Frau Holle's Time of Year!

 

I  pull this post out just about every winter,  along of course  with the one on Father Christmas and Odin.   I love Frau Holle, who emerges from the landscape of Northern myth at this time of year, and leads us back and back and back to ancient origins........if you've encountered this piece before, please indulge me..........

One of the  Goddesses that reflects the flux of seasonal cycles, and belongs truly to Winter,  is the Nordic  Frau Holle. Holle has very ancient origins indeed, and may have been a prehistoric, a pre-Christian  Weaver Goddess, a Spinner of fate. 

Mother  Holle is very much associated with Yule, and with the warmth of hearth and home, especially in the winter.   Also known as Holda or Hulda, she is a manifestation of the Pagan  triple goddess,  embodying the passages of life through birth to death, in both light and dark. In some early  myths, she is "the ash girl", her face half black with soot and half white.  

This remarkable metaphor  comes from a story of how,  in order to marry the God of Winter she had to come to him neither naked nor clothed, and neither in light or darkness (thus, both the "White Goddess"  and the "Dark Goddess").   Like the myth of  Persephone, who becomes the Queen of both death and spring,   Holle (perhaps, fittingly, related to words like  "Holy", "wholly",  and "whole"?)  in old age  is Winter's Queen, and encompasses the Circle of dualities. 

As old Mother Holle/Holda, it was believed that  she brought  soft snow to put the world to bed.     Mother Holda is the source of  the  "Mother Goose"  legends, because the snow flies when she shakes the feathers from her down feather bed.  In Holland, they still say that 'Dame Holle is shaking her bed'. 

 For anyone who may wonder where the "flying broomsticks" of witches (or Harry Potter) comes from, Dame Holda is probably  the original source.  Because of her association with the hearth and home, the Broom was both a symbol as well as a  magical tool.  Folk traditions of "sweeping away evil from the hearth" are found throughout Europe. As a symbol of the Hearth ("the Heart of the household") it is interesting to see this also transformed into the "vehicle of witches" as Pagan mythology, and folk rituals, became transformed and often diabolized in later Christian times.    In later folktales, Frau Holle becomes a fearsome hag, riding her broom and bringing the storms of winter.

 

"Frau Holle, as she is known in Germany, was called The Queen of the Witches. The brothers Grimm tell a story of step-sisters who both go to visit Frau Holle in the 'nether realms'. They begin their journey to her by falling in a well............Holle's name is linguistically related to the word Halja, which means "covering", and is the ancient Teutonic name for Hel, the Norse land of the dead. Holle is sometimes called the Queen of the Dead, and resides in the 'nether' regions. She possibly lent her name to the country Holland, 'the land of Holle', which is also called the Netherlands because many parts of the country are below sea-level." 

Sandra Kleinschmitt

Holda/Holle/Hel  is  both light and dark, young and old, illumination and shadow, living in the "nether world" and the material world. Holle demonstrates the non-duality of nature.  Spring becoming Summer becoming Winter becoming born again.   Whole.
  
 As the mythologist Joseph Campbell pointed out in many ways throughout his writings, to understand the evolution of myth is to understand many interconnected things, including the evolution of language and religion.  One of my personal images that I often find myself making are  "dual" masks, masks that are half black and half white, or half "underground" and half "above ground vegetation".  "Helkappes".........

"Our Lady of Chaos and Order" (2013)

 I think this reflects my sense of how very important holistic consciousness is, personally and collectively, whether we speak of "shadow work", the coming to terms with the ebbs and flows of self, or the cycles of our Mother Earth, the ebbs and flows of the seasons and the creation/death/rebirth cycle.  Whether microcosm or macrocosm, to try to live within the perspective of  the Whole. 

So who is  Hel, the ashy side of Holle's face, from whose name we get "Hell"?  

Besides being the origin of the word people use daily as a swear word, and millions of Christians have a mighty fear of going to if they don't get baptized or redeemed (and blissfully ignorant of where the  concept originated from).  

Hell  has been used, very effectively,  by the early  church  as a scare tactic to frighten the masses into “righteous” acts. People no longer remember that once "go to Hell" meant, simply,  to die and go to the underground realm of the Dark Goddess.  To get the real story, we have to go back to the early Nordic peoples with their Triple Mother,  and look this death Goddess in the face.  

"Hel" by Susan Seddon Boulet

Hel has a realm in the netherworld or the underworld (and the idea of underworld, or womb/tomb Goddesses is very ancient indeed, going back to the Paleolithic, and may be part of the apparent sanctity of caves and their amazing cave paintings.).  She is the ruler of that underworld country  to which souls who have not died in battle will depart. As thanks for making Her ruler of the netherworld, Hel makes a gift to Odin. She gives him two ravens, Huginn and Muninn (Thought and Memory).  In Nordic mythology Ravens are messengers between this realm and the next, psychopomps that can open pathways.  

 Johannes Gehrts

The name of Her realm is Helheim, and perhaps like Maat of Egypt, Hel is the judge of each soul that enters her realm.   Those who were cruel and evil in life must endure a place of icy cold for a while as punishment (a fate that the  people of ancient Scandinavia and Germany apparently  found much worse than a nice warm lake of fire). Unlike the Christian concept of Hell as a place of eternal damnation and punishment, however, Helheim also served as the shelter (womb of regeneration) for  souls waiting to be reincarnated. 

