathhouse (T or C is famous for its hotsprings), just a few blocks from the peaceful Rio Grande. Since I've been here I've kind of lost my sense of time.......what locals refer to as the "New Mexico Effect". Land of Enchantment indeed.
Here's something wonderful that is happening very soon:
Festival of the Cranes, at the Bosque del Apache wetlands. This is where the migrating cranes come.............so wonderful! An event attended by thousands, and drawing many artists as well.
I can't believe that I'm living now beside the RIO GRANDE ("Great River"), in TRUTH OR CONSEQUENCES. There's some kind of metaphor in there. As the painter Alex Grey said to me a long time ago, "I don't know why I do these things. There's an internal logic that doesn't necessarily reveal itself at the time".
Here I am........I think, to heal, and to open. And that is what this place of ancient hotsprings is admirably suited for.
Legend has it that before the Europeans came, this place was sacred to a number of native peoples, and they had an agreement to cease all traditional feuds and warfare when here so that all could enjoy the healing waters. Geronimo came here. When the white settlers came they actually filled in the hot springs (I'm not sure why, but it certainly says something interesting about our cultural heritage). They were not opened again until decades later, when the "wild west" was much tamer, and "taking the waters" became popular, and the railroads made "New Mexico Hot Springs" (which later became T or C because of the game show host) accessible. There are many old bathhouses, some of them crumbling, from the 1930's and 1940's. There is also a building with the legend "Magnolia Ellis" on it, currently occupied by a chiropractor. Apparently Magnolia was a famous energy healer and medical intuitive who practiced here in the 50's. They say people would wait to see her in a long line whenever she was open.
My mind clears in the extraordinary brilliant high desert light of New Mexico, my spirit clears beside the peaceful river, my body eases in the hot waters that come right up out of the Earth here. The urge to paint, to just immerse myself in vision, is so strong here. Theres a community here of artists and mystics as well, living simple and frugal lives to pursue their spiritual and creative means..........I am surprised at not only their friendliness and the clear openess in the eyes I look into here, but their sophistication as well. I've heard some potent poetry at the (only) poetry group's meetings on Sunday at the (only) coffee shop, which is also a used bookstore. The same coffee shop I bought a copy of the Nag Hammadi Library from (a steal at $4.50).
This community, because of its isolation, poverty, and because, I believe, the spirit of place as well, fosters a feeling of fellowship and mutual concern. What use competition or judgement here? There's nothing much to compete for, no one to impress! I guess I've spent so much time in Brushwood because I crave the same small community good heartedness. I've been here barely 2 weeks, and already have a short stack of books people have given me, food, and (of course) lots of helpful advice.
The Universe provides.
I think of a movie I saw a while back called "Off the Map". It's about, well, a group of people who live "off the grid" in New Mexico, and the way the land itself changes them. I can't help but feel that Spider Woman is alive and well here..........after all, the logo of the state is Spider Woman's Solar Cross.
I finished finally the hopefully last edition of my "Masks of the Goddess" book, a rather massive undertaking. It features many beautiful photographs by Thomas Lux and Peter Hughes. Its available to view on http://www.blurb.com/books/400085.
I realize now that I've been so obsessed with finishing this book before Samhain because it was Samhain of 1999 when I began the project, and first saw that miraculous procession of living Goddesses emerge from the darkness of Ft. Mason Center for the Invocation of the Goddess at the Spiral Dance. That will always be one of the most wonderful moments of my life. Finishing the book is really my way of honoring the Goddesses, and the many people, as I now conclude and document my 7 year project. May this book keep the inspiration alive, and do justice to the privilege I was given.
This is what I found on the grid in the front of my motorhome, when I parked Lucy. I will take this as a little blessing for, once again, my new life.
Thursday, October 23, 2008
The Feast of Samhain (2.)
I offer now bread, red fruit, red wine
To life:
To the dreamers, planters and gatherers,
to makers and unmakers, the innocent and the wise.
To the inarticulate, lost, hungry, and fallen,
to every transparent lover
wandering these grey bardos in their solitude.
Come to the table, all.
Here is a rich conversation harvested from the last living garden.
A dappled pear, an apple, a pomegranate.
A butterfly in it's chrysalis, winged, moist,
The wheat has new life in it yet.
The blessing will still be given.
2005
The Feast of Samhain (1.)
Where do the dead go?
and boxed, their faces familiar and serene.
Or brought to an essence, pale ashes
in elegant cannisters.
I ask for the other dead,
those ghosts that wander
unshriven among our sleep,
haunting the borderlands of our lives.
The failed loves.
The quests, undertaken with full courage
and paid for in blood
that never found a dragon,
a Grail, a noble ordeal
and the Hero's sacred journey home.
or the road
wandered aimlessly, finally narrowing
to a tangled gully
and the Hero was lost,
in the gray and prosaic rain,
hungry, weary, to finally stop somewhere, anywhere
glad of bread, a fire, a little companionship.
Where is their graveyard?
Were they mourned?
