Quan Yin Sculpture...........

I've made a number of sculptures dedicated to Quan Yin *** and this is the most ambitious one in progress. Quan Yin, the manifestation of Divine Compassion throughout Chinese Buddhism, represents the Bodhissatva - the Great Being who "hears the cries of the world" and returns, again and again, to aid the suffering of the world.  She is often shown, like Tara of Tibet, with many arms, and has been called "thousand armed Quan Yin"....the arms being the many ways she can help and assist those in need.  

I don't know why I have felt the need to create so many Quan Yin images, exactly.  I have felt so much this past year the hardening of hearts, division, anger, and mean spiritedness in my country, and have become quite political with the rise the far right agenda and the election of Trump.  As above, so below - in the process I have seen a lot of anger and division coming out of me as well, not all of it manifesting in a good or wise way, and I do not feel in balance these days.  So making masks, making art about Quan Yin (and I am also making a painting about the Archangel Micheal), whether I realize it or not consciously, is an act of invocation.  For the world, but most especially for myself, the lack of compassion and understanding that I find in myself as well as in the world these days.  

As I love to tell my students, but don't always remember myself.........art making can be a great act of invocation, a great act of healing, an act of magic if you will.  When my model and I were working on the sculpture above, we both felt a kind of light in the room, a yellow, calm, serene light/sensation.  The Goddess was with us as we invoked Her through our creative process.  And it really doesn't matter if you even "believe" in the Goddess Quan Yin.   I'm not sure that "believing" is anywhere near as important as simply wanting help, wanting guidance, opening the heart.  I don't "believe" the Divine Ones care what we call them or what form we give them.  But making art can thus be an act for us of devotion and spiritual practice or transformation.  The art object, finished, becomes an icon, a talisman to remind us.  

I wanted to make a Quan Yin that, instead of the idealized and beautiful, but iconic, representations, looks like a real woman in the real world of today -  Bodhisattva walking among us, working among us, hearing and responding to the pain of the world, bringing healing and love.  And not a beautiful young woman either, idealized, but a woman in her middle years, reflecting the experience that comes with embodiment.  

And I had to throw in a photo of the gifts of my friend, my lemon tree.  Giant lemons!  I don't go Wassailing around the lemon and lime trees, but I do make a point of thanking the tree when I harvest the lemons around this time of year.  Perhaps I should Wassail too!  Certainly I am ever reminded of the generosity of the World, the friendship of the garden that so graciously gives us these gifts.

***

Kuan Shih Yin - Avalokiteshvara Bodhisattva

The Bodhisattva of Great Compassion

The Sanskrit name "Avalokiteshvara" means "the lord who looks upon the world with compassion".  Translated into Chinese, the name is "Kuan Shih Yin"or Quan Yin.

Kuan: observe

Shih: the world / the region of sufferers

Yin: all the sounds of the world, in particular, the crying sounds of beings, verbal or mental, seeking help

Avalokiteshvara Bodhisattva is the embodiment of great compassion. He has vowed to free all sentient beings from suffering. Avalokiteshvara Bodhisattva is has great powers and can help all sentient beings. His skilful means are limitless and he can appear in any form in all the six realms of existence to relieve the suffering of the sentient beings who live there. He vowed to rescue those who call on him when they are in suffering, for example, when caught in a fire, shipwrecked or facing an attack.

In the Lotus Sutra, Shakyamuni Buddha said that if a suffering being hears the name of Avalokiteshvara Bodhisattva and earnestly calls out to the Bodhisattva, Avalokiteshvara will hear the call and relieve that being from his suffering.

According to the Huayen Sutra, Avalokiteshvara Bodhisattva transforms himself into forms that suit the nature of those to be helped. His manifestations or transformation bodies are countless.  e.g. if a boy or girl is about to gain some enlightenment, Avalokiteshvara Bodhisattva transforms himself into a boy or a girl to teach the child.

e.g. If a monk is about to attain some enlightenment, Avalokiteshvara Bodhisattva transforms himself into a monk.

In short, he can appear as a monk, a nun, or a normal person like you and me. The purpose of such transformations is to make people feel close to him and willing to listen to his words.

In China, Avalokiteshvara Bodhisattva is represented in female form and is known as Kuan Yin. Probably because of Kuan Yin's great compassion, a quality which is traditionally considered feminine, most of the Bodhisattva statues in China since the Tang Dynasty (A.D. 618 - 907) have appeared as female figures. In India, however, the Bodhisattva is generally represented as a male figure.

In her hands, Kuan Yin may hold a willow branch, a vase with water or occasionally, a lotus flower.  The willow branch is used to heal people's illnesses or bring fulfillment to their requests.  The water ( the dew of compassion) has the quality of removing suffering, purifying the defilement of our body, speech and mind, and lengthening life.

