Solitude: A Synchronicity, and a House Made of Doors

"The Hermit" card from The Rainbow Bridge Oracle by Lauren Raine

I seem to have become a Hermit these days,  because of Covid 19, but also I think because of  a kind of withdrawal from the busy world into my interior world.  Increasingly I feel a passage into the contemplative life.    Having said that,  it feels sometimes like I am often walking backwards, not going forward as I used to be, but instead walking backward through the doors of memory, which seem to shutter open at the oddest moments.  

Sometimes a memory from long ago will arise as I water the garden, or pull on the ugly, comfortable socks that only an old lady could love, and at that moment  I see things that happened that I was too "busy" to notice at the time,  bits of this life that seem to call for attention.  Some of those flashes of memory were  magical gifts, unseen help along the way, sometimes they were wounds that needed healing or integration but never really got it, and from this perspective farther up the trail, I even see now as gifts as well, gifts of experience that matured or deepened me.   In the end, I think gratitude is what we have to find for all of it, the whole story with all of its various colors and shapes.  

A line from a poem I wrote:    "Sometimes I can see the Pattern,  

                                                  Sometimes I am the Pattern" *

So here is just a small thread from that tapestry that has become "Lauren Raine", and I think it's about time I told it.  Because it really happened and I can prove it!

In the early 90's I was a professional Tarot reader,and I also was creating my own Tarot deck, which eventually became the Rainbow Bridge Oracle.  I used people I knew as the models for many of the cards, and with the Tarot card "The Hermit" (which I subtitled "Solitude") I used a photo of myself.  The card has always been important to me, as my own interpretation of "The Hermit" has to do with the journey through the dark - those dark nights of the soul, or those hard, painful experiences that test us in life's journey.  This image, of a figure in the darkness bearing a flame represents, like the old woman Hecate leading the maiden Persephone through Hades, a pathfinder illuminating the way through the dark tunnels into the living world . 

What I feel is important about this image is not only that we must make that dark journey seemingly in solitude and alone, but further, when we emerge, we need to share what has been learned with others, helping to light the paths of others  with the wisdom we have gained.  It is, in that sense, also about what Joan Halifax called the shamanic "Journey of the Wounded Healer".   My intention in creating the painting for the card was a call to the Querant to  help others with what you have gained, to "Become a light bearer".

After completely 5 or 6 of the paintings for the series, all of which were small paintings only 14" x 8",  I decided to make color xeroxes of them in order to make a presentation.  In 1993 color xeroxes were still pretty expensive and the technology was not as refined as it is now.  I was living more or less in the country and had to drive 20 miles to the nearest print shop.   Everything went fine until I  xeroxed "The Hermit" -  for some strange reason, the machine only copied a very small section of the painting.  I called the owner over and it did it again - although finally we were able to get it to xerox the entire painting.  

Much later I looked at what the machine had actually chosen to copy, and I was amazed:

* Excerpt from "A House of Doors" (1987)

To Hear the poem as spoken word performance:  
https://soundcloud.com/user-972033003/a-house-of-doors-1987

An onion,

that's it.  All those layers. 

Just when you think you can name yourself,

you discover new layers,

you’re forming a new skin,

a new ring.

But there's a core.

And where does that core start? 

This room I live in.

These walls.

They seem to be getting thin.

I can almost see through them today.

Sometimes I can see the Pattern,

Sometimes I am the Pattern.

Today I feel, I feel like a Chinese box,

one inside of another. 

I consider a state of grace:

I think

I think I may be the gate

that opens into another room

made of clouds

or sky

or something I can't name.

Sometimes, you open a door 

and you have to walk outside

into something tender,

like a touch on a winter night

into a quiet yard

because of a voice that you hear

    

     or a bell

     or a train

     pulling away somewhere.

Lauren Raine 1987

Waiting for the Barbarians at the Hot Springs

"The Memory Keeper" (2018)

I realize I haven't written for a long time now.  Not really writing, spontaneously.  This was originally intended to be a journal, a journal that began with an artist residency based on my quest to follow the "trail of Spider Woman".  To envision what She might represent, across the ages, across the miles, and across cultures into this crucial contemporary time we live in.  I wonder how far I have come or  strayed from that path, which began  in 2007?

