Sai Baba, Spiritual Authoritarianism, and Gurus in General.........

I recently watched the documentary below about Sai Baba, the Indian Guru who had a massive following throughout India as well as in other countries, and who we now know was a pedophile who sexually abused many young boys, which was covered up.  Fascinating how followers of Sai Baba (at least, at the time of this  documentary) were immune to any criticism or allegations of their guru.  "To them it was just another test of their faith". That same "faith" can be seen in the faces of those who cheered on Adolph Hitler - he too became an idealized "Father" ("Der Fuerer"), and another  "God Man".  I reflect on the ways "faith" has become a pseudonym for all kinds of abuse, regardless of the form it takes, and this unyielding "faith" is, in its essence, related to the hierarchy and authoritarianism intrinsic to patriarchal culture, whether it occurs in India, Texas, or Germany. 

  Joel Kramer and Diana Alstad   are heroes of mine, because their writings so deeply embody true "new paradigm" thinking.  They coined the term "renunciate religions", used to describe doctrines in  religious systems that, hidden or blatant, teach us to renounce  nature, the body, sex and material existence as either not sacred, not heavenly, or "not real".  Since woman is the source of birth, all of these aspects of being alive on the Earth are usually associated with the untrustworthy feminine.   In patriarchal religions from ancient Greece on forward, sexual  "purity" is highly valued,  and women are scapegoated and distrusted, one way or another,  for inspiring sexual desire. 

In their book THE GURU PAPERS they so elegantly "unmask" these deeply embedded  aspects of contemporary religion and mysticism.  And as they point out, "renunciate" and authoritarian  systems of religious thought are a profound disaster for contemporary times, for the environmental crisis, because they are so very inappropriate for the environment, for a global society, and for women.***  

As they point out as well, the emphasis on "purity", whether a Hindu Guru or a Catholic  priest, usually results in abuse of power and its denial.

"Lying about sex is so rampant in every culture that structures what is sexually permitted it is commonplace to be inured to it and accept such lying as a given. But it is the lie, not the sex, that's the real issue.  The lie indicates the guru’s entire persona is a lie, that his image as selfless and being beyond ego is a core deception.  Many think that though a guru lies about his personal behavior, his message is still essentially true. Lying here as elsewhere is done to cover up self-interest.  If  the guru’s message is that purity without self-interest is the ultimate achievement, not only did he not achieve it,but he does not even know if it is achievable.  If being self-centered is an unavoidable aspect of being human, then any ideology that denies this will necessarily corrupt its promoters and believers.This why images of "purity"are always corrupt." **


http://youtu.be/hOjk2NpKMFM

 

**The Guru Papers:  Masks of Authoritarian Power 

          by Joel Kramer and Diana Alstad

The Guru Papers demonstrates with uncompromising clarity that authoritarian control, which once held societies together, is now at the core of personal, social, and planetary problems, and thus a key factor in social disintegration. It illustrates how authoritarianism is embedded in the way people think, hiding in culture, values, daily life, and in the very ideals people try to live by. Thus our basic problems are not the inevitable outcome of human nature, but rather are shown to stem from deep authoritarian implants. This offers new grounds for hope. The Guru Papers powerfully attests that unmasking and decoding hidden authoritarianism can disempower it, increasing the range of human freedom and possibility. The book also elegantly argues that this process is essential for human survival.

 

 ***  Witness the strange relationship conservative Christians and evangelicals make between Biblical thinking and the denial of climate change.

Aphrodite and Jalaja Bonheim

 

"Dance me to the children who are asking to be born
Dance me through the curtains that our kisses have outworn
Raise a tent of shelter now, though every thread is torn
Dance me to your beauty with a burning violin
Dance me through the panic till I'm gathered safely in
Touch me with your naked hand or touch me with your glove
Dance me to the end of love "

Leonard Cohen, "Dance Me To The End Of Love"

A friend in Portland is facilitating a ritual performance with masks, and I was a bit amused to learn that the mask of Aphrodite had been chosen by 3 women to invoke, and then each had withdrawn.   In my experience, one does not aspect a Goddess lightly!  When I last heard, they were still seeking a priestess to dance the mask.  I think invoking the energies of Aphrodite especially is no small task!  As I write I  remember a performance in 2001 in which the mask was danced by a beautiful woman with black silk gloves, to the music of "Dance Me To The End Of Love".

Aphrodite was "born from the sea", and without writing about the many sources of the mythic Aphrodite, it seems fitting that the Goddess of love should have her power and source in the vast depths of the ocean.  I also have to say that, considering the blog entry that preceeds this one, I believe Aphrodite........Eros.........is very wounded in our world, and I don't need to go very far to demonstrate my claim.  

 

 "Today, I would describe a priestess as a woman who lives in two worlds at once, who perceives earthly life against the backdrop of a vast, timeless, reality."

  Jalaja Bonheim

Allow me below to introduce one of my personal Heroines,  Jalaja Bonheim, a psychologist, temple dancer, and creator of the Institute for Circle Work in Ithaca, New York who has devoted much of her life to healing that wound.  She is the author of Aphrodite's Daughters: Women's Sexual Stories and the Journey of the Soul.  After spending her childhood in Austria and Germany, Jalaja studied classical temple dance in India before coming to the United States in 1982. She is the author of three other books as well, which were inspired by her passion for integrating sexuality and spirituality in our world, and empowering women.                                                                                                                            

"I think that every woman should have the opportunity, at some point in her life, to set down her sexual baggage among people who respect and support her, and to unpack it with them.  Our isolation has reinforced the assumption that nobody shares our feelings, or cares about our story, or wants to know.  But our individual baggage is never just ours alone.  Rather it belongs to the collective.  Other women have their own piece to carry.  The time has come to speak of what we know.  In the Temple we now sit in silence, a circle of priestesses.  One by one, each of us has stepped forward to make her offering.  Each one has given her gift, revealing through her story a beauty that made us catch our breath, a courage that renewed our own.  Around us we sense the spirits of many others - mothers and grandmothers, lovers and husbands, teachers and guides, the spirits of the ancestors and the spirits of those who are yet to come."

(from Aphrodite's Daughters)

APHRODITE IN BROOKLYN

Please allow me to take off my shoes,
this faux marble pose 
this modern, pragmatic mask.
Permit me my ruin.

Let us not consider this therapy
 or revolution
do not ask me to give you space
let us not discuss those who came before
and those who might follow.
Let us not talk of past lives.

I have fallen on hard times.
If you come to my temple
 just let me make for you an ocean.

Half seen in the darkness
your body, a mystery
true, tangible, radiant,
lined with the rings of your life.

You are beautiful,
beautiful to be a man.

Darling, even in this era, I will not believe
that love is disposable,
that sex is safe
that lovers are trains, rolling past each other
to some certain station 

  I remember,
  I almost remember my river source

My skin forms the word anew,
     yes,
     enter me
     as if

    you were coming home

             Lauren Raine (1999)