In Buddhist art, Avalokiteshvara Bodhisattva is sometimes shown with eleven heads, 1000 hands and eyes on the palms of each hand (Thousand-Armed Avalokiteshvara Bodhisattva). The thousand eyes allow the Bodhisattva to see the sufferings of sentient beings, and the thousand hands allow her to reach out to help them.

Sometimes, he is represented with one head and 4 arms. This is the Four-Armed Avalokiteshvara, worshipped by all Tibetans as "Chenrezig", the Holder of the White Lotus. It is in the male form which has two hands in the praying gesture while the other two hands hold his symbols, the Crystal Rosary and the Lotus Flower.

There is a sacred place for the worship of Kuan Yin in China - the Putuo Mountain. It is actually an island located near the city of Ningpo, in Zhejiang Province. There are many stories of Kuan Yin's miraculous appearances at Putuo Mountain.

Actually, anyone can be like Kuan Yin. You may say that you don't have a thousand eyes or a thousand arms or that you lack skillful means, but it is your compassion that can transform you into a Kuan Yin. With your eyes and hands, you can help others. With your compassion, you can bring peace and tranquility to this world.

The Mani Mantra (The Mantra of Universal Protection) : OM MANI PADME HUM

from:  Buddhanet

 Kuan Yin  at Putuo Mountain

Anne Baring and the Return of the Goddess

"I Rest in You, A Seed" (1992)

"Perhaps we can now understand that the concept of soul embraces an immense web or matrix of relationships which is concealed behind the veil of matter. But can we also understand soul to include visible nature; the physical aspect or manifestation of life which arises out of the invisible, out of what cannot be seen, rather like the stem of a flower arises out of the depths of the soil or the stars emerge in the night sky?"

Recently I had one of those short conversations about the importance of myth, spirituality and symbolism in the face of overwhelming "here and now" problems with a woman who is very involved in feminism and women's issues. We were standing in line together, and she asked me, after I'd shown her a book I had in my hand on Goddess culture and contemporary Women's Spirituality, if I believed this was really important in the face of the huge global issues of gender inequality and injustice?

Whew.  I couldn't answer that one in 5 minutes, no way.  I said yes, which was about the best I could do at the moment.  Then went home and found a book by Jungian psychologist Anne Baring, whose eloquence on the subject far exceeds my own, at least with the printed word.  It helps to share it here....
I operate from a construct of ideas that have become second nature to me and my contemporaries, assumptions that it is often easy to forget others may not be familiar with.  Archaeologist Maria Gimbutas, and activist philosopher Riane Eisler, for example,  have been very influential in informing my worldview.


It's interesting to me that when I speak of the "return of the Goddess", so many people take this to mean the ascendancy of a female hierarchy, much as there is currently a long established hierarchy based on male values and power. Patriarchal culture and psychology is profoundly based on heirarchical thinking, and as I have so many times noted, hierarchal thinking, and the trivialization of anything that is "feminine identified" is deeply, unconsciously, and systematically embedded in our cultural paradigm.  To talk about the Goddess, be it women's spirituality, myth, or Mother Earth, requires stepping way out of the conventional box.  But if one doesn't believe we live in a cultural construct that is patriarchal,  just  look around and see where the priorities lie.  Education, environment, children,  all are secondary in budget, and in media, to the ongoing preocupation with war.  I think it's time to send those  Sky Warrior Gods, whether they're called Zeus or Yawah,to their rooms and let Mother clean up some of the mess.

"The religions of the last 2500 years - all formulated by men - were, not unsurprisingly, focused on the masculine aspect of spirit and neglected the feminine aspect of it. They excluded from the word 'spirit' nature, body and the material world. What was once imagined as the Great Mother - all nature and her mystery - came to be seen as separate from spirit and desacralised. (Giordano Bruno was burnt at the stake in 1600 for refusing to deny that God was present in nature). 

We need now to bring together body, soul and spirit so that life is not so fragmented, so that we know ourselves in our wholeness, know that our lives, our consciousness, our being and our body, are inseparable from the life and consciousness and being of the universe.  The effects of the loss of the feminine aspect of spirit on our civilisation are incalculable. Instinctive knowledge of the holy unity of things, reverence for the complexity and inter-relatedness of all aspects of life, trust in the powers of the imagination and exercise of the faculty of intuition - all this as a way of relating to life through participation rather than through dominance and control, was gradually lost."

Anne Baring 

"The Goddess" (1982)

Effects of the return of the feminine principle: 

-Return of the idea of cosmic soul or anima-mundi.
-Recovery of a sense of relationship with nature.
-Recovery of a sense of the sacred.
-Recovery of the instinctive, feeling values that are so vitally important for our connection   with soul  and spirit.
-A better balance between thinking and feeling
-Greater sensitivity to other people's needs and feelings in the field of human relationships. A sense of global connection with others.
-A greater respect for the body  

Anne Baring