Spider Woman's Hand (2007)

It is my birthday, the last year of my sixth decade.  I guess I have become old, certainly the mirror tells me so, so do my bones.  Sometimes the world seems strange to me, like it's moved on, and, well, here I am, seemingly by the roadside with a few old friends commiserating,  wondering if we have anything anyone wants any more.   And no.  We don't have time to be polite in saying that.

The helper here at the hot springs who handed me a towel is a pleasant, large boned young man with big hands and  a bra under his tee shirt.  He seems like a sweet kind of  person.  I know I'm legally supposed to treat him like a woman now,  but frankly, he just looks and sounds like a  young man in a stuffed bra.  If he takes the bra off, does he have the option to become a man again?  Is womanhood just a "choice" or even a "recreation"  now?  This could get confusing.  Sometimes it seems as if the world has moved on in directions I don't understand.

I often go to a hot spring not far from me, where the waters without fail remove the stress and emotional crusting and debris that accumulates, like lint to Velcro,  to obscure clarity of mind.  At the very least, I relax, and watch old videos that the proprietress makes available.  I've had some great insights and a few visionary "directives" here over the years.  In 2012, for example, I  enjoyed the whole pool to myself late at night under the stars.  Sitting in the waters I "downloaded" an entire Proposal for an art project, neatly presented as a kind of academic paper,  complete with a title: "Numina - Masks for the Elemental Powers".  Seriously.  Sacred waters have power.   That gift later became a series of masks, and my friend Ann Waters ended up creating a play performed in Willits, California called  Numina:  The Awakening.

 And then there was the  dream I had at Harbin Hot Springs in 1999 that foretold the "Masks of the Goddess project".   Sacred places, be they hot springs, mountain tops, or numinous caves .........open the way for the Divine to speak.  My idea of being an artist has always been a bit like being a stenographer, able and willing to do transcription.  Does anyone care about what I "transcribe" anymore?  I honestly don't know.  The "art world" has  apparently no use for me, and I have quit wasting money applying for things.   I cross art world taboos:  religion, spirituality, it's not political, it's not "contemporary", I'm not "emerging" (does that mean I've "emerged"?  Where did I emerge from and when did it happen?).  And yet the Powers that Be keep sending me visions, darn it, that I just have to try to make manifest.

So here I sit at dawn.  This is the last year of my 6th decade.   A friend says I should write a memoir, which seems like real vanity  to me -  although in truth, what I love best are the stories people tell of their lives.  Why should I not enjoy telling my own "epic"?  Memory is all that one finally has left.  At the end, perhaps not even that - I suppose in the passage and logic of the soul, memory gets in the way of new becoming.  Forgive me, I stray now into metaphysics, something I don't particularly do much anymore.  "The World is not with us enough, O Taste and See"  wrote Denise Levertov.  Abstractions get in the way of that important truth, even fascinating  metaphysical abstractions.

This becomes increasingly important at 70.  "O Taste and See!"  You don't need abstractions at 70.  You need sunsets, mountains purple and azure, starscapes, the tender hands of children, the taste of old champagne and fresh bread........... you need to love the World.

I have had one revelation while soaking this day.  A visionary experience that I had, oh, back in 1989, came to me vividly for recollection.  The vivid memory of that experience was preceded by the  image of a tortoise I met recently in my garden.  Tortoise represents to me Turtle Island, the Earth, our patient Mother.  When a tortoise shows up I pay attention.

The vision happened in my old red Toyota pick up truck, in a rest area somewhere in the beautiful Blue Ridge Mountains of Virginia.  It was 1989, and  I had just driven across the country, heading for my summer home at the New York Renaissance Faire.  I became exhausted and pulled off the road, and fell into not so much a sleep as a trance state.  It seemed that my car started flying up into the sky, so that I got a good birds eye view of the landscape below.  What I saw was a misty, green land below, and a great circle of standing stones.  Approaching the Circle was a group of people clad in white, all coming for some kind of ritual. (I reflect that I am going to  Avebury this fall, to attend a conference on Earth energies and sacred sites).

Then I seemed to be flying over a southwestern landscape, red canyon walls that were covered with layers of patterns of petroglyphs that seemed to recede back into the stone.  and then once again, I was flying in my truck, this time over Los Angeles, and below me I saw the freeways of L.A., forming a perfect figure eight, the infinity symbol.  And then........it was over, I was in a rest stop in Virginia.