Did we hold a wake,
bear flowers, eulogize
their bright efforts
their brave hopes
and commemorate their loss with honor?
A poem?
An imperishable stone
to mark their passing?
Did we give them back to the Earth
to nourish saplings yet to flower,
the unborn ones?
Or were they left to wander
in some unseen Bardo, unreleased, ungrieved.
Did we turn our backs on them unknowing,
their voices calling, whispering impotently
behind us
shadowing our steps?
Lauren Raine 1997
As Samhain approaches (Halloween to many), I feel a sharp kind of loneliness that has it's own brand of sweet melancholy. This is a new community for me, and I don't really know much of anyone to celebrate even profane Halloween, so I'll make my own Samhain remembrances alone. Although I do see some Dia de los Muertes posters, so the outlook for a celebration may not be that grim. I remember the Spiral Dances in San Francisco that I've participated in and created the masks for..............
Traditionally this was the time to celebrate the "Witche's New Year", the last Sabbat or sacred day (which is why it's called "Halloween", or "Hallowed evening". It is the closing of the old year, the last harvest festival, a time to honor the ancestors and all the events and gifts of the dying year as they prepared for the entry into the darkness and the long dormancy of winter. The veils between the worlds were very thin, and places were set at the banquet table for the spirits of those beloved dead who had passed on. You might see in any number of ancient Celtic communities people enjoying the last fresh apples, honey mead and beer, toasting and remembering the invisible ones, seated at the table, their plates heaped high as well. "Welcome, Welcome". Inherent in this celebration was a profound respect for the wheel of the year, always cycling, through human generations and through natural cycles of death and re-birth.
This, of course, is the real sacred origin and meaning of Halloween, which, although fun for kids to be scared and for adults to stage masquerade balls, has slid far away from it's sacred potency. Spirits, coming close to this world to join the feast, sometimes like to play tricks, hence, "trick or treat"..........it's not good, of course, to fail to leave a place at the table for Uncle Angus on such a high holy day! And of course, the skeletons and ghosts and witches................how funny it is to me sometimes that people love these things so much on Halloween, while they have no understanding of their origins or meanings.
Like the "Witch and her broom". The Broom is associated with many folk traditions of "sweeping away the old bad energies" - purification rituals for the home and Hearth (Heart).
Here is my gratitude to the year that is soon to pass away, and to all of those who have passed away from my life as well, people who have gifted me and created with me and evolved me - among them:
Peter Hughes, the photographer whose photos of my masks I am eternally grateful to.
Judy Foster, whose face became the mask of "Hecate", and who so magically gave me a home and community years ago, when my wandering spirit found its way to Berkeley.
Sequoia, fiery redhead activist I knew there.
Ilana Stein, who I met in my April class at Kripalu, and whose vision of the "White Goddess", and her poem and masks ....... was a true gift to all of us from the divine.
Dellie Dorfman - Cranky mentor and friend from my days as a psychic reader.
Bob Meyer - beloved friend from Vermont, who always gave me a couch and good advice.
and so many others: Here's lifting that glass of mead to all of you. A place is set at the table.
"So much in American life has had a corrupting influence on our requirements for social order. We live in a culture that has lost its memory. Very little in the specific shapes and traditions of our grandparents pasts instructs us in how to live today, or tells us who we are, or what demands will be made on us as members of society. The shrill estrangement some of us feel in our twenties has been replaced by a hangdog collective blues. With our burgeoning careers and families we want to join up but its difficult to know how or where. The changing conditions of life are no longer assimilated back into a common watering trough.
Now, with our senses enlivened – because that’s the only context we have to go by – we hook change onto change ad nauseum."
Monday, October 13, 2008
Artist's Art Park Trailor Park?
The advantage of recycling trailors and motorhomes for housing is that they are cheap (and used ones are getting cheaper all the time), ubiquitous, can be moved just about anywhere because they incorporate the marvelous invention of the wheel, and they are already (usually) fully equipped "houses", saving the problem of having to do wiring or plumbing, etc. They are designed to run on propane as well as gas and electricity, and solar panels can be adapted. I once saw a school bus that had been outfitted with a woodstove as a portable sauna.......perhaps something like that could be done to a trailor as well by a creative carpenter.
Anyway, fun to imagine. I've found nothing like that in my searches. Now to head to New Mexico.
Monday, September 29, 2008
Post Script.......
In the liminal landscape of the traveller who can, at moments, be a pilgrim, there is a thin line between synchronicity and dream.
I'm interested in syncronicities, and so I notice them, and perhaps, because I notice, I create a resonance on the web. In other words, perhaps the Web itself "notices" me, and enfolds me in the enormous generosity of the "great conversation"
To feel abandoned is to deny
the intimacy of your surroundings.
The stairs are your mentor of things
to come, the doors have always been there
to frighten you and invite you
Put down the weight of your aloneness and ease into
the conversation. Everything is waiting for you.
-- David Whyte
from Everything is Waiting for You
©2003 Many Rivers Press