"Hel watches over those who died peacefully of old age or illness. She cares for children and women who die in childbirth.  She guides those souls who do not choose the path of war through the circle of death to rebirth."

 Rowen Saille of the Order of the White Moon

Like Persephone, who is both the Spring Maiden and the Queen of  Hades, Hel as the dark side of Holle governs  the underworld or invisible realm. In magic, like Hecate, she is a pathfinder  where the  veil between worlds is thin.

"Magic is the art of changing consciousness  at will."   ............ Starhawk

 Seidhr [SAY-theer] or Nordic shamans called upon Hel's protection, and in doing so they  wore  "the helkappe", a magic mask, to render them invisible and enable them to pass through the gateway into the realm of death and spirit.  The Helkappe was a mask,  thus understood as a transformative, liminal tool that enabled one to  transit between the seeming dualities of life..........and like masks and sacred drums  throughout the world's traditions, it was infused with shamanic power.  

To take the wisdom of this  metaphor further, to thus wear a mask  as a psychic  tool was to  engage consciously with the continual flux of personae - young/old, dark/light, good/bad, male/female.   This is the realm of the soul, beyond duality, beyond time.  Wearing the "Helkappe", in whatever way one may imagine such a mask........enables one to enter both realms.

A wonderful commentary on Holle/Hel come from the   Goddess Inspired  Blog  by Silvestra, who has helped me to understand the  non-duality of this myth, and it's unfathomably ancient origins.  Rather than me try to paraphrase her, I take the liberty of copying the article here, and provide the link to her Blog below.

"Mother Holle  started off Her existence as the Goddess of Death and Regeneration. During the Neolithic in what Marija Gimbutas termed Old Europe people believed in the cyclical nature of all existence. Every ending was understood to be the beginning of a new chapter. Death, rather than being the final end, was seen as a resting stage prior to new life. Just as seeds rest deep undergound during the cold winter months waiting to sprit up as a seedling in spring, so were the dead seen as having returned to the Goddess’ dark womb to await renewal and rebirth.

The Goddess of Death and Regeneration was associated with winter and the colour white. Small stiff white Goddess figurines with small breasts and exaggerated pubic triangles were placed alongside the dead in order for Her to accompany the person on her or his journey of renewal. The Goddess of Death and Regeneration was not feared or seen as being evil, but instead was considered to be benevolent and generous.

                       Mandorla of the Spinning Goddess (1982)  by Judith Anderson

“She holds dominion over death, the cold darkness of winter, caves, graves and tombs in the earth….but also receives the fertile seed, the light of midwinter, the fertilized egg, which transforms the tomb into a womb for the gestation of new life.”..... Marija Gimbutas 

Old white-haired Mother Holle and Her underground realm are one interpretation of this aspect of the Goddess. In the fairy tale Mother Holle is described as being kind and generous and very just. She lives at the bottom of a well. The well itself can be interpreted as being the birth canal leading to Her dark underground womb...........Mother Holle is described as having ugly big teeth, a big nose and a flat foot. The latter shows her love for weaving or spinning, another sacred act associated with the Goddess: She is the Life Weaver, the Spinner of Destiny and Fate.

Mother Holle was known all across the Germanic world. She was called Holle in Germany, Hel or Hella in Scandinavia and Holde on the British Isles. She is the origin for the word hell and its German variant Hölle, as well as words such as holy and holding in English and Höhle (= cave) in German.

The Scandinavian Goddess Hel is probably the most widely known version of Mother Holle as Goddess, although by the time the Indo-European Norse wrote down their religious beliefs, Hel was no longer the benevolent Regeneratrix of the Neolithic. She had become the dreaded Queen of the Dead.

As was the case during the Neolithic, Hel’s realm Nifhelheim also lies below the earth at the root of the World Tree. Incidentally the bottom of the World Tree is also home to the three Norns, Weavers of Destiny. While, as said above, originally the Goddess of Death and Regeneration was also the Weaver of Fate and Fortune, later beliefs separate Her more and more into Her various aspects. 

"Hermod before Hela" John Dollman.

Despite being feared by the Norse as the dreaded Hag of Death, Hel has Her benevolent roots hidden in plane sight. Being linked to the earth, She is one of the old Vanir Earth Goddesses, Vanir meaning “the Giving One”.

In Central Europe Mother Holle also evolved over time. Instead of becoming the Goddess of the Underworld, though, She became the Queen of Elves and the Mistress of Witches. Her character was actually very similar to that of Greek Hekate, the old Crone who roams the world with Her fearsome dogs.   Around 900CE Frau Holle had become an old weather hag who was said to ride in on Her broom stick bringing with Her whirlwinds and snowfall. Her life-giving generous nature was retained more in Germany than in Scandinavia, as even during Christian times She was seen as bringing life to the land causing growth, abundance and good fortune."

 http://goddessinspired.wordpress.com/2012/04/09/mother-holle-the-germanic-goddess-of-death-and-renewal-weaver-of-fate-and-fortune