What I realize now it that this vision was about my life..........I've  loved the stone circles in New England and overseas,  I'm made and participated in rituals, I've learned to dowse, I've sensed the footfalls of ancestors, I've been to ancient sites of England.  And I've lived in the Southwest, and followed  petroglyphs of Spider Woman, like touchstones along the path.   Last, how many times have I driven the highways and freeways of America, the infinity loops of Los Angeles, where I grew up?  Those patterns underlay my life, but they are also the underlying patterns of Gaia, of Turtle Island.    The Pattern is not lost, even if it is too large and too ancient for us to see.

Memoirs.  I've been blessed to see more than one of what people call miracles........... and how do you talk about such things?  I think I got out of the prophet business quite a long time ago!  Especially now, when I do indeed feel like an anachronism along the side of the road.....people do not sit at tables facing each other and sharing visions much anymore, they sit before  little electronic boxes in their rooms with the doors closed.   Standing beside the road, sometimes it seems a little lonely.

So why don't I write any more?  Truth is, I'm depressed. I don't feel a need to apologize for that.
 Depression may in fact be an appropriate, if futile, response right now. The Earth is heating up, the oceans are filling up with plastic, California is burning and Florida is sinking, millions of fellow beings on this beautiful world are becoming extinct every week, refugees are fleeing drought and war, and my grandson doesn't have a very hopeful outlook for his future.  We desperately need visionary leaders, and instead,  America is sinking into savagery and fascism under a corrupt regime headed by a would be dictator paid off by a corporate oligarchy.  Goodbye, America.

Still, practically speaking, it doesn't help me, or anyone else, this depression which  I don't know how to come out of , how to get "positive" and "enlightened".  I'm dark and melancholy these days, and I don't believe in numbing drugs or quick fix therapies.  There is something very American about that denial of the spiritual function, and emotional deepening, of depression.

I think about the Roman practice of the Saturn shrine, a somber place that was set aside in their gardens, where one might sit in sacred solitude, and allow the  melancholy  God  to inform and converse with  one's psyche.  There is a place for the voice of Saturn, for the torches of Hecate, in the gardens of our lives.  I claim the right to examine this long life I have been privileged to have, to ensadden about the losses and the disappointments, to be depressed about the eternal violence, greed and stupidity of humanity,  to grieve the daily destruction of the only Mother Earth any of us will ever know, and the decimation of America, which for all it's faults, was also a place of hope and idealism and great innovation.  My country.

When I was a child in the 50's my family toured Italy.  My mother dragged us to many Roman temples and mausoleums and museums, and I am embarrassed to say that all I really remember of it all, outside of the wonderful cats in the Coliseum, are the statues without noses.  They always seemed to be without noses, and in my 10 year old imagination, I pictured Romans as toga clad people without noses.   Much later, when contemplating pictures of those impressive (noseless)  marble statues, I imagined breaking floods  of  roaring barbarians, crossing the Rubicon and riding into civilized Rome, looting the Temples, raping the women (women always seem to be perceived as loot), and shouting with glee as they knocked the noses off of every statue they saw.  That, I believe, accounts for the facial disfiguration of Roman gods or generals.

Waiting for the Barbarians. ( I do not refer here, by the way, to the poem by  C.P. Cavafy,  or the famous book by  Pulitzer prize winner J.M. Coetzee ,  or even the very promising  forthcoming movie which will star Mark Rylance).  I co-opt the term for my own uses.  As an educated, and thus privileged woman, sitting here sipping coffee and enjoying the sound of running waters and dawn birds, sometimes I cast myself as an aristocratic late Roman woman.  How  might she  have felt, sitting in her Atrium with her family, "waiting for the barbarians" to arrive?  In the modern version, will all the sculptures in my sculpture garden be noseless one day, as the barbarians ride in with their motorcycles, hideously angry, sexist hip hop music blaring, NRA assault rifles in hand? Will they gleefully knock the noses off of every Goddess in the place?

Instead of Star trek, is the future to be more like the Road Warrior? A glorious patriarchal dream of one alpha male duking it out with another for supremacy?    Is it decent for me to even care about art, in what sometimes looks like the "end times".........with so much suffering, now, and hovering on the horizon?  And here I am.  I've partaken of the higher benefits of a great civilization, been part of an optimistic generation.

  I just finished a piece called the Memory Keeper.  She holds an overflowing bowl.......... she shares waters from another time, sustaining and growing the seeds of the future.  What else can any of us do, waiting for the barbarians?

Here I am, writing  at last.  I'm being truthful, and personal.  It seems like the day to do it.